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Copyright of Sinfonia Virtual is the property of Sinfonia Virtual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cities, Communities & Territories / Cidades, Comunidades e Territórios is the property of Instituto Universitario de Lisboa, DINAMIA-CET and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Online educommunication and empowerment are crucial dimensions in awareness, literacy and change processes, and their articulation may bring benefits to cardiovascular health, given that cardiovascular diseases are the deadliest in the world, including in Portugal. This paper aims to explore the relationship between online educommunication and empowerment in cardiovascular health, using Lisbon citizens as a case. The theoretical framework is composed by the interactivity and empowerment model, the health belief model and the uses and gratifications theory. The questionnaire survey was applied to a gender and age quota sample (N=400). The questionnaire includes thematic dimensions, such as online informative practices on cardiovascular health, the eHEALS scale, and the importance and effectiveness of the educommunicative message on cardiovascular health features. Results show that the educommunicative message has characteristics at the level of purpose, content, type, format, emotions, and logic, which enhance it the most. This indicates that exposure to messages with these characteristics may instigate empowerment and behavior change. Respondents self-rated with the most positive levels on the eHEALS scale, showing empowerment at the eHealth level, with age rather than gender differences. There is evidence that eHealth skills and having cardiovascular disease influence information seeking and empowerment. The main contribution lies in identifying characteristics of the cardiovascular health educommunication message that can optimize recipient's empowerment. [ABSTRACT FROM AUTHOR]

Among the studies on private libraries in Peru in the Modern Age, there are no studies focusing on the circulation of books by Portuguese authors or printed in Portugal. This article therefore proposes a comparative approach to the subject, considering two topics: the complexity of the circulation of books between Lis- bon, Seville and Lima; and the presence of books by Portuguese authors in Peru printed in Lisbon. For this purpose, we will use general inventories of booksellers and records of books in the fleets, as well as primary sources: inventories of goods in the context of proceedings of the Court of the Holy Office and private epistolary writings of Portuguese merchants. We will also use Portuguese guides to works printed in Portugal in the 16th and 17th centuries and the catalog of existing books in the National Library of Portugal. [ABSTRACT FROM AUTHOR]

This article offers a comparative analysis of the capital cities of Argentina and Portugal, which, at the onset of the Great War, operated concession-based gas services for public lighting. The cases of Buenos Aires and Lisbon illustrate divergent pathways in public gas lighting, set against a backdrop of external dependence on coal and the burgeoning advancement of electric lighting. Despite these differences, we will highlight aspects that draw parallels and shed light on the abrupt cessation of public gas lighting precipitated by the First World War. [ABSTRACT FROM AUTHOR]

Copyright of Comunicar (English Edition) is the property of Oxbridge Publishing House and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cities, Communities & Territories / Cidades, Comunidades e Territórios is the property of Instituto Universitario de Lisboa, DINAMIA-CET and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Brasileira de Historia is the property of Associacao Nacional dos Professores Universitarios de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tempo (1413-7704) is the property of Universidade Federal Fluminense, Departamento de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article proposes a reflection on artistic-cultural entrepreneurship, focusing on the management of artistic and relational heritage in entrepreneurship efforts related to music. This reflection is based on case studies of two musical ventures: Bar Semente, located in Rio de Janeiro's Lapa district, and Tejo Bar, from Lisbon's Alfama. Both are on the periphery of the mainstream cultural industry and rooted in territories with a rich cultural, historical and touristic heritage. Due to their organic relationship with their surroundings, both venues have themselves become heritage assets and tourist attractions, but this process has also turned them into "targets" for predatory tourist practices that tend to create "commodified" versions of the informal and spontaneous interactions that made them famous. The paper focuses on the ways in which the entrepreneurs were able to manage the artistic and relational heritage of each place, analyzing their practices through the lens of the Effectuation approach and identifying patterns that may be useful not only for the analysis of similar cases, but also to the development of a broader conceptual understanding of how artistic endeavors can change the image and the identity of territories that already have a strongly established cultural heritage. [ABSTRACT FROM AUTHOR]

Copyright of ABEI Journal: The Brazilian Journal of Irish Studies is the property of Associacao Brasileira de Estudos Irlandeses and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

As part of the larger discussion about the persistent and worldwide problem of access to adequate housing, I examine in this article the effects of government-led rehousing efforts in Lisbon, Portugal, through the lens of filmic representations of those effects. Specifically, I look at how residents of both the self-built neighbourhoods (demolished or soon-to-be) and public housing responded to the Projeto Especial de Realojamento through an analysis of two films, the documentary Outros Bairros('Other Neighbourhoods') (1999) and the fictional short film Nada Fazi('It's Inevitable') (2011), which represent a sort of 'before and after' of those government efforts. The residents' voices and stories are compared to each other and set against a backdrop of journalistic reporting and sociological studies. [ABSTRACT FROM AUTHOR]

