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This article explores the diverse semiotic landscapes which may be experienced as a consequence of apparently mundane rides taken upon the Shanghai metro. I first present, and then untangle, the ideological discourses that form, clash and, at times, collapse during these journeys. In order to elaborate upon the composition of these signs, they are viewed from multiple perspectives, although significant reference is made to Roland Barthes’ punctum/studium dialectic. These signs are not only read as manifestations of robust ideology but also as indeterminate, and fragile. This article is also concerned with pragmatics on the Shanghai metro, or the relationships between people and signs, and illustrates how passengers perform within this semiotically charged environment in ways which, sometimes, undo, or subvert, urban rationality. Although this article specifically focuses upon the Shanghai metro, and one particular route in its parliament of lines, it is intended these observations not only inform but also are informed by accounts of social spaces beyond these limits. [ABSTRACT FROM AUTHOR]

This article focuses on a filmic portrayal of issues relating to autism in a Chinese context, using this as a prism through which to consider how meanings associated with disability in general, and the autistic spectrum in particular, are produced. Instead of perpetuating a reductive positive/negative approach to representation, the article focuses on the fluid and dynamic ways in which author and audience co-produce texts relating to disability in ways which are invariably influenced by, and reproducing of, specific socio-cultural and discursive circumstances. Meaning-making in relation to disability is, however, ongoing and there is potential to realize disability differently. [ABSTRACT FROM PUBLISHER]