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1. MYTHOPOESIS FROM TENOCHTITLAN: Annalisa D. Quagliata Blanco's !Aoquic iez in Mexico! / !Ya Mexico no existira mas!

2. Metaphors of Extractive Capitalism and Fabulation in Nope

3. Krzysztof Kieslowski's Blue, White, and Red: REVISITING THE 'THREE COLORS' TRILOGY

4. IRREVERENCE AS CULTURAL PRAXIS: Finding Kuchar in the Balkans

5. FROM ARCHIVAL FOOTACE TO COSMOVISION

6. The Tiger's Roar: The Crossover Success of S.S. Rajamouli's RRR

7. More Human Than Human: The Exile in Blade Runner

8. Acting and Race in Night of the Living Dead (1968)

9. 'What does it mean to make a picture of the now?': The Aesthetics of Co-presence in Maxime Jean-Baptiste's Nou Voix and Moune O

10. Kenneth Anger and the Filmed-Archive Reenactment

11. Generic Involution and Artistic Concession in Contemporary Hong Kong Cinema: Overheard Trilogy and Beyond

12. Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism

13. Camp X-Ray and the Task of Critique: Torturability and the Politics of Ethical Recognition in Guantanamo

14. Cleopatra Reconsidered: A Revisionist Critique of Hollywood's Most Notorious Epic

15. Cruising the Hyper-Real Highway: Edgar Wright's Baby Driver

16. Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin's The Wailing

17. Model Cities: The Landlord, New York Mayor John Lindsay, and the Challenges of Urban Renewal

18. Aging, Auteurism, and the Bergfilm: Olivier Assayas's Sils Maria/Clouds of Sils Maria (2014) and Paolo Sorrentino's La giovinezza/Youth (2015)

19. 'It's No Longer Your Film': Fictions of Authorship in Lynch's Mulhollond Drive

20. Songs of Cinephilic Life: Peter Bogdanovich's They All Laughed and The Thing Called Love

21. The Travels of Chantal Akerman

22. Thinking at lightspeed: the flickering transformations of Kelly Reichardt's cinema

23. Jonathan Harris's I Love Your Work: procedurality and weak narrative

24. Like clockwork: heartbreak and economic collapse in Johnnie To's post-handover cinema

25. A brief analysis of Hollis Frampton's Palindrome: and how to construct five types of filmic Palindromes

26. Materialism and beyond: Lee Hangjun's expanded cinema

27. Feeling the '60s in the age of Reagan: failure, repetition, and history in Eddie and the Cruisers

28. Mrs. Rochester's story: Franco Zeffirelli's adaptation of Jane Eyre

29. Alfred Hitchcock's psycho and the cinematic novels of Don DeLillo and Manuel Munoz

30. Making the milk into a milkshake: adapting Upton Sinclair's Oil! into P. T. Anderson's There Will Be Blood

31. Aging, adaptation, and the curious cases of Benjamin Button

32. Adaptation and the shifting allegiances of the indian diaspora: Jhumpa Lahiri's and mira nair's the Namesake(s)

33. Rethinking Intertitles: The Voice and Temporality of Lyric Intertitles in The Cry of the Children

34. Miyazaki's Little Mermaid: a goldfish out of water

35. 'A copy of a copy of a copy': framing the double tit Fight Club

36. Le film de...: self-adaptation in the film version of Ousmane Sembene's La Noire de

37. Letting Lolita laugh

38. Queer desire and self-erasure in coriolaflus [2011]

39. Glancing outward: notes on the new historicist film Parts III & IV (Parts I & II published in MFJ no. 61)

40. The quicksand we're in: Aleksei Gherman and history

41. Wessex and the single girl: female Independence in John Schlesinger's and Thomas Vinterberg's screen adaptations of Thomas Hardy's Far from the Madding Crowd

42. Glancing outward: notes on the new historicist film

43. Why Film Here? Dislocation and solace in the work of mark street

44. Leviathan's labors lost, or: who works after the subject?

45. Transient landscape

46. Authentic Monsters and Artificial Mothers: Maternal Frustration in Pedro Almodovar's All About my mother

47. Derek Jarman and the ars low vita brevis Tradition

48. Abstract space, microcosmic narrative, and the disavowal of modernity in Berlin: Symphony of a Great City

49. Orson Welles's Macbeth: allegory of anticommunism

50. The heart of the mystery: surveillance in Michael Almereyda and Gregory Doran's films of Hamlet

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