Two rare 17th century human prostheses were found during archaeological excavations in Lisbon, one of them exhumed from an inhumation grave in Carmo Church and the other from a well, reused as cesspit, in the Santana Convent. The first corresponds to a thumb distal part, made in silver and the other to four teeth (upper incisors), and produced in ivory, probably from elephant. Since early times most human societies gave huge importance to its members' body aesthetics and bodily conditions. However, those aspects, resulting mainly from economic and social factors, perhaps even religious, would be exacerbated, especially among the political, military and religious elites, from the 16th century onwards, where it was intended to identify the look of each person with their social and material condition. [ABSTRACT FROM AUTHOR]

Between the financial crisis of 2007-2008 and the pandemic crisis of Covid-19, the Anjos neighborhood in Lisbon presented a particular concentration of public spaces offering concerts, exhibitions, dance classes, bars, etc. Many of these spaces are non-profit and promote cultural democracy thus fighting gentrification. From visits to the neighborhood, document analysis and interviews with board members, volunteers and other key actors, we identify two ideal-types of these spaces' missions: the cultural-entertainment and the cultural-activist. We conclude by pointing out that both allow us henceforth to monitor the influence of the participation of these spaces in urban reconfiguration. [ABSTRACT FROM AUTHOR]

In this article, we highlight the importance of art and culture as elements of transformation in the contemporary city. Adopting a critical urban perspective, we developed ethnographic fieldwork between 2018 and 2019, taking as a starting point the ambivalences of art and culture in the transformation of territories. We look at three territories in Lisbon where the relationship between the city and the arts stands out: the Intendente, as a reference case of public policies that transformed a decadent space into a fashionable one; Marvila, as an old industrial space that has undergone important changes; and the hill of Santana, as a space designed for the future, where built heritage, structures and cultural and artistic events leverage the transformation process. Evidence suggests that Lisbon has replicated the prevailing neoliberal urban model. Furthermore, the social dynamics of resistance, although tenuous and often impotent to change hegemonic dynamics, is an important force in the territories. The three cases presented allow us to understand the direction of socio-territorial change, highlighting the importance of the presence of classified built heritage, structures and artistic and cultural events in valuing spaces, promoting their commodification and contributing to urban competitiveness. [ABSTRACT FROM AUTHOR]

Returning to the principles that work is not inherently a commodity and that common resources are also the consequence of political practice, this article analyzes four communitarian spaces in the city of Lisbon with the aim of understanding the commons in an urban context. Based on semi-structured interviews with participants and activists of these projects and, complementarily, participant observation, we analyzed their motivations and the conditions in which they carried out their work. The results highlight the centrality of the idea of community and the individual and social fulfilment of the participants in the spaces studied. [ABSTRACT FROM AUTHOR]

Copyright of Questiones Publicitarias is the property of Universitat Autonoma de Barcelona and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The transformations that took place in the historic centres of Lisbon and Porto due to the tourist boom could not have failed to fascinate the Portuguese media, becoming a fertile ground for the debate of ideas that, between 2014 and the end of 2019, followed all the incidents of two cities that, from peaceful urban centres, became cities heading towards tourist overcrowding. In order to approach the documentary corpus consisting of 120 texts published in the Portuguese media in the period above, our study took content analysis as theoretical-methodological support. Seeking to frame some theories that intend to explain the intolerance towards the predominant tourist model in many urban destinations and taking into account the opinions expressed in the texts under analysis regarding the perceptions of the residents of these cities in a context of overtourism, this paper demonstrates the existence of antagonistic positions between a certain intelligentsia linked to urbanism, ecology and sustainable tourism that actively opine in the media discourse and a set of institutional actors with high responsibilities in the areas of tourism and municipal management. [ABSTRACT FROM AUTHOR]

Th is article proposes an analysis of the process of creation and installation of the Court of Appeal of Pernambuco, between the years 1821-1822. Th e interest in establishing a relationship in the captaincy was manifested by the local elites since the 17th century. On February 6, 1821, in view of the political and social situation opened up after the beginning of the Portuguese constitutional movement, the king authorized the creation of the court. However, the installation process was guided by political disputes and interests between groups in Brazil and Lisbon, led by the deputies of the Constituent Courts. The Pernambuco Court of Appeal became operational on August 13, 1822, after debates and the presentation of conflicting political and justice projects that characterized the process of political emancipation in Brazil. [ABSTRACT FROM AUTHOR]

Copyright of Librosdelacorte.es is the property of Instituto Universitario "La Corte en Europa" - IULCE and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of On the W@terfront is the property of University of Barcelona, Centre de Recerca POLIS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses short-term rentals (STR) dynamics in Lisbon's historical city centre by matching its tourism characteristics with the organization of the city at residential and urban revitalization levels. The developed work comprises an analysis of the state of the art, the assessment of STR trends in several European cities, and an empirical investigation with the application of semi-structured interviews to four different groups of stakeholders, focusing on their perceptions about STR dynamics in the parish of Santa Maria Maior, Lisbon. Some inputs to develop a sustainable STR model are presented, which could be balanced with the preservation of the residents and their neighbourhood. Results show that changes which occurred in this specific neighbourhood led to an increase in the STR activity. It is concluded that new strategies may be helpful to achieve the goal of having a better balance among Lisbon's tourist and residential function. [ABSTRACT FROM AUTHOR]

