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The Audio Visual Question Answering (AVQA) task aims to answer questions related to various visual objects, sounds, and their interactions in videos. Such naturally multimodal videos contain rich and complex dynamic audio-visual components, with only a portion of them closely related to the given questions. Hence, effectively perceiving audio-visual cues relevant to the given questions is crucial for correctly answering them. In this paper, we propose a Temporal-Spatial Perception Model (TSPM), which aims to empower the model to perceive key visual and auditory cues related to the questions. Specifically, considering the challenge of aligning non-declarative questions and visual representations into the same semantic space using visual-language pretrained models, we construct declarative sentence prompts derived from the question template, to assist the temporal perception module in better identifying critical segments relevant to the questions. Subsequently, a spatial perception module is designed to merge visual tokens from selected segments to highlight key latent targets, followed by cross-modal interaction with audio to perceive potential sound-aware areas. Finally, the significant temporal-spatial cues from these modules are integrated to answer the question. Extensive experiments on multiple AVQA benchmarks demonstrate that our framework excels not only in understanding audio-visual scenes but also in answering complex questions effectively. Code is available at https://github.com/GeWu-Lab/TSPM., Comment: Accepted by ACM MM 2024

To overcome the imbalanced multimodal learning problem, where models prefer the training of specific modalities, existing methods propose to control the training of uni-modal encoders from different perspectives, taking the inter-modal performance discrepancy as the basis. However, the intrinsic limitation of modality capacity is ignored. The scarcely informative modalities can be recognized as ``worse-learnt'' ones, which could force the model to memorize more noise, counterproductively affecting the multimodal model ability. Moreover, the current modality modulation methods narrowly concentrate on selected worse-learnt modalities, even suppressing the training of others. Hence, it is essential to consider the intrinsic limitation of modality capacity and take all modalities into account during balancing. To this end, we propose the Diagnosing \& Re-learning method. The learning state of each modality is firstly estimated based on the separability of its uni-modal representation space, and then used to softly re-initialize the corresponding uni-modal encoder. In this way, the over-emphasizing of scarcely informative modalities is avoided. In addition, encoders of worse-learnt modalities are enhanced, simultaneously avoiding the over-training of other modalities. Accordingly, multimodal learning is effectively balanced and enhanced. Experiments covering multiple types of modalities and multimodal frameworks demonstrate the superior performance of our simple-yet-effective method for balanced multimodal learning. The source code and dataset are available at \url{https://github.com/GeWu-Lab/Diagnosing_Relearning_ECCV2024}., Comment: Accepted by ECCV 2024

Multimodal learning methods with targeted unimodal learning objectives have exhibited their superior efficacy in alleviating the imbalanced multimodal learning problem. However, in this paper, we identify the previously ignored gradient conflict between multimodal and unimodal learning objectives, potentially misleading the unimodal encoder optimization. To well diminish these conflicts, we observe the discrepancy between multimodal loss and unimodal loss, where both gradient magnitude and covariance of the easier-to-learn multimodal loss are smaller than the unimodal one. With this property, we analyze Pareto integration under our multimodal scenario and propose MMPareto algorithm, which could ensure a final gradient with direction that is common to all learning objectives and enhanced magnitude to improve generalization, providing innocent unimodal assistance. Finally, experiments across multiple types of modalities and frameworks with dense cross-modal interaction indicate our superior and extendable method performance. Our method is also expected to facilitate multi-task cases with a clear discrepancy in task difficulty, demonstrating its ideal scalability. The source code and dataset are available at https://github.com/GeWu-Lab/MMPareto_ICML2024., Comment: Accepted by ICML2024

Multi-modal models have shown a promising capability to effectively integrate information from various sources, yet meanwhile, they are found vulnerable to pervasive perturbations, such as uni-modal attacks and missing conditions. To counter these perturbations, robust multi-modal representations are highly expected, which are positioned well away from the discriminative multi-modal decision boundary. In this paper, different from conventional empirical studies, we focus on a commonly used joint multi-modal framework and theoretically discover that larger uni-modal representation margins and more reliable integration for modalities are essential components for achieving higher robustness. This discovery can further explain the limitation of multi-modal robustness and the phenomenon that multi-modal models are often vulnerable to attacks on the specific modality. Moreover, our analysis reveals how the widespread issue, that the model has different preferences for modalities, limits the multi-modal robustness by influencing the essential components and could lead to attacks on the specific modality highly effective. Inspired by our theoretical finding, we introduce a training procedure called Certifiable Robust Multi-modal Training (CRMT), which can alleviate this influence from modality preference and explicitly regulate essential components to significantly improve robustness in a certifiable manner. Our method demonstrates substantial improvements in performance and robustness compared with existing methods. Furthermore, our training procedure can be easily extended to enhance other robust training strategies, highlighting its credibility and flexibility., Comment: Accepted to ICLR 2024

