Search

Generative artificial intelligence (AI) has the potential to transform many aspects of scholarly publishing. Authors, peer reviewers, and editors might use AI in a variety of ways, and those uses might augment their existing work or might instead be intended to replace it. We are editors of bioethics and humanities journals who have been contemplating the implications of this ongoing transformation. We believe that generative AI may pose a threat to the goals that animate our work but could also be valuable for achieving those goals. In the interests of fostering a wider conversation about how generative AI may be used, we have developed a preliminary set of recommendations for its use in scholarly publishing. We hope that the recommendations and rationales set out here will help the scholarly community navigate toward a deeper understanding of the strengths, limits, and challenges of AI for responsible scholarly work. [ABSTRACT FROM AUTHOR]

In this paper, we are concerned about the nature of information and how to gather and compose data with the help of so called FAIR digital objects (FDOs) in order to transform them to knowledge. FDOs are digital surrogates of real objects. The nature of information is intrinsically linked to the kind of questions one is asking. One might not ask a question or get philosophical about it. Answers depend on the data different disciplines gather about their objects of study. In Statistical Physics, classical Shannon entropy measures system order which in equilibrium just equals the heat exchanged with the environment. In cell biology, each protein carries certain functions which create specific information. Cognitive science describes how organisms perceive their environment via functional sensors and control behavior accordingly. Note that one can have function and control without meaning. In contrast, psychology is concerned with the assessment of our perceptions by assigning meaning and ensuing actions. Finally, philosophy builds logical constructs and formulates principles, in effect transforming facts into complex knowledge. All these statements make sense, but there is an even more concise way. Indeed, Luciano Floridi provides a precise and thorough classification of information in his central oeuvre On the Philosophy of Information (Floridi 2013). Especially, he performs a sequential construction to develop the attributes which data need to have in order to count as knowledge. Semantic information is necessarily well-formed, meaningful and truthful. Well-formed data becomes meaningful by action based-semantics of an autonomous-agent solving the symbol grounding problem (Taddeo and Floridi 2005) interacting with the environment. Knowledge is created then by being informed through relevant data accounted for. We notice that the notion of agency is crucial for defining meaning. The apparent gap between Sciences and Humanities (Bawden and Robinson 2020) is created by the very existence of meaning. Further, meaning depends on interactions & connotations which are commensurate with the effective complexity of the environment of a particular agent resulting in an array of possible definitions. In his classical paper More is different (Anderson 1972) discussed verbatim the hierarchical nature of science. Each level is made of and obeys the laws of its constituents from one level below with the higher-level exhibiting emergent properties like wetness of water assignable only to the whole system. As we rise through the hierarchies, there is a branch of science for each level of complexity; on each complexity level there are objects for which it is appropriate and fitting to build up vocabulary for the respective levels of description leading to formation of disciplinary languages. It is the central idea of causal emergence that on each level there is an optimal degree of coarse graining to define those objects in such a way that causality becomes maximal between them. This means there is emergence of informative higher scales in complex materials extending to biological systems and into the brain with its neural networks representing our thoughts in a hierarchy of neural correlates. A computational toolkit for optimal level prediction and control has been developed (Hoel and Levin 2020) which was conceptually extended to integrated information theory of consciousness (Albantakis et al. 2019). The large gap between sciences and humanities discussed above exhibits itself in a series of small gaps connected to the emergence of informative higher scales. It has been suggested that the origin of life may be identified as a transition in causal structure and information flow (Walker 2014). Integrated information measures globally how much the causal mechanisms of a system reduce the uncertainty about the possible causes for a given state. A measure of "information flow" that accurately captures causal effects has been proposed (Ay and Polani 2008). The state of the art is presented in (Ay et al. 2022) where the link between information and complexity is discussed. Ay et al single out hierarchical systems and interlevel causation. Even further, (Rosas et al. 2020) reconcile conflicting views of emergence via an exact information-theoretic approach to identify causal emergence in multivariate data. As information becomes differentially richer one eventually needs complexity measures beyond {R }. One may define generalized metrices on these spaces (Pirró 2009) measuring information complexity on ever higher hierarchical levels of information. As one rises through hierarchies, information on higher scale is usually gained by coarse graining to arrive at an effective, nevertheless exact description, on the higher scale. It is repeated coarse graining of syntactically well-ordered information layers which eventually leads to semantic information in a process which I conjecture to be reminiscent of renormalization group flow leading to a universal classification scheme. Thus, we identify scientific disciplines and their corresponding data sets as dual universality classes of physical and epistemic structure formation, respectively. Above the semantic gap, we may call this process quantification of the qualitative by semantic metrics. Indeed, (Kolchinsky and Wolpert 2018) explored for the first time quantitative semantic concepts in Physics in their 2018 seminal paper entitled Semantic information, autonomous agency and non-equilibrium statistical physics. Their measures are numeric variants of entropy. Semantic information is identified with 'the information that a physical system has about its environment that is causally necessary for the system to maintain its own existence over time'. FDOs are employed in these processes in two fundamental ways. For practical implementations of FDO technology, see accompanying abstract (Wittenburg et al. 2022). First, the FAIR principles (Wilkinson et al. 2016) ensure that unconnected pieces of data may be percolated into an integrated data space. Percolation creates the information density needed to feed AI-driven built up of semantic space. Without FDOs we wouldn't have the gravity for this to occur. Second, the very structure of FDOs, capable of symmetry preserving or breaking fusion events into composed entities, makes them homologous to mathematical categories. This will proof to be a powerful tool to unravel the nature of information via analyzing its topological structure algebraically, especially when considering our conjecture concerning universality, classes of information and their possible instantiations on vastly different length and time scales, in effect explaining analogous structure formation. [ABSTRACT FROM AUTHOR]