Copyright of IBEROAMERICANA. América Latina - España - Portugal is the property of Vervuert Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia 396 is the property of Pontificia Universidad Catolica de Valparaiso, Instituto de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ARTis ON is the property of ARTIS - Instituto de Historia da Arte da Faculdade de Letras da Universidade de Lisboa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Historía da Sociedade e da Cultura is the property of Revista de Historia da Sociedade e da Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Many cities have tried to reinvent themselves, but what role can new material and symbolic traditions play in urban transformations? Here we interrogate how ideology can be spread through a new tactile motif. Geographical work has focused on state-led, event and architecture-based development projects that drive change in the city. We suggest that the aesthetic, the sensory and the behavioural can also be fields through which urban change is driven. In Lisbon the sardine has emerged as a moniker for the city. An informal coalition of state and non-state interests have deployed the sardine to interpellate urban subjectivity, effecting processes of consumption and specifically touristification in the city. Building on the idea of interpellation we argue that both sardine symbols and actual sardines have hailed subjects in the city and the behaviours of residents and tourists have modified in response. Although the sardine is not the prime mover in urban transformation, our fieldwork shows how the affects of a new icon produce effects through invented traditions, street festivals and the tourist economy. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Prehistoria y Arqueologia is the property of Cuadernos de Prehistoria y Arqueologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Turismo & Desenvolvimento (RT&D) / Journal of Tourism & Development is the property of Associacao de Gestao e Planeamento em Turismo da Universidade de Aveiro (AGPTUA) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes performances of José de Alencar's The Family Demon at the D. Maria II Theater in 1860. The goal is to show that these performances can help our understanding of the ways the Portuguese theatrical scene appropriated Brazilian dramaturgy. The article shows the possible areas in which Brazilian dramaturgy influenced Portuguese theater, which challenges the notions of scholars who claim that the Portuguese theater companies in the 19th century did not appropriate Brazilian theatrical repertoire. [ABSTRACT FROM AUTHOR]

This paper analyzes, in an articulated way, the trajectories experienced by a group of Syrian refugees hosted in Portugal, within the framework of the European relocation program (2015-2017), and the policies adopted, as well as the programs implemented, to host and integrate them in the country. From the development of an ethnographic methodology, the perspectives of the actors themselves of these processes were recovered. Through the analysis of their narratives, it was possible to detect a series of deficits, shortcomings, and development needs not covered in terms of refugee-hosting programs and integration policies, which can be synthesized into three main ones: language (lack of effective teaching of the Portuguese language), work (lack of support tools for its search and job placement) and training (lack of training). A fourth element to consider in the analysis is that of structural obstacles, fundamentally those of bureaucratic-clientele order. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Historía da Sociedade e da Cultura is the property of Revista de Historia da Sociedade e da Cultura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Biblos: Revista da Faculdade de Letras da Universidade de Coimbra is the property of Imprensa da Universidade de Coimbra and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Interdisciplinary Journal of Social Management / Revista Interdisciplinar de Gestão Social is the property of Revista Interdisciplinar de Gestao Social and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Quaderns de Recerca en Urbanisme is the property of Grup d'Investigacio en Urbanisme and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of A Obra Nasce is the property of Edicoes Universidade Fernando Pessoa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pessoa Plural is the property of Pessoa Plural and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article aims to reflect on the relationship between constructed space and living practices, based on the ethnographic material produced in two micro-locations: the Camponesa alley and the pátio do Broas, located in downtown Salvador and Lisbon, respectively. Although these spaces share a similar history, are places of residence of popular segments and exhibit very similar physical forms, they present different ways of living. The empirical data produced in the alley and courtyard analyzed allow us to affirm that neither the places generate ways of inhabiting nor the constructed space engenders a specific content. The practices of living with neighbors derive from other factors, among which we highlight the free time resulting from the work regime of its inhabitants, the property ownership and the conception of house. [ABSTRACT FROM AUTHOR]

Copyright of Varia História is the property of Varia Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The parks compose urban agendas as spaces that legitimize environmental and social commitment. However, it is common to design these spaces in areas of great real state interest, as was the case with Tejo Park in the city of Lisbon. This work analyzes its implementation, between 1995 and 1999, as part of a broader urban project, called Park of the Nations, to host the 1998 World Exhibition of Lisbon. Tejo Park occupied an area with a high level of environmental degradation, contributing to the projection of a modern Lisbon, competitive in the global market of cities. The analysis deepens the debate of the proposal of a metropolitan scale park, whose uses would serve a diverse audience socially and spatially. The article highlights aspects of its infrastructures and the profile of its users, helping to a reading of the uses and appropriations and as a methodological path for studies of different realities. Thus, the results point to adornment characteristics to the Park of the Nations, contemplative leisure, without diversity of equipment, which has limited its uses and functions. [ABSTRACT FROM AUTHOR]

Copyright of De Computis is the property of Asociacion Espanola de Contabilidad y Administracion de Empresas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Comunicação Pública is the property of Escola Superior de Comunicacao Social and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de fontes is the property of Revista de fontes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)