35 results on '"triads"'
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2. Uniform Triadic Transformations
3. Diatonic Trichords in Two Pieces from Kurtág's "Kafka-Fragmente": A Neo-Riemannian Approach
4. Schenker's Mysterious Five
5. Perceived Triad Distance: Evidence Supporting the Psychological Reality of Neo-Riemannian Transformations
6. Breaking the Balance
7. Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
8. Scoring Loss in Some Recent Popular Film and Television
9. Semitonal Succession-Classes in Prokofiev's Music and Their Influence on Diatonic Voice-leading Backgrounds in the Op. 94 Scherzo
10. Structural Layers in Alfred Schnittke's Concerto Grosso No. 3
11. Musical Actions of Dihedral Groups
12. A Contextually Defined Approach to "Appalachian Spring"
13. The Psychoacoustics of Harmony Perception: Centuries after three-part harmony entered Western music, research in starting to clarify why different chords sound tense or resolved, cheerful or melancholy
14. Triadic Transformation and Parsimonious Voice Leading in Some Interesting Passages by Gavin Bryars
15. Parsimony and Extravagance
16. Two Neo-Riemannian Analyses
17. Neo-Riemannian Theory and the Analysis of Pop-Rock Music
18. A MATHEMATICAL APPROACH RECONSTRUCTING J. S. BACH'S KEYBOARD TEMPERAMENT
19. 'Twisted Relations': Method and Meaning in Britten's "Billy Budd"
20. The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid
21. Britten's "Billy Budd": The "Interview Chords" Again
22. Contextually Transformed Tonality in Britten
23. Alternatives to Monotonality in Early Nineteenth-Century Music
24. Modes and Chord Progressions in Equal Tunings
25. Maw's 'Personae': Chromaticism and Tonal Allusion
26. On the Physical Constitution and Relations of Musical Chords
27. Re: Chromatic Mediants: A Facet of Musical Romanticism
28. The Mode and the Key
29. Georg von Albrecht's Piano Sonatas opp. 53 and 72: The "Variation Principle" in Modal and Twelve-Tone Contexts
30. Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model
31. Hybrid Modes and Interval Sets as Formal Determinants in Piano Sonatas of Albrecht, Scriabin, and Prokofiev
32. A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament
33. Moritz Hauptmann: "Ein Haupt Mann" in Nineteenth Century Music Theory
34. Teaching Beginning Improvisation as Part of Keyboard Instruction
35. Perceived Structure of Triads
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