1. КОЛІР ЯК ЗАСІБ УВИРАЗНЕННЯ КОНЦЕПТУ ПЕЙЗАЖ (на матеріалі малої прози І. Буніна)
- Subjects
History ,Poetry ,media_common.quotation_subject ,Perspective (graphical) ,Context (language use) ,Variety (linguistics) ,Comprehension ,Palette (painting) ,Spiritual life ,Aesthetics ,Beauty ,General Earth and Planetary Sciences ,General Environmental Science ,media_common - Abstract
Purpose of the article is to show that colour names form concept periphery of the landscape, enrich, expose in general, making it more important in small prose ofI. Bunin.Art concept that is born in the writing and continues its life beyond the one isalways obeyed to the necessity of detail the phenomena of nature, landscapes andtheir elements refl ection. It is revealed in a small prose of the writer as an integral systemic formation represented by colour lexemes not only with conventional but alsowith associative semantics.Conceptual comprehension of the landscape in I. Bunin’s small prose is connectedwith the understanding that nature can exist only in the context of the human worldview.The variety of details and their colourist features makes it possible for the writer to show the unique beauty of the surrounding world, inner richness, the intensity of the spiritual life and the depth of the characters’ emotions. The colour marking palette in I. Bunin’s prose is extremely rich, vividly individual. The artist is looking for new means of emotional infl uence. In perspective it is advised to analyse the concept “landscape” in I. Bunin’s poetry. The presented methodology can become the basis for studying the category of coloration in different author styles.
- Published
- 2023
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