Search

This section collects a series of short reflections on the life, camaraderie, and scholarship of Randy Martin, a longtime member of the Social Text editorial collective. In place of definitive, authoritative analyses of Martin's work, these pieces present a montage of personal snapshots by people that collaborated, moved, thought, wrote, edited, and learned with him.

This essay explores the politics of memorialization and the relationship between grief, death, gesture and public space in the performances of Pia Lindman in New York City between 2002 and 2005.

This article is about the New York City circus company Circus Amok and its experiments in civic imaginings. The essay explores the relationship between the circus, civic belonging, urban citizenship, and the role of the moving body in public spaces such as park spaces. Circus Amok is an experimental theater group interested in bringing political critique to people in the city through free circus performances.

(1995). Diaspora, new hybrid identities, and the performance of citizenship. Women & Performance: a journal of feminist theory: Vol. 7, No. 2, pp. 3-13.