Combining computational technologies and humanities is an ongoing effort aimed at making resources such as texts, images, audio, video, and other artifacts digitally available, searchable, and analyzable. In recent years, deep neural networks (DNN) dominate the field of automatic text analysis and natural language processing (NLP), in some cases presenting a super‐human performance. DNNs are the state‐of‐the‐art machine learning algorithms solving many NLP tasks that are relevant for Digital Humanities (DH) research, such as spell checking, language detection, entity extraction, author detection, question answering, and other tasks. These supervised algorithms learn patterns from a large number of "right" and "wrong" examples and apply them to new examples. However, using DNNs for analyzing the text resources in DH research presents two main challenges: (un)availability of training data and a need for domain adaptation. This paper explores these challenges by analyzing multiple use‐cases of DH studies in recent literature and their possible solutions and lays out a practical decision model for DH experts for when and how to choose the appropriate deep learning approaches for their research. Moreover, in this paper, we aim to raise awareness of the benefits of utilizing deep learning models in the DH community. [ABSTRACT FROM AUTHOR]

This paper aims to present how the topic of digital technology has been discussed in the field of sciences, especially education. At first, presents 10 theoretical categories dedicated to the study of education in interface with digital technology, extracted from the systematic review of, approximately, 2,300 scientific papers collected in two portals: CAPES and ERIC. Following, the paper presents a topical research carried out in the Department of Social Sciences of the University of Rome La Sapienza, in particular on the Sostenibilia Research Center which integrates transdisciplinary research in the interface of social sciences, digital technologies, education and sustainability. In the scope of the research, Professors and Researchers were interviewed about which categories they identify as the main trend of study about digital technologies. After selecting the category of "The Study of Technology as a New Paradigm of Post-Modern Societies" two groups of possible answers were elaborated: the first one about why that category was chosen; and the second about what are the challenges in the study of digital technologies in the field of humanities. We offer some discussion and remarks about the characteristics of digital technologies' study among Education and Social Sciences' field underlighting the role of Open Educational Resources (OER) to consider a new paradigm for educational technology. Nevertheless, we present the concept of OER that connects education, its diverse skills and digital technologies. [ABSTRACT FROM AUTHOR]

