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Objective: To study and systematize the first experiences of post-dramatic Colombian theater in two main stage productions of the 80's: The Perfect World and Outside, OK? Divertimento for the Deaf and the Schizoid, two dramatic and put on stage works of the author. Scope: It is about highlighting these scenic experiences that become a milestone in the history of Colombian theater, as their projection and visibility are important for future research on these topics. Methodology: A descriptive methodological approach is used since the article is intended to make an exhausting memory of the process undertaken by the actors who participated in its creation and staging. Conclusions: Establishment of a systematization proposal of the staging processes of the two plays through the voices of their principal actors, in a fundamental work that will serve the new generations of playgoers to know firsthand the recent history of the Colombian theater movement. [ABSTRACT FROM AUTHOR]

This article is about a typology to risk some opinions and give some concepts about performances that were attended and read about in the X International University Theater Festival. The concepts were somehow expressed during the event conferences, reason why many of them gather the voices of those who had the privilege to refer to the plays. The concepts have been divided into four groups of "Debts": debts with literature, debts with history, debts with drama pretexts and debts with technique and laugh. [ABSTRACT FROM AUTHOR]