With our performance industry working from turbo-capitalistic frameworks, artists from neurodiverse and other disability communities are all-too-often passed over. This article calls attention to how an emerging slow theatre movement in Canada is changing these conditions. Slowness, as McAskill argues, is an important mode of perception that values human diversity, resensitizing us to the world we move through. McAskill extends this approach with the Quebec-based atypique artistic movement. Dedicated to recognizing the aesthetic value and professional rights of physically unconventional and neurodivergent artists, McAskill describes in what ways atypique artists are leading new legacies of a slow theatre movement, particularly Les Productions des pieds des mains, a Montreal-based dance-theatre company. Discussing her experiences on-set as a production assistant for a recent contemporary film called Eurêka!, created by Menka Nagrani, the Artistic Director of the company, McAskill theorizes on how the company’s artistic approaches serve as a model of slow theatre, particularly through how they work with and value their diverse artists, who include members of the disability community. Ultimately, McAskill emphasizes the need for slowness in current Canadian theatre and, as she argues, its potentiality to set new conditions of art-making and living in North America. [ABSTRACT FROM AUTHOR]