Copyright of Revista Espanola de Comunicacion en Salud is the property of Asociacion Espanola de Comunicacion Sanitaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Scholars of various disciplines have focused their attention on European Medieval and Early Modern graffiti during the last decade, thus confirming and reinforcing the value of this peculiar written evidence. Their contributions demonstrate that graffiti can offer valuable information to different fields of study (e.g. shipbuilding, palaeography, history, social culture, and visual culture) through a glimpse into past daily life. Due to their nature, graffiti present a completely free graphic expression, which may appear in either textual or pictorial forms, or both. This characteristic makes their study rather challenging due to the two different mechanisms of communication they employ. In the case of textual graffiti, the content is transmitted through linguistic codification, while pictorial graffiti require a decoding process that is more complex and articulated. The first challenge, though, is to find a way to record and compare both evidence on the same graphic and verbal levels. Furthermore, as for any other epigraphic evidence, the graffiti analysis must take into account the writing surfaces and the context, two elements that are fundamental for the final interpretation of this source. This paper will address these methodological issues concerning the preliminary phase of graffiti documentation and classification/cataloguing. The starting point has been the recent debate and application of FAIR data principles in the field of Humanities, which aim to create quality data, easily exchanged in a digital environment, fostering knowledge in the field. Since this approach has not yet been applied to graffiti studies, the paper aims to stimulate a dialogue on innovative and objective methodological approaches within the researchers' community. [ABSTRACT FROM AUTHOR]

This article considers the interdisciplinary opportunities and challenges of working with digital cultural heritage, such as digitized historical newspapers, and proposes an integrated digital hermeneutics workflow to combine purely disciplinary research approaches from computer science, humanities, and library work. Common interests and motivations of the above‐mentioned disciplines have resulted in interdisciplinary projects and collaborations such as the NewsEye project, which is working on novel solutions on how digital heritage data is (re)searched, accessed, used, and analyzed. We argue that collaborations of different disciplines can benefit from a good understanding of the workflows and traditions of each of the disciplines involved but must find integrated approaches to successfully exploit the full potential of digitized sources. The paper is furthermore providing an insight into digital tools, methods, and hermeneutics in action, showing that integrated interdisciplinary research needs to build something in between the disciplines while respecting and understanding each other's expertise and expectations. [ABSTRACT FROM AUTHOR]

Copyright of Digital Studies / Champ Numérique is the property of Open Library of Humanities and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

As a part of the DiMPAH-project, the authors have developed an open educational resource (OER) on netnography. In this paper, the OER is presented and critically discussed as the broader problem identified during course-development is made explicit and explored through two research questions: 1) How can an OER be designed that positions netnography as a viable methodology for the digital humanities? 2) How can an OER be designed that theoretically and methodologically combines both quantitative and qualitative approaches for doing netnography? An up-to-date theoretical overview of netnography as a methodology for studying social experiences online is provided. Methodological considerations are presented, aimed for sensitizing students to nuances of active (participatory) and passive (non-participatory) netnography through two analytical concepts. The OER is presented through three case studies and a learning scenario offering flexible and authentic technology-integrated learning. Netnography is found to contribute to the digital humanities, overall characterized by method-driven and quantitative approaches, with reflexivity and a potential for critical research and pedagogy. The two analytical concepts community-based netnography and consociality-based netnography allow for a nuanced methodological understanding of how and when qualitative and quantitative approaches should be employed, and how they may complement each other. [ABSTRACT FROM AUTHOR]

The digital humanities have developed in concert with online systems that increase the accessibility and speed of learning. Whereas previously students were immersed in the fluidity of campus life, they have become suspended and drawn-into various streams and currents of digital pedagogy, which articulate new forms of epistemological movement, often operating at speeds outside the lived time and rhythm of human thought. When assessing learning technologies, we have to consider the degree to which they complement the rhythms immanent to human thought, knowledge, investigation, and experimentation. In this paper, we examine learning from a humanities perspective, arguing that reading, writing, and thinking are ways of learning underscored by various genres of movement that segue with or diverge from the movements inherent to digital technologies, especially those deployed in learning systems. Using the work of thinkers such as John Dewey and Michel Serres, we examine the importance of movement in dialogue, where to truly learn involves embedding oneself in the flow of thought, accepting the flexibility of concepts, and aligning oneself with a community of thinkers. [ABSTRACT FROM AUTHOR]