Never having seen an object and heard its sound simultaneously, can the model still accurately localize its visual position from the input audio? In this work, we concentrate on the Audio-Visual Localization and Segmentation tasks but under the demanding zero-shot and few-shot scenarios. To achieve this goal, different from existing approaches that mostly employ the encoder-fusion-decoder paradigm to decode localization information from the fused audio-visual feature, we introduce the encoder-prompt-decoder paradigm, aiming to better fit the data scarcity and varying data distribution dilemmas with the help of abundant knowledge from pre-trained models. Specifically, we first propose to construct Semantic-aware Audio Prompt (SAP) to help the visual foundation model focus on sounding objects, meanwhile, the semantic gap between the visual and audio modalities is also encouraged to shrink. Then, we develop a Correlation Adapter (ColA) to keep minimal training efforts as well as maintain adequate knowledge of the visual foundation model. By equipping with these means, extensive experiments demonstrate that this new paradigm outperforms other fusion-based methods in both the unseen class and cross-dataset settings. We hope that our work can further promote the generalization study of Audio-Visual Localization and Segmentation in practical application scenarios., Comment: Accepted by AAAI 2024

One primary topic of multimodal learning is to jointly incorporate heterogeneous information from different modalities. However most models often suffer from unsatisfactory multimodal cooperation which cannot jointly utilize all modalities well. Some methods are proposed to identify and enhance the worse learnt modality but they are often hard to provide the fine-grained observation of multimodal cooperation at sample-level with theoretical support. Hence it is essential to reasonably observe and improve the fine-grained cooperation between modalities especially when facing realistic scenarios where the modality discrepancy could vary across different samples. To this end we introduce a sample-level modality valuation metric to evaluate the contribution of each modality for each sample. Via modality valuation we observe that modality discrepancy indeed could be different at sample-level beyond the global contribution discrepancy at dataset-level. We further analyze this issue and improve cooperation between modalities at sample-level by enhancing the discriminative ability of low-contributing modalities in a targeted manner. Overall our methods reasonably observe the fine-grained uni-modal contribution and achieve considerable improvement. The source code and dataset are available at https://github.com/GeWu-Lab/Valuate-and-Enhance-Multimodal-Cooperation., Comment: Accepted by CVPR 2024

Audio-Visual Question Answering (AVQA) task aims to answer questions about different visual objects, sounds, and their associations in videos. Such naturally multi-modal videos are composed of rich and complex dynamic audio-visual components, where most of which could be unrelated to the given questions, or even play as interference in answering the content of interest. Oppositely, only focusing on the question-aware audio-visual content could get rid of influence, meanwhile enabling the model to answer more efficiently. In this paper, we propose a Progressive Spatio-Temporal Perception Network (PSTP-Net), which contains three modules that progressively identify key spatio-temporal regions w.r.t. questions. Specifically, a temporal segment selection module is first introduced to select the most relevant audio-visual segments related to the given question. Then, a spatial region selection module is utilized to choose the most relevant regions associated with the question from the selected temporal segments. To further refine the selection of features, an audio-guided visual attention module is employed to perceive the association between auido and selected spatial regions. Finally, the spatio-temporal features from these modules are integrated for answering the question. Extensive experimental results on the public MUSIC-AVQA and AVQA datasets provide compelling evidence of the effectiveness and efficiency of PSTP-Net. Code is available at: \href{https://github.com/GeWu-Lab/PSTP-Net}{https://github.com/GeWu-Lab/PSTP-Net}, Comment: Accepted by ACM MM 2023

We live in a world filled with never-ending streams of multimodal information. As a more natural recording of the real scenario, long form audio-visual videos are expected as an important bridge for better exploring and understanding the world. In this paper, we propose the multisensory temporal event localization task in long form videos and strive to tackle the associated challenges. To facilitate this study, we first collect a large-scale Long Form Audio-visual Video (LFAV) dataset with 5,175 videos and an average video length of 210 seconds. Each of the collected videos is elaborately annotated with diversified modality-aware events, in a long-range temporal sequence. We then propose an event-centric framework for localizing multisensory events as well as understanding their relations in long form videos. It includes three phases in different levels: snippet prediction phase to learn snippet features, event extraction phase to extract event-level features, and event interaction phase to study event relations. Experiments demonstrate that the proposed method, utilizing the new LFAV dataset, exhibits considerable effectiveness in localizing multiple modality-aware events within long form videos. Project website: http://gewu-lab.github.io/LFAV/

