Search

Copyright of Revista de la Asociacion Aragonesa de Criticos de Arte is the property of Asociacion Aragonesa de Criticos de Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Memoria de la Educación is the property of Historia y Memoria de la Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Linguagens, Educação e Sociedade (LES) is the property of Revista Linguagens, Educacao e Sociedade (LES) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Horizonte de la Ciencia is the property of Horizonte de la Ciencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of EDU REVIEW: International Education & Learning Review / Revista Internacional de Educación & Aprendizaje is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Educacion Musical is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RED - Revista de Educación a Distancia is the property of Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyses the possibilities of digital music production tools in the field of music teacher training. To do so, it identifies the different fields of action and the projection of music production resources in the educational environment, as well as the tools and functionalities of the Digital Audio Workstation (DAW) as a didactic resource. Based on the above, an action-research is carried out within the framework of secondary education teacher training of the music specialty of University of Salamanca, through a series of learning situations developed using the DAW and aimed at the acquisition of basic knowledge, the development of competences and the assimilation of music production concepts. The work shows how the DAWs are a very powerful and versatile resource for articulating learning situations that promote meaningful learning in real contexts, the development of creativity, the assimilation of complex and abstract concepts, while at the same time boosting self-esteem, motivation, and commitment to the subject. [ABSTRACT FROM AUTHOR]

INTRODUCTION. The characteristics of an activity can encourage students to integrate significantly into a social group, so it can be considered an element that stimulates situational interest. Given this, music can become a powerful tool to face educational challenges in multicultural societies and a potential activator of the situational interest of these students. METHOD. Based on this, the "World Music Workshop" was designed as a strategy to stimulate the situational interest of Secondary school students to work on interculturality in multicultural educational environments. In order to carry out this process, a validation was carried out by expert judgment with the method of individual aggregates. Seven teachers (five university professors and two from Secondary school) evaluated the phases and instruments of the strategy. RESULTS AND DISCUSSION. Based on their considerations, modifications were made to the diagnosis and evaluation instruments and new resources were incorporated into the Workshop proposal. [ABSTRACT FROM AUTHOR]

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Muchos países incorporan el estudio de la flauta dulce en las enseñanzas de música de Educación Primaria. El alumnado cuenta con una clase grupal a la semana de no más de una hora de duración, siendo complejo realizar una individualización real del proceso de aprendizaje. Tras la clase colectiva, los alumnos/as tienen que practicar en casa solos, recayendo sobre sí mismos la responsabilidad de su avance en el estudio. Este trabajo propone la inclusión de una herramienta digital como complemento a las carencias que presenta el proceso de enseñanza-aprendizaje del instrumento, así como una propuesta de protocolo de estudio a seguir por parte del alumnado en su avance autónomo.La aplicación informática tiene como objetivos ofrecer la posibilidad de escuchar la pieza musical, mostrar la partitura, grabar las interpretaciones y, finalmente, brindar referencias y datos sobre los errores cometidos, tanto al alumnado como a la figura docente. Esta información, hasta ahora desconocida, hace que el modelo de enseñanza tradicional se transforme completamente.Tras llevar a cabo la inclusión y evaluación de ambas propuestas en un contexto educativo se han obtenido conclusiones positivas que demuestran la mejora sustancial del proceso de enseñanza-aprendizaje de este instrumento musical. /// Many countries incorporate the study of the recorder into the teaching of music in primary education. The students have a group class per week of no more than one hour in duration, being a complex that performs a real individualization of the learning process. After the collective class, the students have to practice at home alone, with the responsibility for their progress in the study falling on themselves.This work proposes the inclusion of a digital tool as a complement to the deficiencies that the teaching-learning process of the instrument presents, as well as a proposal for a study protocol to be followed by the student in their autonomous progress.TThe objective of the computer application is to offer the possibility of listening to the musical piece, showing the score, recording the performances and, finally, providing references and data on the mistakes made, both to the students and to the teaching figure. This information, until now unknown, causes the traditional teaching model to be completely transformed. After carrying out the inclusion and evaluation of both proposals in an educational context, positive conclusions have been obtained that show the substantial improvement of the teaching-learning process of this musical instrument.