Digital humanities is a result of the convergence of digital technology with social sciences and humanities. It is one of the key research areas around the world by the library and information science profession, and in cognate areas such as art and archeology. Focus groups, digital humanities centres are created for intensive researches which are located mainly in libraries as their core programmes. The library techniques and methods such as knowledge organisation, knowledge management, search and retrieval design, education, and emerging areas such as metadata, semantic mapping, ontology, thesaurus construction, digital curation, discovery services, find application in digital humanities. A new area of study, historical informatics complements the digital humanities. India has vast potential application of digital humanities with its diverse culture, customs and languages and so on. India is reckoned as one of the advanced countries in the IT sector, hence recognising the socio-cultural legacy and diverse historical background, it is viewed that digital humanities has many opportunities and applications for LIS professionals in India to contribute substantially. This paper brings together the concepts, tools, and applications of digital humanities and proposes a course of study in LIS curriculum. [ABSTRACT FROM AUTHOR]

Copyright of Medien & Kommunikationswissenschaft is the property of Nomos Verlagsgesellschaft mbH & Co. KG and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Publishers of academic books in Australia have evolved in response to the crisis in scholarly publishing by adapting to the opportunities afforded by digital technologies for faster, cheaper, and more dynamic publishing approaches. Academic authors are at the core of the scholarly publishing landscape, so publishers need to understand their motives and needs. This paper examines data from a survey of academic authors in the humanities and social sciences (HSS) in Australia. Our aim for the survey was to understand the publishing experiences, behaviours, and perceptions of these authors. We discovered their expectations for publishers are high. They want fast turnaround, high-quality editing and production values, and cheaper books, which run up against three principal constraints for all scholarly publishers: quality, time, and cost. The prestige and reputation of a publisher are critical, and authors are primarily interested in traditional success measures of academic performance. Societal impact or engagement with research end-users was seen as less important. The findings of this project highlight a number of contradictions and tensions within the scholarly publishing landscape, and they have tangible implications for practices in HSS for authors and publishers, as well as for grant funders and university administrators who adopt policies and assign criteria for research evaluation. [ABSTRACT FROM AUTHOR]

Mainstream operationalisations of music in contemporary digital culture tend to take forms that fit with Western folk-theoretic conceptions of music: as discrete sonic entities—songs, pieces, works—that fall within an autonomous domain of human experience, that have determinate structure and that have both affective and exchange value. This perspective is problematised in alternative digital manifestations of music as constituted in and through interaction, in which music is emergent from interactive processes that are computationally mediated. This alternative digital approach fits with broad conceptions of music that are grounded in ethnomusicological accounts and that have increasing weight in the cognitive sciences, in which music is understood and explored as a communicative medium. This paper will outline some of the possibilities, potentials and problems for digital approaches that are likely to arise in operationalising music as communicative interaction. [ABSTRACT FROM AUTHOR]

This paper reviews and synthesizes ideas in the philosophy of play and relevant psychology research in order to address videogame medium specificity, with particular focus on the notion of videogame play as simultaneously "rule-bound" and "make-believe." It offers the sustained analogy of "trellis and vine" for provisionally sorting through the tangle (the "mess" or "assemblage") of function and fiction in games. [ABSTRACT FROM AUTHOR]

Abstract: Digitalisation and digitality are changing the world – and the sciences and humanities with it. This transformation gives rise to unpredictable opportunities for knowledge yet at the same time poses enormous challenges that must be addressed in science‐driven research funding. [ABSTRACT FROM AUTHOR]

Digital Humanities is a catchy word that draws the attention of all disciplines and literary studies is not an exemption. This paper investigates various debates associated with the Digital Humanities and also explores the relevance and impact of Digital technology on the teaching and learning of English studies. Though the impact of Digital humanities is widely felt, there is no collective consensus regarding its application to Text, which is the very foundation for the enhancement of literary studies and the gravity of the concept "Text" proves to be the veritable source of encoding in the form of computing technology. The sublimity of a literary text lies in its dexterous use of coded information and hence, computing enhances illustration of various images and events in the form of pictures, video, and audio forms. Further, as a literary text is not culture bound it is always open for digital culture and it justifies the intended study. [ABSTRACT FROM AUTHOR]

