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This article, entitled "History, Nationalism, and Lesbian Cabaret: Agnieszka Weseli 'Furja' and Maria Konopnicka," traces the role that nineteenth-century Polish Positivist author Maria Konopnicka has played in the twenty-first century Polish LGBT rights movement, as well as the backlash against her newfound status as an LGBT icon from nationalist factions. More specifically, I examine how activist-historian and performance artist Agnieszka Weseli-Furja has reimagined nineteenth-century queer and feminist history through her performances as Konopnicka as part of the lesbian cabaret troupe Barbie Girls. Through my analysis of her sketches collectively titled "From the Album of Maria Konopnicka," I argue that Furja utilizes a form of feminist revisionist historiography to navigate the historical Konopnicka's ambiguous sexuality and her association with twentieth- and twenty-first-century Polish nationalism (often hostile to the LGBT community). Through these performances, Furja attempts to decouple patriarchy and heteronormativity from Polish national belonging, producing an alternative vision of Polish patriotism based in feminist community and same-sex desire.1 [ABSTRACT FROM AUTHOR]

Drawing on letters and writings by teenage girls and oral history interviews, this article aims to open a scholarly conversation about the existence and significance of intergenerational sexual relationships between minor girls and adult women in the years leading up to and encompassing the lesbian feminist movement of the 1970s. Lesbian history and culture say very little about sexual connections between youth and adults, sweeping them under the rug in gender-inflected ways that differ from the suppression of speech in gay male history and culture about intergenerational sex between boys and men. Nonetheless, my research suggests that, despite lesbian feminists' caution and even negativity toward teen girls, erotic and sexual relationships with adult women provided girls access to support, pleasure, mentorship, and community. [ABSTRACT FROM AUTHOR]

This article draws on the author's oral history work with lesbians born before 1950. Older lesbians have been consistently under-represented in research, so that less is known about them than about any other part of the LGBTQ community. Their voices need to be heard, but when anonymity and confidentiality are the speakers' chief concerns, the implications of such 'hearing' are complex. The article discusses the practical and ethical challenges of presenting and interpreting older lesbian lives in four different contexts and formats: an academic thesis using excerpts from the transcripts; a radio programme using extracts from the oral recordings; a documentary film; and a book comprising a curated collection of life stories. [ABSTRACT FROM AUTHOR]

This article draws on oral history interviews with twenty-six lesbian and bisexual women who came out within the context of heterosexual marriages between the 1970s and the early 2000s. Despite the extent to which the LGBTQ community emphasizes narratives of progress and triumph, feelings of shame, guilt, regret, and ambivalence figured significantly in these women's life stories, particularly with regard to their experiences of coming out. This article thus considers how oral history can provide queer narrators with an opportunity to share negative feelings that often remain unspoken within mainstream LGBTQ culture and politics. [ABSTRACT FROM AUTHOR]