Audio question answering (AQA), acting as a widely used proxy task to explore scene understanding, has got more attention. The AQA is challenging for it requires comprehensive temporal reasoning from different scales' events of an audio scene. However, existing methods mostly extend the structures of visual question answering task to audio ones in a simple pattern but may not perform well when perceiving a fine-grained audio scene. To this end, we present a Multi-scale Window Attention Fusion Model (MWAFM) consisting of an asynchronous hybrid attention module and a multi-scale window attention module. The former is designed to aggregate unimodal and cross-modal temporal contexts, while the latter captures sound events of varying lengths and their temporal dependencies for a more comprehensive understanding. Extensive experiments are conducted to demonstrate that the proposed MWAFM can effectively explore temporal information to facilitate AQA in the fine-grained scene.Code: https://github.com/GeWu-Lab/MWAFM, Comment: Accepted by InterSpeech 2023

Cross-modal distillation has been widely used to transfer knowledge across different modalities, enriching the representation of the target unimodal one. Recent studies highly relate the temporal synchronization between vision and sound to the semantic consistency for cross-modal distillation. However, such semantic consistency from the synchronization is hard to guarantee in unconstrained videos, due to the irrelevant modality noise and differentiated semantic correlation. To this end, we first propose a \textit{Modality Noise Filter} (MNF) module to erase the irrelevant noise in teacher modality with cross-modal context. After this purification, we then design a \textit{Contrastive Semantic Calibration} (CSC) module to adaptively distill useful knowledge for target modality, by referring to the differentiated sample-wise semantic correlation in a contrastive fashion. Extensive experiments show that our method could bring a performance boost compared with other distillation methods in both visual action recognition and video retrieval task. We also extend to the audio tagging task to prove the generalization of our method. The source code is available at \href{https://github.com/GeWu-Lab/cross-modal-distillation}{https://github.com/GeWu-Lab/cross-modal-distillation}.

Audio-visual learning helps to comprehensively understand the world by fusing practical information from multiple modalities. However, recent studies show that the imbalanced optimization of uni-modal encoders in a joint-learning model is a bottleneck to enhancing the model's performance. We further find that the up-to-date imbalance-mitigating methods fail on some audio-visual fine-grained tasks, which have a higher demand for distinguishable feature distribution. Fueled by the success of cosine loss that builds hyperspherical feature spaces and achieves lower intra-class angular variability, this paper proposes Multi-Modal Cosine loss, MMCosine. It performs a modality-wise $L_2$ normalization to features and weights towards balanced and better multi-modal fine-grained learning. We demonstrate that our method can alleviate the imbalanced optimization from the perspective of weight norm and fully exploit the discriminability of the cosine metric. Extensive experiments prove the effectiveness of our method and the versatility with advanced multi-modal fusion strategies and up-to-date imbalance-mitigating methods.

The imbalance problem is widespread in the field of machine learning, which also exists in multimodal learning areas caused by the intrinsic discrepancy between modalities of samples. Recent works have attempted to solve the modality imbalance problem from algorithm perspective, however, they do not fully analyze the influence of modality bias in datasets. Concretely, existing multimodal datasets are usually collected under specific tasks, where one modality tends to perform better than other ones in most conditions. In this work, to comprehensively explore the influence of modality bias, we first split existing datasets into different subsets by estimating sample-wise modality discrepancy. We surprisingly find that: the multimodal models with existing imbalance algorithms consistently perform worse than the unimodal one on specific subsets, in accordance with the modality bias. To further explore the influence of modality bias and analyze the effectiveness of existing imbalance algorithms, we build a balanced audiovisual dataset, with uniformly distributed modality discrepancy over the whole dataset. We then conduct extensive experiments to re-evaluate existing imbalance algorithms and draw some interesting findings: existing algorithms only provide a compromise between modalities and suffer from the large modality discrepancy of samples. We hope that these findings could facilitate future research on the modality imbalance problem., Comment: website:https://gewu-lab.github.io/Balanced-Audiovisual-Dataset/

