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This paper looks at Ojibwe writer Louise Erdrich’s National Book Award-winning The Round House as a novel that mixes and reworks genres from a Native American perspective to narrativize the “(post)colonial” (Cheyfitz) status of contemporary American Indian nations. An autobiographical story that can be read as a “postcolonial Bildungsroman” (Nayar), The Round House uses crime fiction as a pretext for writing Indian sovereignty. The legal is fully involved in the construction of the Indian colonized subject. Erdrich’s novel can be read as a confession to “a wrong thing that serves an ideal justice” (RH 306). The main character’s statement that “[t]he sentence was to endure” (RH 317) can be understood both in terms of his admitted moral guilt, and as a proclamation of “survivance” (G. Vizenor). The paper approaches the novel in light of the inseparability of U.S. federal Indian law and American Indian literature (Cheyfitz). My reading relies on Lyotard’s “différend” and on Agamben’s “state of exception” to discuss the plot and its dénouement as Erdrich’s way to wage a contemporary “Indian war” (E. Cook-Lynn).