Digital technology can facilitate collaboration and data sharing among humanities scholars, and therefore is sometimes seen as a catalyst for attempts to revise problematic canonical traditions in literary history. In this paper, I interrogate how specific ways of organising scholarly labour make possible certain forms of knowledge, and I study the obstacles scholars face when trying to adapt established organisational models. For this purpose I draw on fieldwork in a large European database project, launched to create empirical knowledge about “forgotten” women writers. Literary studies is characterised by monograph-oriented scholarship, situated in regional disciplinary contexts. The collaborative use of a database, however, requires an integration of individual research practices, and it blurs the division of labour between scholars and information professionals. In the present case, the inertia of established infrastructural arrangements manifested itself as a conflict between what was required to generate the specific type of knowledge the project aimed for, and the need for participants to engage in a more traditional form of knowledge production to advance their individual careers. The tension was better manageable in cases where the project conceded organisational authority to local contexts, an empirical finding with implications for established funding models for collaborative digital scholarship. [ABSTRACT FROM AUTHOR]

This paper aims to present how the topic of digital technology has been discussed in the field of sciences, especially education. At first, presents 10 theoretical categories dedicated to the study of education in interface with digital technology, extracted from the systematic review of, approximately, 2,300 scientific papers collected in two portals: CAPES and ERIC. Following, the paper presents a topical research carried out in the Department of Social Sciences of the University of Rome La Sapienza, in particular on the Sostenibilia Research Center which integrates transdisciplinary research in the interface of social sciences, digital technologies, education and sustainability. In the scope of the research, Professors and Researchers were interviewed about which categories they identify as the main trend of study about digital technologies. After selecting the category of “The Study of Technology as a New Paradigm of Post-Modern Societies” two groups of possible answers were elaborated: the first one about why that category was chosen; and the second about what are the challenges in the study of digital technologies in the field of humanities. We offer some discussion and remarks about the characteristics of digital technologies’ study among Education and Social Sciences’ field underlighting the role of Open Educational Resources (OER) to consider a new paradigm for educational technology. Nevertheless, we present the concept of OER that connects education, its diverse skills and digital technologies.

Copyright of Comparative Literature / Primerjalna Književnost is the property of Slovenian Comparative Literature Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper seeks to work through the Internet, an interesting maze of digital space which hosts the new public sphere, and explore the contribution of the English language and literature to charting this space. It will consider texts of Stephen Talbott's "The Future does not Compute" and Owen Barfield's "Saving the Appearances: A Study in Idolatry," as well as consider the theories of communication of Marshall Mcluhan and Harold Innis. It will also consider the phenomenon of social trending and posting using digital projects, like Twitter fiction festival and StoryLane, in order to grapple with the subject through interdisciplinary thought. The resulting work will then hope to answer the question of whether reconciliation is possible between the textual past of Eliot, Joyce, and Austen with the condensed world that English feeds into and from which it has created on the Internet. It also seeks to understand the implications of this relationship on a generation that forms its identity through this new connectivity. [ABSTRACT FROM AUTHOR]

The application of digital humanities techniques to philosophy is changing the way scholars approach the discipline. This paper seeks to open a discussion about the difficulties, methods, opportunities, and dangers of creating and utilizing a formal representation of the discipline of philosophy. We review our current project, the Indiana Philosophy Ontology (InPhO) project, which uses a combination of automated methods and expert feedback to create a dynamic computational ontology for the discipline of philosophy. We argue that our distributed, expert-based approach to modeling the discipline carries substantial practical and philosophical benefits over alternatives. We also discuss challenges facing our project (and any other similar project) as well as the future directions for digital philosophy afforded by formal modeling. [ABSTRACT FROM AUTHOR]