Copyright of Revista Portuguesa de Pedagogia is the property of Imprensa da Universidade de Coimbra and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Tecnología, Ciencia & Educación is the property of Centro de Estudios Financieros SL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal Practical Didactics / Revista de Didáctica Práctica is the property of ECORFAN-Mexico S.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal Basic Education / Revista de Educación Básica is the property of ECORFAN-Mexico S.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Miradas is the property of Universidad Tecnologica de Pereira and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Olhares: Revista Electronica do Departmento de Educacao da UNIFESP is the property of Universidade Federal de Sao Paulo, Departamento de Educacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Entretextos (2007-1426) is the property of Promocion de la cultura y la educacion superior del Bajio, A.C. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of América Latina Hoy is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Educacion Musical is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pixel-Bit, Revista de Medios y Educacion is the property of Pixel-Bit, Revista de Medios y Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Many countries incorporate the study of the recorder into the teaching of music in primary education. The students have a group class per week of no more than one hour in duration, being a complex that performs a real individualization of the learning process. After the collective class, the students have to practice at home alone, with the responsibility for their progress in the study falling on themselves. This work proposes the inclusion of a digital tool as a complement to the deficiencies that the teaching-learning process of the instrument presents, as well as a proposal for a study protocol to be followed by the student in their autonomous progress. TThe objective of the computer application is to offer the possibility of listening to the musical piece, showing the score, recording the performances and, finally, providing references and data on the mistakes made, both to the students and to the teaching figure. This information, until now unknown, causes the traditional teaching model to be completely transformed. After carrying out the inclusion and evaluation of both proposals in an educational context, positive conclusions have been obtained that show the substantial improvement of the teaching-learning process of this musical instrument. [ABSTRACT FROM AUTHOR]

Education cannot and should not remain outside the society in which it participates. From educational institutions we must respond to the demands of this new diverse context that demands to promote the development of attitudinal skills. This article reflects on the changes and challenges of today's society and on proposals adapted to this new reality. The link between socio-educational initiatives through art with SL projects is reviewed as elements that strengthen the development of musical content and skills and promote critical and supportive thinking. [ABSTRACT FROM AUTHOR]

Copyright of Historia de la Educacion is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Entramado is the property of Universidad Libre Seccional Cali and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Interamericana de Investigación, Educación y Pedagogía - RIIEP is the property of Universidad Santo Tomas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The current research aims to identify music teaching criteria applied by women conductors who have experience in children's choral conducting because an existing gap in pedagogical in matters of repertoire selection. The research method holds a qualitative, nonexperimental, and cross-sectional design, using the constant comparative method because criteria are identified through conductor interviews that are centered on repertoire selection for childhood choirs. Results demonstrate that criteria for repertoire selection are based on inferences that conductors make regarding students' musical preferences and difficulties and experiences perceived by each singer. In conclusion, three teaching criteria are identified concerning repertoire selection: musical background, the difficulty level of repertoires, and musical tastes of students. [ABSTRACT FROM AUTHOR]

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Musical Chilena is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Sign Language incorporated into music is a new kind of inclusive art that is getting more and more presence in society due to social networks and different artistic initiatives. Music is conceived as a multisensory experience in which visual and tactile stimuli and expressive movement enrich the listening experience. This work aims at knowing the incidence of sign language in musical interpretation, as well as verifying its possible contributions to the musical perception of people with or without hearing impairment through a review of the academic literature. The search was carried out using specialized databases, Web of Science (WoS), Scopus-Elsevier (Scopus), ProQuest, and the Google Scholar digital search engine in Spanish and English. Inclusion and exclusion criteria are established in order to exclusively obtain documents related to the study objective. In the results obtained, there is a scarcity of studies, most of the documents deal with personal experiences or analyze YouTube videos. Verifies that the amalgamation of music plus Sign Language is an inclusive multimodal practice that makes perceptual experiences more meaningful for people with or without hearing impairment. At the same time, it is evident that other presumed benefits of this practice are still pending study. [ABSTRACT FROM AUTHOR]

