Search

In Food and Feast in Premodern Outlaw Tales editors Melissa Ridley Elmes and Kristin Bovaird-Abbo gather eleven original studies examining scenes of food and feasting in premodern outlaw texts ranging from the tenth through the seventeenth centuries and forward to their cinematic adaptations. Along with fresh insights into the popular Robin Hood legend, these essays investigate the intersections of outlawry, food studies, and feasting in Old English, Middle English, and French outlaw narratives, Anglo-Scottish border ballads, early modern ballads and dramatic works, and cinematic medievalism. The range of critical and disciplinary approaches employed, including history, literary studies, cultural studies, food studies, gender studies, and film studies, highlights the inherently interdisciplinary nature of outlaw narratives. The overall volume offers an example of the ways in which examining a subject through interdisciplinary, cross-geographic and cross-temporal lenses can yield fresh insights; places canonic and well-known works in conversation with lesser-known texts to showcase the dynamic nature and cultural influence and impact of premodern outlaw tales; and presents an introductory foray into the intersection of literary and food studies in premodern contexts which will be of value and interest to specialists and a general audience, alike.

Originally published in 1983. In the late nineteenth century as the European powers divided the world between themselves and scrambled over Africa, so their writers went with them, recording in fiction, as well as in historical narrative, the events and issues of the colonial expansion. The literature which they left behind them is the subject of this book. Taking Robinson Crusoe as the starting point for colonial literature, the book looks at linking themes and ideas in the colonial literatures of England, Frances and Germany. In drawing the attention of English-speaking readers to the writing of these other countries, English fiction is placed in a wider context. The comparison also emphasises a homogeneity in the various traditions of colonial literature which goes beyond mere flag waving.

La littérature depuis ses commencements jusqu'à nos jours s'est mise fréquemment à regarder l'étranger, dont les représentations comptent, sans doute, parmi les plus anciennes de l'Humanité, car les nombreuses batailles menées pour la conquête d'autres mondes, les invasions, la construction des grands empires, les processus colonisateurs, les mouvements migratoires ou exiliques, qui se sont succédés à toutes les époques de l'histoire, ou tout simplement l'expérience des voyages, ont mis éternellement l'homme devant l'Autre ou devant les Autres ou bien l'ont fait se sentir différent.Sont réunis ici un ensemble d'articles qui, bien qu'ayant entrepris l'analyse d'oeuvres littéraires assez hétéroclites, d'origines et de factures bien diverses, convergent tous dans un même projet commun rendant leur articulation en un tout homogène. Certes, le fil d'Ariane qui traverse l'ensemble du livre se noue autour de la lecture herméneutique de ces images de l'étranger que la littérature a élaborée. Throughout history, literature has frequently regarded the foreigner, whose representations are undoubtedly among the oldest in humanity. Effectively, the many battles waged for the conquest of other worlds, invasions, the construction of great empires, colonialism, migratory or exile movements, or simply the experience of travel, have eternally placed the man before the Other, or the Others have made him feel different.In this book, the reader may find a set of articles which, in spite of undertaking the analysis of quite dissimilar literary works, having very different origins and forms, are gathered in a same common project, thus becoming a whole homogeneous product.Indeed, the conductive thread which criss-crosses the whole book is the hermeneutic reading of those images created by literature.

The thesis deals primarily with the term wit and its modern and historical usage in literary and aesthetic theories. Further, it concerned with the literary and aesthetic implications of the terms wit and esprit as they were theorized in critical writings of several authors of the early modern England and France. The thesis has two primary goals. The first goal is to re-assess the English concept of wit, nowadays regarded as an out-dated device of past poetic systems, and to present it as vital and useful part of the contemporary discourse. The second goal is to provide comparative reading of early modern English and French theoretical texts dealing with wit and esprit, respectively. Presenting ideas on the English term wit as employed in the theoretical writings in the light of its French equivalent esprit, I wish to demonstrate a gradual development of the terms from rhetoric to aesthetic.

'Gunny, a pioneer in the study of French and European literary and theological representations of Islam in the modern period, offers a survey of over 350 years, which is both a cross cultural history and a discussion of the intellectual changes in the representation of the Prophet's life based on the examination of original published and unpublished manuscripts.'-Islamic Horizons'Ahmad Gunny has been a pioneer in the study of French and European literary and theological representations of Islam in the modern period. Thanks to his acclaimed critical studies, students and scholars alike have found in his work new and important directions for research.'—Nabil Matar, professor, University of MinnesotaThis magisterial survey of the Prophet Muhammad over three hundred and fifty years is both a cross cultural history and a discussion of the intellectual changes in the representation of the Prophet's life based on the close examination of original published and unpublished manuscripts.Ahmad Gunny is fellow and senior associate at the Oxford Centre for Islamic Studies.

