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Experiments on visually grounded, definite reference production often manipulate simple visual scenes in the form of grids filled with objects, for example, to test how speakers are affected by the number of objects that are visible. Regarding the latter, it was found that speech onset times increase along with domain size, at least when speakers refer to nonsalient target objects that do not pop out of the visual domain. This finding suggests that even in the case of many distractors, speakers perform object-by-object scans of the visual scene. The current study investigates whether this systematic processing strategy can be explained by the simplified nature of the scenes that were used, and if different strategies can be identified for photo-realistic visual scenes. In doing so, we conducted a preregistered experiment that manipulated domain size and saturation; replicated the measures of speech onset times; and recorded eye movements to measure speakers' viewing strategies more directly. Using controlled photo-realistic scenes, we find (1) that speech onset times increase linearly as more distractors are present; (2) that larger domains elicit relatively fewer fixation switches back and forth between the target and its distractors, mainly before speech onset; and (3) that speakers fixate the target relatively less often in larger domains, mainly after speech onset. We conclude that careful object-by-object scans remain the dominant strategy in our photo-realistic scenes, to a limited extent combined with low-level saliency mechanisms. A relevant direction for future research would be to employ less controlled photo-realistic stimuli that do allow for interpretation based on context., (© 2024 The Author(s). Cognitive Science published by Wiley Periodicals LLC on behalf of Cognitive Science Society (CSS).)

When referring to a target object in a visual scene, speakers are assumed to consider certain distractor objects to be more relevant than others. The current research predicts that the way in which speakers come to a set of relevant distractors depends on how they perceive the distance between the objects in the scene. It reports on the results of two language production experiments, in which participants referred to target objects in photo-realistic visual scenes. Experiment 1 manipulated three factors that were expected to affect perceived distractor distance: two manipulations of perceptual grouping (region of space and type similarity), and one of presentation mode (2D vs. 3D). In line with most previous research on visually-grounded reference production, an offline measure of visual attention was taken here: the occurrence of overspecification with color. The results showed effects of region of space and type similarity on overspecification, suggesting that distractors that are perceived as being in the same group as the target are more often considered relevant distractors than distractors in a different group. Experiment 2 verified this suggestion with a direct measure of visual attention, eye tracking, and added a third manipulation of grouping: color similarity. For region of space in particular, the eye movements data indeed showed patterns in the expected direction: distractors within the same region as the target were fixated more often, and longer, than distractors in a different region. Color similarity was found to affect overspecification with color, but not gaze duration or the number of distractor fixations. Also the expected effects of presentation mode (2D vs. 3D) were not convincingly borne out by the data. Taken together, these results provide direct evidence for the close link between scene perception and language production, and indicate that perceptual grouping principles can guide speakers in determining the distractor set during reference production. [ABSTRACT FROM AUTHOR]