This article explores the influence of music education in rural young women, based on their experiences as musicians in the San Martín Tilcajete Youth Philharmonic. A qualitative, gender-perspective methodology was used and in-depth interviews and life stories were conducted. The results show that the philharmonic was a project that sought to empower the agency of young women as political subjects, promoting their autonomy through music education. This initiative attempted to influence the empowerment processes of young women; however, there were driving factors such as family support and inhibitors related to traditional gender stereotypes. This led to conflicts, compensation, and negotiations, events that women go through to achieve their autonomy. [ABSTRACT FROM AUTHOR]

The present text aims to present dialogically the construct Curriculum as Jazz, its assumptions and methodological implications in the teaching of music in a primary school. Part of our doctoral research in Education Sciences - Curriculum Development Specialty, this work, which is based in a bibliographical review, in interlocution with the investigative processes, intends initially to approach the theoretical-methodological conceptions of the definitions of Music, Musical Education, Inclusion and Interdisciplinarity, proposing movements of conversation and improvisation, thus allowing the return to the theme Curriculum as Jazz to set up an inclusive and interdisciplinary pedagogical-musical profile. In this curricular narrative, we welcome the metaphor of the Curriculum as Jazz, proposing a narrative with the Jam Session, as well as sharing our ways of giving meaning to Music Education and the possibilities of curricular designs that encompass conversation and improvisation. In this sense, we welcome a Jam Session that involves the senses of dialogue, collective work, self-learning and equal opportunities, that values decision making, autonomy and reflection, and articulates, in this way, inclusion and interdisciplinarity. In this way, we understand the Jam Session as a collective experience, a space of social learning based on the cultivation of musical individuality. In this movement, the teaching of Music is composed in a community of reciprocal learning, which is (re) discovered and (re) written at every moment, in the performance movement of a Curriculum as Jazz. [ABSTRACT FROM AUTHOR]

Copyright of Ensayos: Revista de la Facultad de Educacion de Albacete is the property of Ensayos Revista de la Facultad de Educacion de Albacete and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of EDU REVIEW: International Education & Learning Review / Revista Internacional de Educación & Aprendizaje is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pedagogía y Saberes is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cadernos de Pesquisa is the property of Fundacao Carlos Chagas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Electrónica Interuniversitaria De Formación del Profesorado is the property of Asociacion Universitaria de Formacion del Profesorado (AUFOP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ricercare is the property of Universidad EAFIT and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pixel-Bit, Revista de Medios y Educacion is the property of Pixel-Bit, Revista de Medios y Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Singing is the most important activity in music education, particularly in the nursery and primary stages. Various authors have emphasized the importance of song in musical education and the overall education of children in the early stages of learning. This study aims to establish whether teachers enjoy singing in class and how often they do so. It also aims to determine how important they believe singing is and how important they believe it is to their colleagues, families, publishers, educational administrators, and society in general. The methodology used is a questionnaire completed by teachers in education centers in Almeria, Granada, and Seville. We can observe that teachers enjoy singing and often use song in the classroom. Conversely, it becomes clear that families and publishers attach little relevance to singing in the classroom and educational administrators and society in general have even less interest in these activities. [ABSTRACT FROM AUTHOR]

Copyright of Revista Internacional de Aprendizaje en la Educación Superior is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Spanish Journal of Comparative Education / Revista Española de Educación Comparada is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Spanish Journal of Comparative Education / Revista Española de Educación Comparada is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)