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The importance of monuments goes beyond representing or commemorating some event or character. In our everyday life we come across many monuments that we sometimes overlook, it is worth asking ourselves what is the importance of these monuments and if they still remember the same as when they were built or if they have gone through processes of resignification, destruction, appropriation or, even more, if they have fallen into oblivion. This paper will attempt to address these questions by taking as a reference two monuments in the city of Xalapa, Veracruz, Mexico. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pós: Revista do Programa de POS-Graduacao Em Artes - EBA/UFMG is the property of Pos - Programa de Pos-graduacao em Artes (PPG-Artes) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Confluências Culturais is the property of Fundacao Educacional da Regiao de Joinville - FURJ and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the following work I analyze the Nosotras en la Escena project, an initiative that was born in 2020 and that seeks to build narratives about women in the Guatemalan punk scene through photography. I seek to explore questions related to the definition of the punk scene in Guatemala; feminisms as an analytical tool to explore denied identities; and the action proposal by Nosotras en la Escena, based on the creation of memory for the resignification and appropriation of spaces by women. [ABSTRACT FROM AUTHOR]

The social unrest that unfolded from October 2019 on saw, among its most visible expressions, the occupation of public spaces like streets, avenues and squares. The "attack" on the monuments that some associated with a kind of rebellion against the history of Chile was also extensively recorded. These events lead us along the paths of history, memory, remembrance and oblivion, represented in monuments, official symbols, the names of streets, squares and parks around the city, and also, along interdisciplinary paths to address this complexity using diverse methodologies and sources. This article seeks to explain what happened in Temuco, the capital of the Araucanía Region, during the last few months of 2019. For this purpose, a research approach is proposed using a long-term perspective that makes it possible to find the elements that started giving a meaning to the urban space, to then explore what occurred in a short time, between October and November, in the logic of the urban space resignification process. [ABSTRACT FROM AUTHOR]

Copyright of Romanica Olomucensia is the property of Palacky University in Olomouc and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective: to investigate the ways in which the detached / demobilized people of the armed conflict get to redefine a sense of life in the transition process to civilian life, taking into account the contribution of the different support networks that accompany them. Method: qualitative research. A narrative analysis based on deep interviews conducted within people who were active in illegal armed groups like the FARC-EP, ELN and AUC. Results: the research findings allowed us to understand that the sense of life -before, during and after their experience within the armed groups-, is transformed from context, particular experiences, personal motivations, the learning acquired and the relationship with support networks. Conclusions: it is considered that the narratives allow a process of reconstruction of the meaning of life through a memory exercise, providing an opportunity for social recognition from life experiences. This involves challenges for psychosocial support, aimed at promoting the active participation of the civil society and the detached and demobilized population in peace building processes. [ABSTRACT FROM AUTHOR]

Los asesinatos a los militantes sociales Darío Santillán y Maximiliano Kosteki durante el 26 de junio de 2002, convirtieron el lugar de la muerte, la Estación Avellenada, provincia de Buenos Aires, en un espacio de transformación, creación e interacción en colectivo que interpela a cada pasajero y pasajera en una lucha permanente por la apropiación de lo público, como escenario de la memoria y la justicia popular. Cada 25 de junio se realiza la “Vigilia Cultural”, donde se convoca a distintos grupos de artistas para continuar transformando el espacio que se resignifica como un lugar de denuncia pública que apela al “escrache”, haciendo eco en sus paredes y andenes de otros casos de impunidad. La proyección de la Estación Darío y Maxi rescata el carácter expresivo y artístico como un detonante de la memoria que convierte, en términos de Jelin, a un pasado cercano en un presente polisémico. Abstract: The murders of the social activists Darío Santillán and Maximiliano Kosteki during the June 26, 2002, became the place of death, Avellenada Station, province of Buenos Aires, in a space of transformation, collective creation and interaction which challenges each and passengers in a permanent struggle for the appropriation of the public, as the stage of memory and popular justice. Every June 25 is performed "Cultural Vigil", which calls for different groups of artists to continue to transform the space are analyzed as a place of public complaint that appeals to "escrache", echoing off its walls and other platforms cases of impunity. The projection of Darío and Maxi Station rescues the expressive and artistic as a trigger of memory "that makes the recent past, in terms of Jelin, in a present polysemic.