This article advances the thesis that three decades of investments by national and international funders, combined with those of scholars, technologists, librarians, archivists, and their institutions, have resulted in a digital infrastructure in the humanities that is now capable of supporting end-to-end research workflows. The article refers to key developments in the epigraphy and paleography of the premodern period. It draws primarily on work in classical studies but also highlights related work in the adjacent disciplines of Egyptology, ancient Near East studies, and medieval studies. The argument makes a case that much has been achieved but it does not declare "mission accomplished." The capabilities of the infrastructure remain unevenly distributed within and across disciplines, institutions, and regions. Moreover, the components, including the links between steps in the workflow, are generally far from user-friendly and seamless in operation. Because further refinements and additional capacities are still much needed, the article concludes with a discussion of key priorities for future work. [ABSTRACT FROM AUTHOR]

Questions of how to sustain interest in the history of medicine and broader health sciences (HOM/HS) in a changing institutional environment, and how to collaborate with stakeholders to offer activities to do so, are on the radar for many academic health sciences centers and their libraries. This essay is an initial exploratory study of non-curricular HOM/HS efforts at United States medical schools ranked in the top thirty in primary care or research. In 2019, we collected public information pertinent to any presence of an on-campus HOM/HS community and the group's structure, including funding, activities, and the library's involvement with the group. Seventeen of forty-five institutions in the sample presented information about an institutional HOM/HS group. All posted a mission statement. Their funding varied in nature; some collected fees from members, while others relied on university support. Half were student-led. Most groups hosted regular lecture series, with fifteen groups hosting at least one annually. Six groups sponsored publications or awards. These findings indicate that several institutions with active programs offer potential models and lessons for sustaining HOM/HS communities. Beyond providing a physical or digital space in which HOM/HS groups connect, libraries play an active role in fostering some of these communities. [ABSTRACT FROM AUTHOR]

The interdisciplinary field known as digital humanities (DH) is represented in various forms in the teaching and research practiced in iSchools. Building on the work of an iSchools organization committee charged with exploring digital humanities curricula, we present findings from a series of related studies exploring aspects of DH teaching, education, and research in iSchools, often in collaboration with other units and disciplines. Through a survey of iSchool programs and an online DH course registry, we investigate the various education models for DH training found in iSchools, followed by a detailed look at DH courses and curricula, explored through analysis of course syllabi and course descriptions. We take a brief look at collaborative disciplines with which iSchools cooperate on DH research projects or in offering DH education. Next, we explore DH careers through an analysis of relevant job advertisements. Finally, we offer some observations about the management and administrative challenges and opportunities related to offering a new iSchool DH program. Our results provide a snapshot of the current state of digital humanities in iSchools which may usefully inform the design and evolution of new DH programs, degrees, and related initiatives. [ABSTRACT FROM AUTHOR]

An editorial is presented on marking out the area of digital humanities (DH). Topics include suggesting further areas of study such as analysis of conferences and citations as well as diachronic representations of the ever-developing landscape of DH; and developing an integrated digital hermeneutics workflow combining research approaches from computer science and the humanities.

Over the last two decades digital resources have proved to be extremely useful even in the humanities. Apart from library catalogues and sophisticated databases, which enable any reader from anywhere in the world to search for items and often offer free access to rare books and prints – not to mention a huge project like Google books or the diffusion of e-books as an alternative to printed materials – websites and computer programs have become an essential part of the daily work of scholars, and they keep providing wonderful opportunities to collect, analyse and compare primary (and secondary) sources. [ABSTRACT FROM AUTHOR]

This essay challenges the patriarchal and Eurocentric biases of the digital humanities (DH) by critically placing the field in a genealogy of postcolonial studies. I do so to counter the 'genesis narrative' of DH in which an Italian priest named Father Roberto Busa 'pioneered' humanities computing. I draw on postcolonial digital humanities and additional framings to demonstrate Empire's intentional unavailability of technological resources, like census cards, that may have mediated against communal bloodshed while also serving as a testament to early technology that nurtured DH. After detailing the violent production of racialised colonialism's impossibility of an Indian modernity, I turn to Bollywood cinema as a technological realm through which we can trace an alternative genealogy anchored by digital necropolitics, or the right to expose people to harm in cyberspace. I conclude by arguing, especially in the context of the violent present, for the essential need for a way of engaging digital humanities and South Asia beyond canonical productions of both. This essay contributes to current dialogues in postcolonial studies, the digital humanities, and studies in biopolitics/ necropolitics. [ABSTRACT FROM AUTHOR]

