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Scholars have long pointed to the power of music as a primary source in instruction for bringing past actors into sharper view and engender deeper connections with the past. By employing Dimitri Shostakovich's 7th Symphony, composed amidst the Nazi siege of Leningrad during the Second World War, we sought to explore, more precisely, the nature of how music, as a primary source, enhances the study of history among students. Through the formulation, execution, and assessment of a two-day lesson with students in five secondary history classes, three of which listened to the symphony and two of which did not, we found that the incorporation of the symphony resulted in students' enhanced empathetic understanding of the past. Implications include details regarding profound opportunities for, as well as challenges to, cultivating historical empathy through the use of music as a primary source. [ABSTRACT FROM AUTHOR]

For almost one hundred years, educators have used model deliberative bodies (e.g., Model United Nations) as a pedagogical tool to teach students about the complexities of diplomatic negotiations. We argue that this type of classroom simulation activity may also serve to illustrate specific historical realities and, more broadly, provide a model of student-centered instruction focused on investigation and decision making. Employed in social studies classrooms, this tool has the potential to foster historical thinking and empathy by calling on students to engage in the act of deliberation as experienced by contemporary actors of a particular negotiating body. The lesson activity we outline in this article charges students to wrestle with the multiplicity of complex dilemmas and conflicting claims that characterized the 1919 Paris Peace Conference. Assuming the role of actual delegates, students not only discuss pertinent issues but also deliberate. That is to say, just like the representatives who convened at the meeting, the students will not have the luxury of merely reflecting on and talking about key geopolitical questions. They will have to reach concrete decisions for a world finding itself in a terrifying, yet hopeful, flux. [ABSTRACT FROM AUTHOR]