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Places are filled with stories, with histories that shape how people understand the nature of a place. Places are unique sets of trajectories – each with a story – coming into contact. However, just as much as places are defined by their histories, they are also shaped by the histories that are forgotten, or far too often, actively suppressed through dominant narratives. After all, dominant media of spatial, public memory – for example, plaques and public monuments – often reproduce dominant narratives of a place, narratives created by the powerful. This project examines how digital placemaking can be deployed through locative technologies to push back on dominant spatial narratives and make places more polyvocal in consequential ways. In particular, through a project at Clemson University, we examine how locative storytelling applications can help students intervene in traditional narratives of place to engage with social justice and alternative histories. [ABSTRACT FROM AUTHOR]

Research in the field of mobile communication studies (MCS) has generally moved away from focusing on how mobile phones distract users from their physical environment to considering how the experience of space and place can be enhanced by locative smartphone applications. This article argues that trajectory may be complicated by the emergence of a new type of mobile technology: mobile virtual reality (MVR). While an increasing number of handsets are specifically developed with MVR in mind, there is little to no research that situates this phenomenon within the continuum of MCS. The intention of this paper is accordingly twofold. First, the article conceptualizes MVR as a connective tissue between the two sequential tropes of MCS: physical distraction and spatial enhancement. Second, the article introduces the concept of 'dislocated space' as a way of understanding the embodied space MVR might configure. [ABSTRACT FROM AUTHOR]

Location-based services are mobile applications that use a device’s location to provide relevant results. Spatial search applications are a popular subset of location-based services that enable people to search through their surrounding space to find nearby locations. This article examines spatial search applications through a framework that combines critical geography research with research on the power search engines exert over information visibility. The main argument of the article is that popular spatial search applications, such as Yelp, may subtly reproduce existing forms of spatial segregation by rendering certain location invisible through the mobile mapping interface. [ABSTRACT FROM AUTHOR]

This article examines how location-based mobile media technologies are affecting the ways individuals experience the relationship between memory and place. We argue that location-based mobile applications that allow people to check in to places or record their routes represent new practices of place-based digital memory. Many individuals are using mobile media to mobilize place and memory together to create new forms of digital network memory from which they may begin to remember their pasts and to write their histories—a kind of rhetorical and poetic memory making. To help illuminate these practices, we analyze applications such as Foursquare and My Tracks and draw on research in mobilities studies, new media studies, and memory studies to introduce and advance concepts such as personal digital archiving and digital network memory. These practices of place-based digital memory have consequences for understanding the interrelationships between mobility, place, memory, and mobile media. [ABSTRACT FROM AUTHOR]

The Walkman and iPod have often been viewed as individualizing technologies. People use these forms of mobile media to impart a sound track of their own choosing over their experience of physical space. However, newer mobile projects have examined the links that tie mobile media and sound to experiences of movement. These projects focus on the collaborative construction of shared soundscapes through mobile media, in a sense responding to the individualizing tendencies of dominant auditory mobile media. This article draws from literature in sound studies, media studies, and locative media art to examine these relatively new forms of what we call social soundscaping. Through our analysis, we show the potential for new mobile sound practices that allow for the more participatory production of public soundscapes. [ABSTRACT FROM AUTHOR]