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39 results on '"EVERIST, MARK"'

1. Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France

Author

Everist, Mark

Subjects
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France (Critical work) -- Maurey, Yossi, Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapelle in the Thirteenth Century (Collection) -- Gaposchkin, M. Cecilia, Books -- Book reviews, Music
Abstract

Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey. Cultural Encounters in Late Antiquity and the Middle Ages 35. Turnhout: Brepols, 2021. [...]

Published
2023

5. The music of power: parisian opera and the politics of genre, 1806-1864

Author

Everist, Mark

Subjects
French music -- History, Operas -- History -- Political aspects, Music
Abstract

Music for the stage may be understood in terms of institution, power, and genre. Nowhere is this more true than in the kaleidoscopic range of music drama produced in nineteenth-century [...]

Published
2014

6. The Oxford History of Western Music

Author

Everist, Mark

Subjects
The Oxford History of Western Music, vols. 1-6 (Nonfiction work) -- Taruskin, Richard -- Book reviews, Books -- Book reviews, Music
Abstract

In Search of the Waters of Oblivion The Oxford History of Western Music, by Richard Taruskin. 6 vols. New York: Oxford University Press, 2005. Volume 1, The Earliest Notations to [...]

Published
2009

16. Reception and recombination in the polyphonic 'Conductus cum caudis': the Metz fragment

Author

Everist, Mark

Subjects
Chansons, Polyphonic -- Criticism and interpretation, Music -- Manuscripts, Motets -- History, Music
Abstract

The fragment Metz, Bibliotheque de la Ville, reserve precieux, MS 732bis/20 is discussed as an example of the polyphonic 'conductus cum caudis,' c. 1300. The relationship between the conductus and the motet is examined.

Published
2000

17. Polyphonic music in thirteenth-century France : aspects of sources and distribution

Author

Everist, Mark

Subjects
780, Music, Manuscripts, France, 13th century
Abstract

The investigation of primary sources of thirteenth-century polyphony has been closely related to questions of the date and provenance of the surviving manuscripts. Previous studies have taken a single book and attempted to place it chronologically and topographically within the history of music of the thirteenth century. This thesis considers surviving material related to thirteenth-century polyphony and evaluates the patterns of production found there. These considerations are supported by a review of chronology in the period. Using techniques derived from the fields of paleography, codicology, and art history, the manuscripts are loosely divided into Parisian and non-Parisian, and the contrasting types of book-production are placed in the context of the contemporary production of other types of book. At the most basic level, Parisian books betray a professional and organised system of production which relates to the generation of books which preceded the establishment of the pecia system whilst provincial manuscripts seem to suggest a more informal and ad-hoc construction and circulation. The data obtained from such source-critical inquiry are then used to ask questions concerning the distribution of genre with the discussion focused primarily on the motet and its various sub-species: bilingual motet, rondeau-motet, etc. Conclusions as regards distribution of the music suggest a distinction between Parisian practices and provincial, particularly Artesian, musical cultures. It is argued that concordance-bases and origins of surviving sources suggest the exclusive cultivation of some genres in Paris, and, of others, in Artois or the provinces.

Published
1985

18. Giacomo Meyerbeer, the Theatre Royal de l'Odeon, and music drama in Restoration Paris

Author

Everist, Mark

Subjects
Meyerbeer, Giacomo -- Criticism and interpretation, Operas -- History, History, Music
Abstract

Giacomo Meyerbeer was a significant influence on Parisian music drama of the 1820s, as shown by his success with the Theatre Royal de l'Odeon. His opera 'Marguerite d'Anjou' boosted the Odeon, as did his contributions to 'La Nymphe.' He also had works performed at the Theatre-italien and other lyric theaters. Other success came with 'Robert le Diable' in 1831, which could have been partially composed during his Odeon years.

Published
1993

20. Style and Symbol

Author

Everist, Mark

Subjects
Style and Symbol (Book) -- Book reviews, Books -- Book reviews, Music
Published
1993

21. The Early Middle Ages to 1300

Author

Everist, Mark

Subjects
The Early Middle Ages to 1300 (Book) -- Book reviews, Books -- Book reviews, Music
Published
1993

22. Music in Medieval Europe

Author

Everist, Mark

Subjects
Music in Medieval Europe (Book) -- Book reviews, Books -- Book reviews, Music
Published
1993

24. Il Viaggio a Reims, 2 vol

Author

Everist, Mark

Subjects
Il Viaggio a Reims, 2 vol. (Sound recording) -- Sound recording reviews, Sound recordings -- Sound recording reviews, Music
Published
2005

31. Meyerbeer Studies: A Series of Lectures, Essays, and Articles on the Life and Work of Giacomo Meyerbeer

Author

Everist, Mark

Subjects
Meyerbeer Studies: A Series of Lectures, Essays, and Articles on the Life and Work of Giacomo Meyerbeer (Book) -- Letellier, Robert Ignatius, Books -- Book reviews, Library and information science, Music
Abstract

Meyerbeer Studies: A Series of Lectures, Essays, and Articles on the Life and Work of Giacomo Meyerbeer. By Robert Ignatius Letellier. Madison and Teaneck: Fairleigh Dickinson University Press, 2005. [238 [...]

Published
2007

35. Perotin

Author

Everist, Mark

Subjects
Perotin (Book) -- Book reviews, Books -- Book reviews, Music
Published
1990

36. Italian Sacred and Ceremonial Music

Author

Everist, Mark

Subjects
Italian Sacred and Ceremonial Music (Book) -- Book reviews, Books -- Book reviews, Music
Published
1989

37. Polyphonic music in thirteenth-century France

Author

Everist, Mark

Subjects
13th century, France, Manuscripts, Music
Abstract

The investigation of primary sources of thirteenth-century polyphony has been closely related to questions of the date and provenance of the surviving manuscripts. Previous studies have taken a single book and attempted to place it chronologically and topographically within the history of music of the thirteenth century. This thesis considers surviving material related to thirteenth-century polyphony and evaluates the patterns of production found there. These considerations are supported by a review of chronology in the period. Using techniques derived from the fields of paleography, codicology, and art history, the manuscripts are loosely divided into Parisian and non-Parisian, and the contrasting types of book-production are placed in the context of the contemporary production of other types of book. At the most basic level, Parisian books betray a professional and organised system of production which relates to the generation of books which preceded the establishment of the pecia system whilst provincial manuscripts seem to suggest a more informal and ad-hoc construction and circulation. The data obtained from such source-critical inquiry are then used to ask questions concerning the distribution of genre with the discussion focused primarily on the motet and its various sub-species: bilingual motet, rondeau-motet, etc. Conclusions as regards distribution of the music suggest a distinction between Parisian practices and provincial, particularly Artesian, musical cultures. It is argued that concordance-bases and origins of surviving sources suggest the exclusive cultivation of some genres in Paris, and, of others, in Artois or the provinces.

Published
1985

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