ARRAY(0x55d162d90208) [ABSTRACT FROM AUTHOR]

Through multiple versions of Prelude, readers can follow the progress of a poem 41 years in the making, a period that exceeds by far the timeline of its narration. To do so I employed automated analysis platforms LIWC (Pennebaker, Chung, Ireland, Gonzales, & Booth, 2007a) and SEANCE (Crossley, Kyle, & McNamara, 2016). Results reveal that Wordsworth exhibited habits of mind resonant with maturation, especially in his increased positivity and abstraction. Discriminant function analysis revealed four psychological markers that almost completely identified shifts between editions. Indices connoting trust and sadness, as well as positive adjectives and the cognitive indicator of exclusion, accounted for 63 percent of the variance. The study offers a methodology for considering multiple versions of any text in which the passage of time becomes an important marker. I present these findings within a digital humanities framework and conclude by discussing applications. [ABSTRACT FROM AUTHOR]

The main aim of the article is to bring together free available digital textual resources of Slovak philosophy into the comprehensive list that will serve as a basis for a more systematic building of databases of resources in the future. Firstly, it consists of mapping and describing of accessible Slovak philosophical digital resources. Secondly, it illustrates methodological benefits of digital resources in digital scholarship in philosophy. The purpose of contribution is to draw attention to systematic building-up of digital textual resources in Slovak philosophy and to demonstrate the importance of the application of advanced computational processes to digital textual resources in Slovak philosophy for the purpose of digital as well as traditional armchair philosophical research. [ABSTRACT FROM AUTHOR]

Despite the perceived newness of electronic methods in physical classrooms, electricity-and the distributed labor on which it runs-has long powered the spaces of pedagogy. Routing electronic practices in undergraduate teaching through the digital infrastructures with which they operate, this writing tests circuits of power that migrate between disciplinary and physical learning systems. It does so through a discussion of Pedagogy Toolkit, an open source and community-authored teaching repository built with Jekyll and deployed via GitHub Pages. Contributing to an increase of energy for project-based interventions in digital humanities teaching, Pedagogy Toolkit circulates digitized teaching materials, guides to teaching with digital humanities tools, a curated sample of online syllabuses accompanied by a syllabus templating tool, and an accessible website templating framework. An overview of new methods for digital teaching in the undergraduate classroom leads in turn to a reflexive discussion of the design of digital platforms as pedagogical objects, activating issues of labor, diversity, and knowledge transmission along the way. Ultimately, building a toolkit for digital pedagogy constructs infrastructure as a mode of intellectual inquiry, exposing classroom power as a conduit for ethical connections between students, teachers, and digital development teams. Rerouting logics that partition teaching practice and tool development, this article situates building communities at the heart of humanities learning. [ABSTRACT FROM AUTHOR]

The article deals with the use of aggregate reading in ecological digital humanities, which explores the interconnectedness of the material with the philosophy of the ecology of things. Topics addressed include the phenomenology of the ecological interconnectedness, the destruction of boundaries to explain a phenomenon and articulation as performance. A discussion on the concepts of agential cut and art-iculation is offered.

Copyright of Information -- Wissenschaft und Praxis is the property of De Gruyter and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article looks at philology as a ground of literary and cultural studies. Specifically, the author suggests a new arrangement for philology as a discipline. One factor contributing practical and institutional change to humanities education and scholarship is digital technology. In 2010, the Digital Public Library of America (DLPA) was established. Several consequences of digitization for philology are described.

An introduction is presented in which the editor discusses various reports within the issue related to the latest developments in the field of digital technologies and their relation with the social sciences and humanities.

Digital technology is being used increasingly in humanities and social science scholarship. Librarians offer a unique set of skills that can assist in providing access to digitally created knowledge, and its preservation. This essay offers a basic overview of the steps involved in digital scholarship, and how librarians can participate in its development. Also presented is a brief introduction to technological issues with which librarians should be familiar, including new metadata challenges. [ABSTRACT FROM AUTHOR]