Extrait :'On a dit que le nom d'André Chénier était promis à la gloire, et ce mot a passé de bouche en bouche comme l'expression concise d'une idée vraie. La lecture attentive des œuvres d'André Chénier, loin de confirmer l'opinion aujourd'hui accréditée, assigne à l'auteur de'l'Aveugle et de la Jeune Captive'un rang glorieux et irrévocable.'À PROPOS DES ÉDITIONS LIGARAN : Les éditions LIGARAN proposent des versions numériques de grands classiques de la littérature ainsi que des livres rares, dans les domaines suivants : • Fiction : roman, poésie, théâtre, jeunesse, policier, libertin. • Non fiction : histoire, essais, biographies, pratiques.

Cet ouvrage réunit les travaux de spécialistes de la critique et des littératures postcoloniales de pays de langues romanes (aires francophone, hispanophone, italophone, lusophone) ainsi que de pays d'aires germanophone et anglophone. Il a pour but de confronter les spécificités critiques et méthodologiques propres à chaque aire linguistique, de dresser ensuite un premier bilan comparé des différentes interprétations et théories postcoloniales et enfin d'envisager les perspectives qui s'ouvrent aux études postcoloniales dans un monde global. Les auteurs ont donc voulu d'une part comparer et entrecroiser les approches et les situations abordant les littératures dans un cadre mondial, et d'autre part, sur ces bases, décrire les possibles évolutions des études postcoloniales, en dehors et au-delà du domaine anglophone où elles ont pris naissance.

The Pacific Islands began to appear in Western literature soon after European navigators made landfall there. From the first, there was seldom a statement of plain facts. Explorers brought their own viewpoints while editors, poets and novelists went on to interpret and moralise the first accounts. Portraying Pacific peoples as sensual, indolent, childlike and - frequently - wicked, such stories implied the duty of Europeans to rule and of the natives to be grateful. Modified though it sometimes was by the more accepting attitudes of beachcombers, by the exploitative activities of traders, and throgh the romantic eyes of erotic novelists, this conception of Pacific Islanders persisted through the nineteenth century and well into the twentieth.

The Pulitzer Prize–winning book critic shares recollections and reviews from his career at the Washington Post.In this book, Jonathan Yardley considers lesser-known works from renowned authors and underappreciated talents, and offers fresh takes on old favorites. Yardley's reviews of sixty titles include fiction by Gabriel García Márquez, John Cheever, and Henry Fielding; the autobiography of Louis Armstrong; essays by Nora Ephron; and Margaret Leech's history of Washington during the Civil War.Second Reading is also the memoir of a passionate and lifelong reader told through the books that have meant the most to him. Playing the part of both reviewer and bibliophile, Yardley takes on Steinbeck and Salinger, explores the southern fiction of Shirley Ann Grau and Eudora Welty, looks into a darker side of Roald Dahl, and praises the pulp fiction of William Bradford Huie and the crime novels of John D. MacDonald.Collected from a popular Washington Post column of the same name, Second Reading is an incisive and entertaining look at the career and times of an esteemed critic and the venerable books that shaped him. This delightful consideration reminds readers that thoughtful criticism and a lively sense of fun can exist side by side.

From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven't—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine's love... about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman's life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de'Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth.Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I.Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.

This book concerns the significance of the English Channel in British and French literature from the 1780s onwards: a timely subject given the intense debates in progress about the actual and desired relationships between Britain and mainland Europe. The book addresses contemporary authors who use the Channel as a focus for cultural comment, comparing their approaches to those of earlier writers, from Charlotte Smith and Chateaubriand through Hugo and Dickens to historians and travel writers of the 1950s and 1980s.

The Pacific Islands began to appear in Western literature soon after European navigators made landfall there. From the first, there was seldom a statement of plain facts. Explorers brought their own viewpoints while editors, poets and novelists went on to interpret and moralise the first accounts. Portraying Pacific peoples as sensual, indolent, childlike and - frequently - wicked, such stories implied the duty of Europeans to rule and of the natives to be grateful. Modified though it sometimes was by the more accepting attitudes of beachcombers, by the exploitative activities of traders, and through the romantic eyes of erotic novelists, this conception of Pacific Islanders persisted through the nineteenth century and well into the twentieth.