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HELEN MIRRA Spread out on the malt brown floor of the Renaissance Society this summer were 110 equilateral triangles of indigo cloth partially sewn together in a segmented field: Helen [...]

Post-arcadian, neo-romantic, and curiously classical, Rodney Graham's seemingly contradictory investigations of nature negotiate the seditious terrain between criticality and homage. His signature large photographs of inverted trees (perhaps less an [...]

Dan Peterman was engaged in the practice of 'adaptive reuse' long before the term came into vogue. Distinct from recycling, reprocessing, and rehabbing, adaptive reuse doesn't run materials through the [...]

MUSEUM OF CONTEMPORARY ART With casts that are vulnerable variations of seemingly mundane and mute objects, Rachel Whiteread creates poignant and melancholy phantoms. Her skewed selection of themes from domestic [...]

Ben Pranger wistfully transforms found objects with an eye toward making them reveal poetic resonances. He changes contexts, proposes absurd usages, descends to puns, and creates curious conglomerations, all while [...]