7 results on '"Music Computer Technologies"'
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2. ЗНАЧИМІСТЬ ДИСЦИПЛІНИ «КОМП’ЮТЕРНЕ АРАНЖУВАННЯ» В СУЧАСНІЙ ОСВІТНІЙ ПРОФЕСІЙНІЙ ПІДГОТОВЦІ СТУДЕНТІВ ДУХОВИХ ІНСТРУМЕНТІВ.
- Author
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Володимирович, Сіончук Олексан&
- Subjects
- *
COMPUTER engineering , *EDUCATIONAL technology , *BRASS bands , *MUSIC education , *COMPUTER software , *COMPUTER music , *EDUCATIONAL films , *SELF-expression - Abstract
The purpose of this article is to substantiate the relevance and pedagogical necessity of the discipline ―Computer Arrangement‖ for students-ovens, outlining the tasks and functions of this course. The methodology was general scientific research methods: analysis, comparison, generalization. The source method was also used - the theoretical basis was the research of domestic and foreign scientists on the problems of implementation of computer technology in the educational process of musicians. The scientific novelty lies in the expansion of knowledge in the field of computer music programs, the characteristics of music editors, which are most often used in teaching the discipline. In addition to recommendations for independent work of students, the choice of repertoire in teaching this discipline, and the main types of professional tasks of graduates, the author focuses on specific proposals for a more thorough introduction of music and computer technology in the educational process of students - ovens. Conclusions. First, it should be emphasized that the complex subject ―Computer Arrangement‖ is designed to meet the needs of students in creative self-expression and provide basic knowledge and skills that will allow in the future, in addition to working with a brass band, to conduct creative activities of composer and arranger technologies. The study of music and music editors provides a fundamentally wide range of opportunities for systematization, organization, and presentation of educational material, which ultimately determines the effectiveness of the professional activities of the future leader of the brass band. [ABSTRACT FROM AUTHOR]
- Published
- 2021
3. Mobile Technologies in the Process of Teaching Music Theory.
- Author
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Goncharova, M. S. and Gorbunova, I. B.
- Subjects
- *
MUSIC theory , *TEACHING aids , *STUDENT assignments , *MUSIC education , *DIGITAL technology - Abstract
The article provides teaching materials on the use of mobile technologies in the music-theoretical courses of children’s art schools. The use of mobile technologies allows teachers to organize their teaching activities (create a portfolio or a website), create an environment for remote support for learners (virtual classroom with assignments, tests, etc.), change the principles of classwork and homework by means of mobile applications and by making training programs personal and individual, adapted to the needs of each student. Tablets and gadgets have always attracted children, therefore, these familiar devices and the element of game and competition (various music applications) can help music-theoretical courses become much more interesting, draw children’s attention and energize them. [ABSTRACT FROM AUTHOR]
- Published
- 2020
- Full Text
- View/download PDF
4. ПРОГРАММА ПРОФЕССИОНАЛЬНОЙ ПЕРЕПОДГОТОВКИ «ДИСТАНЦИОННЫЕ ОБРАЗОВАТЕЛЬНЫЕ ТЕХНОЛОГИИ В МУЗЫКЕ И МУЗЫКАЛЬНОМ ОБРАЗОВАНИИ»: ОРГАНИЗАЦИОННО-ПЕДАГОГИЧЕСКИЕ УСЛОВИЯ РЕАЛИЗАЦИИ
- Subjects
дистанционные образовательные технологии ,music computer technologies ,музыкальное образование ,музыкально-компьютерные технологии ,music education ,distance education technologies - Abstract
В статье рассматриваются организационно-педагогические условия реализации программ профессиональной переподготовки преподавателей музыкальных дисциплин по направлению «Дистанционные образовательные технологии в музыке и музыкальном образовании» с применением музыкально-компьютерных технологий (МКТ), разработанной и реализуемой на уровне дополнительного профессионального образования в учебно-методической лаборатории «Музыкально-компьютерные технологии» Российского государственного педагогического университета имени А.И. Герцена. Особое внимание авторами статьи уделяется необходимости создания соответствующей высокотехнологичной творческой образовательной среды для преподавателя-музыканта, осуществляющего свою профессиональную деятельность в условиях цифровизации образования, реализации дистанционных образовательных технологий и электронного обучения., The article discusses the organizational and pedagogical conditions for the implementation of professional retraining programs for teachers of music disciplines in the direction of “Distance educational technologies in music and music education” with the use of music computer technologies (MCT), developed and implemented at the level of additional professional education in the educational and methodological laboratory “Music and Computer Technologies” of the Russian State Pedagogical University n.a. A.I. Herzen. The authors of the article pay special attention to the need to create an appropriate high-tech creative educational environment for a teacher-musician who carries out his professional activity in the context of digitalization of education, the implementation of distance educational technologies and e-learning.
