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This paper presents how I came to create this collection of jewellery that is intimately tied to memories and fragments. How I have conducted my research about collections, museums, jewellery, and artists. Incorporating those findings into the workshop and the way the pieces came to be. Made in silver, zinc and iron, and with use of the techniques casting and etching. And conclusively how a collection took form with this idea to give a sense of treasures or a language from an unknown world or place. Somewhere where time has passed and the individual pieces convey the notion that they are fragments of a greater whole, part of a story or memory that we can sense but not quite reckon, not to be fully understood.

The aim of this thesis is to investigate the social role of women in the Viking Age on Gotland. The female jewellery articulated the Gotlandic identity on the island in the Viking Age, unlike the men's jewellery which expressed similarities with other places in Scandinavia. Therefore, the female jewellery can be seen as traces of an important cultural expression that distinguished the Gotlandic women from others. The understanding of which types of jewellery that are considered to be linked to the female gender during the Viking Age is based on a number of excavated graves. The jewellery in graves have been researched for a long time. However, there is another category that includes jewellery which have been neglected, namely hoards. Therefore, this thesis investigates female jewellery in graves to understand the composition of jewellery in hoards. The purpose of this is to interpret if the hoards can express a female gender identity, similar to the female gender identity in graves based on the composition of jewellery. This is realized through the use of performativity and embodiment theory. The similarities and the differences between the jewellery in graves and hoards are investigated through a correspondence analysis. The result show that the differences between the composition of jewellery in graves and hoards are meaningful. The graves consists of a more complete set of jewellery made of bronze, whereas the hoards are interpreted to consist of parts of a complete set or a larger number of the same type of jewellery. The hoards also contain more jewellery made of precious metals than the graves. The hoards are intrepreted as savings of vaiable jewellery that could be resumed and used again by women. The Guta Law is applied in this thesis to contribute to the understanding of who owned the jewellery that women wore. The result is that women did not own the jewellry individually. Instead it was owned collectively by the family but that women might have had the responsebility of the jewellery during their lifetime. It is interpreted that women, through the use of Gotlandic jewellery, had the social role in society to show off the family wealth and their Gotlandic identity. Therefore, it is argued that women played a crucial part in public gatherings and had an active role in the Gotlandic society in the Viking Age.

On May 7, 1581, Elisabet Vasa, Princess of Sweden, married Duke Kristoffer of Mecklenburg. The Princess was equipped with a large dowry and, by Swedish standards, an extensive collection of objects, including jewellery. The essay's thesis is that the official jewellery that Elisabet brought with her to her new court were identity-creating symbols of a performative nature that would consciously strengthen the legitimacy of the new Vasa dynasty on the international stage. The essay is based on a comparative analysis of inventories from 1581, 1593 and 1597. The essay examines and discusses the donors' and recipient's agency, or "touch", and intentions with the jewellery. The essay's result shows that parts of the thesis - that the official jewellery that Elisabet brought with her among the gifts in 1581 were identity-creating symbols of a performative nature - appear to be highly probable based on the few but significant art acts that have been possible to trace in sources and archives. According to the material of the existing study, however, the jewellery did not fulfil its intended function of strengthening the Vasa dynasty and its legitimacy on the international stage as Elisabet herself had different intentions and apparently actively worked to assimilate to her new environment as Duchess of Mecklenburg.

This paper presents an investigation in stages of transformation between body and ornament to show upon their fluid relationship and their role for the creation of human identity. I see the act of adorning the body as an act of desire, in which we take part to become something more elevated than our original state of being. I use my background as a jeweller and the body as the territory for investigating these acts of transformation. Through material explorations I examine how we mirror ourselves in the things we make and how we reinvent our bodies through making. I compare the role of the maker with the scientist and discuss the increased interest in the body and its relation to a more and more virtual reality. I make links between ancient body modifications and human enhancement within new technology and throughout the paper I discuss my work in relation to other artists work and theorists relating to visual practices.

The intention of this paper is to explore the contacts between the Swedish province of Scania and Southeastern Europe in the Migration Period. This has been done through comparative studies of four object categories. Parallels to glass, horse trappings, jewellery with inlays and sword decorations found in Scania have been studied in southeastern and centralEurope, as well as the cultures of peoples involved in the Migration processes. The conclusion is that contacts were upheld in several ways: through trade, exchange, alliances and gifts. Old trade routes along the Vistula were used in the south-easterly direction to the Pontic area but were changed to the Moravian Gatein the latter half of the period, while westerly routes probably worked most of the time. The Heruls are thought to have been an important link between Scandinavia,Southeastern Europeand the Huns.

The intention of this paper is to explore the contacts between the Swedish province of Scania and Southeastern Europe in the Migration Period. This has been done through comparative studies of four object categories. Parallels to glass, horse trappings, jewellery with inlays and sword decorations found in Scania have been studied in southeastern and centralEurope, as well as the cultures of peoples involved in the Migration processes. The conclusion is that contacts were upheld in several ways: through trade, exchange, alliances and gifts. Old trade routes along the Vistula were used in the south-easterly direction to the Pontic area but were changed to the Moravian Gatein the latter half of the period, while westerly routes probably worked most of the time. The Heruls are thought to have been an important link between Scandinavia,Southeastern Europeand the Huns.