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This paper examines work in cultural and human geography that theorises temporality in terms of events. Moving from humanist phenomenology, to non-representational and assemblage theories and current geographies of encounter, it suggests these accounts of events tend to analyse the past and future through the lens of the present. Building upon these literatures and the work of Tristan Garcia, the paper argues for an expanded notion of the event, where past and future events can be considered as both distinct from, and linked to, the present moment. Here, time comes to be defined as the ordering and stacking of events, where events are understood as sites of comprehension, in which entities are differentiated. The paper suggests this position is useful in order to trace temporal causality across and between entities and events. Tracing the causality of entities and their ordering and stacking across events enables a closer analysis of what the paper terms the temporal power of non-human things. To illustrate this argument, examples from an ESRC project on digital gaming and in-game purchasing are analysed. [ABSTRACT FROM AUTHOR]

Post‐phenomenological geographies have critiqued the idea that the world appears for humans alone. In turn, these geographies have begun to develop concepts to investigate the way entities appear to one another in ways that exceed or confound human sense, while recognising that these entities can only be investigated through human modes of access. Addressing the absence of explicit spatial theorisation in this literature, the paper develops a post‐phenomenological account of space. Building on relational and phenomenological geographies and expanding the work of Tristan Garcia, the paper analyses space in terms of the comprehension and form of entities. In doing so, it defines space as a dual process of differentiation and distanciation that produces different modes of nearness and farness that are specific to the intercomprehension of particular entities. Through this analysis the paper offers an account of power as tied to the spatiality of entities, where power is defined as the inequality of comprehensions between entities and how these inequalities are designed to provoke and encourage particular forms of engagement. The paper develops a post‐phenomenological account of space. Building on relational and phenomenological geographies and expanding the work of Tristan Garcia, the paper analyses space in terms of the comprehension and form of entities. In doing so, it defines space as a dual process of differentiation and distanciation that produces different modes of nearness and farness that are specific to the inter‐comprehension of particular entities. [ABSTRACT FROM AUTHOR]

This paper examines geography’s engagements with phenomenology. Tracing phenomenology’s influence, from early humanist reflections on the lifeworld to non-representational theories of practice, the paper identifies the emergence of a distinct post-phenomenological way of thinking. However, there is currently no clear articulation of what differentiates post-phenomenology from phenomenology as a set of theories or ideas, nor is there a clear set of trajectories along which such difference can be pursued further. In response to this, the paper outlines three key elements that differentiate phenomenology from post-phenomenology and that require further exploration. First is a rethinking of intentionality as an emergent relation with the world, rather than an a priori condition of experience. Second is a recognition that objects have an autonomous existence outside of the ways they appear to or are used by human beings. Third is a reconsideration of our relations with alterity, taking this as central to the constitution of phenomenological experience given our irreducible being-with the world. Unpacking these differences, the paper offers some suggestions as to how post-phenomenology contributes to the broader discipline of human geography. [ABSTRACT FROM AUTHOR]

While videogames have been a popular form of entertainment practice for a number of decades, it is only recently that they have been paid much attention by academics. Although there is a burgeoning body of scholarship that deals with videogames in new media and games studies, human geography is only just beginning to offer its own take on the medium and the practices associated with it. This essay outlines ways in which scholars (both within geography and beyond) have traced out the geographies in videogames (in terms of the representations and politics within videogames), the geographies of videogames (in terms of the production and consumption of videogames) and videogames as a cultural geographical practice (in terms of the technocultural practices through which videogames and videogamers are produced). We argue that approaching videogaming as a (techno)cultural practice can enrich the cultural geographies in and of videogames. [ABSTRACT FROM AUTHOR]