- Published
- 2021
- Full Text
- View/download PDF
5. Using the «Garage Band» Mobile App for Students in Music Lessons
- Author
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Intykbaev, S. A.
- Subjects
MOBILE SYSTEMS ,МУЗЫКАЛЬНЫЕ КОМПЬЮТЕРНЫЕ ТЕХНОЛОГИИ ,MUSIC EDUCATION ,MUSIC COMPUTER TECHNOLOGIES ,GARAGE BAND ,МУЗЫКАЛЬНОЕ ОБРАЗОВАНИЕ ,МОБИЛЬНЫЕ СИСТЕМЫ - Abstract
В статье определяются возможности музыкально-компьютерных технологий в развитии образования и рассматривается вопрос о возможном использовании мобильного приложения «Garage Band» преподавателем музыки и пения. The article defines the possibilities of music and computer technologies in the development of education and discusses the possible use of the mobile application «Garage Band» by a music and singing teacher.
- Published
- 2021
6. Mobile Technologies in the Process of Teaching Music Theory
- Author
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Irina B. Gorbunova and M.S. Goncharova
- Subjects
Mobile Technologies ,Music Education ,Music Computer Technologies ,Digital Educational Technologies ,Multimedia ,Computer science ,Educational technology ,General Medicine ,Music education ,computer.software_genre ,Music theory ,Technology integration ,ComputingMilieux_COMPUTERSANDEDUCATION ,Musical composition ,Mobile technology ,Active listening ,Mobile device ,computer - Abstract
The article provides teaching materials on the use of mobile technologies in the music-theoretical courses of children’s art schools. The use of mobile technologies allows teachers to organize their teaching activities (create a portfolio or a website), create an environment for remote support for learners (virtual classroom with assignments, tests, etc.), change the principles of classwork and homework by means of mobile applications and by making training programs personal and individual, adapted to the needs of each student. Tablets and gadgets have always attracted children, therefore, these familiar devices and the element of game and competition (various music applications) can help music-theoretical courses become much more interesting, draw children’s attention and energize them.
- Published
- 2020
- Full Text
- View/download PDF
7. Комплексная модель семантического пространства музыки и современный музыкально-образовательный процесс: одна из граней научного и творческого наследия Михаила Борисовича игнатьева
- Subjects
Mikhail B. Ignatiev ,music computer technologies ,музыкальное образование ,linguo-combinatorial simulation ,комплексная модель семантического пространства музыки ,музыкально-компьютерные технологии ,integrative model for semantic space of music ,music education ,Михаил Борисович Игнатьев ,лингво-комбинаторное моделирование - Abstract
Развитие средств вычислительной техники привело к созданию и развитию новых форм обучения музыкальному искусству. Появление и развитие музыкально-компьютерных технологий (МКТ) послужило основой для со здания новых форм в учебном процессе, так и новых предметов, возникновения новых дисциплин и новых образовательных направлений в системе современного музыкального образования. Новые предметы – такие как «Музыкальная информатика», «Компьютерное музыкальное творчество», «Компьютерная аранжировка и композиция», «Звукотембральное программирование», «Электронные музыкальные инструменты» многие другие – в полной мере отражают суть произошедших перемен в подходах к изучению музыкального искусства. В статье анализируются возможности включения разработанной при участии выдающегося учёного-кибернетика Михаила Борисовича Игнатьева комплексной модели семантического пространства музыки в современный музыкально-образовательный процесс; выявляется роль учебно-методической лаборатории «Музыкально-компьютерные технологии» Российского государственного педагогического университета им. А.И. Герцена как образовательной структуры, в рамках который реализуются основные положения рассматриваемой модели на различных уровнях обучения музыкальному искусству., The development of computer technology has led to the creation and development of new forms of music education. The emergence and development of music computer technologies (MCT) served as the basis for the creation of new forms in the educational process, and new subjects, the emergence of new disciplines and new educational trends in the system of сontemporary musical education. New subjects – such as “Musical Informatics”, “Computer Musical Creativity”, “Computer Arrangement and Composition”, “Sound-Timbral Programming”, “Electronic Musical Instruments” and many others – fully reflect the significance of changes in approaches to the study of musical art. The article analyzes possibilities of incorporating the integrative model for the semantic space of music developed with the participation of the outstanding cybernetic scientist Mikhail B. Ignatiev into the contemporary musical and educational process and the role of the educational and methodical laboratory Music Computer Technologies of the Herzen State Pedagogical University of Russia as an educational structure, within which the main provisions of the considered model are implemented at different levels of teaching musical art.
- Published
- 2019
- Full Text
- View/download PDF
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