Pre-training technique has gained tremendous success in enhancing model performance on various tasks, but found to perform worse than training from scratch in some uni-modal situations. This inspires us to think: are the pre-trained models always effective in the more complex multi-modal scenario, especially for the heterogeneous modalities such as audio and visual ones? We find that the answer is No. Specifically, we explore the effects of pre-trained models on two audio-visual learning scenarios: cross-modal initialization and multi-modal joint learning. When cross-modal initialization is applied, the phenomena of "dead channel" caused by abnormal Batchnorm parameters hinders the utilization of model capacity. Thus, we propose Adaptive Batchnorm Re-initialization (ABRi) to better exploit the capacity of pre-trained models for target tasks. In multi-modal joint learning, we find a strong pre-trained uni-modal encoder would bring negative effects on the encoder of another modality. To alleviate such problem, we introduce a two-stage Fusion Tuning strategy, taking better advantage of the pre-trained knowledge while making the uni-modal encoders cooperate with an adaptive masking method. The experiment results show that our methods could further exploit pre-trained models' potential and boost performance in audio-visual learning.

Recent years have witnessed the success of deep learning on the visual sound separation task. However, existing works follow similar settings where the training and testing datasets share the same musical instrument categories, which to some extent limits the versatility of this task. In this work, we focus on a more general and challenging scenario, namely the separation of unknown musical instruments, where the categories in training and testing phases have no overlap with each other. To tackle this new setting, we propose the Separation-with-Consistency (SeCo) framework, which can accomplish the separation on unknown categories by exploiting the consistency constraints. Furthermore, to capture richer characteristics of the novel melodies, we devise an online matching strategy, which can bring stable enhancements with no cost of extra parameters. Experiments demonstrate that our SeCo framework exhibits strong adaptation ability on the novel musical categories and outperforms the baseline methods by a significant margin.

Audiovisual scenes are pervasive in our daily life. It is commonplace for humans to discriminatively localize different sounding objects but quite challenging for machines to achieve class-aware sounding objects localization without category annotations, i.e., localizing the sounding object and recognizing its category. To address this problem, we propose a two-stage step-by-step learning framework to localize and recognize sounding objects in complex audiovisual scenarios using only the correspondence between audio and vision. First, we propose to determine the sounding area via coarse-grained audiovisual correspondence in the single source cases. Then visual features in the sounding area are leveraged as candidate object representations to establish a category-representation object dictionary for expressive visual character extraction. We generate class-aware object localization maps in cocktail-party scenarios and use audiovisual correspondence to suppress silent areas by referring to this dictionary. Finally, we employ category-level audiovisual consistency as the supervision to achieve fine-grained audio and sounding object distribution alignment. Experiments on both realistic and synthesized videos show that our model is superior in localizing and recognizing objects as well as filtering out silent ones. We also transfer the learned audiovisual network into the unsupervised object detection task, obtaining reasonable performance., Comment: accepted by TPAMI 2021. Code: https://github.com/GeWu-Lab/CSOL_TPAMI2021

There are rich synchronized audio and visual events in our daily life. Inside the events, audio scenes are associated with the corresponding visual objects; meanwhile, sounding objects can indicate and help to separate their individual sounds in the audio track. Based on this observation, in this paper, we propose a cyclic co-learning (CCoL) paradigm that can jointly learn sounding object visual grounding and audio-visual sound separation in a unified framework. Concretely, we can leverage grounded object-sound relations to improve the results of sound separation. Meanwhile, benefiting from discriminative information from separated sounds, we improve training example sampling for sounding object grounding, which builds a co-learning cycle for the two tasks and makes them mutually beneficial. Extensive experiments show that the proposed framework outperforms the compared recent approaches on both tasks, and they can benefit from each other with our cyclic co-learning., Comment: CVPR 2021

Discriminatively localizing sounding objects in cocktail-party, i.e., mixed sound scenes, is commonplace for humans, but still challenging for machines. In this paper, we propose a two-stage learning framework to perform self-supervised class-aware sounding object localization. First, we propose to learn robust object representations by aggregating the candidate sound localization results in the single source scenes. Then, class-aware object localization maps are generated in the cocktail-party scenarios by referring the pre-learned object knowledge, and the sounding objects are accordingly selected by matching audio and visual object category distributions, where the audiovisual consistency is viewed as the self-supervised signal. Experimental results in both realistic and synthesized cocktail-party videos demonstrate that our model is superior in filtering out silent objects and pointing out the location of sounding objects of different classes. Code is available at https://github.com/DTaoo/Discriminative-Sounding-Objects-Localization., Comment: To appear in NeurIPS 2020. Previous Title: Learning to Discriminatively Localize Sounding Objects in a Cocktail-party Scenario

Aerial scene recognition is a fundamental task in remote sensing and has recently received increased interest. While the visual information from overhead images with powerful models and efficient algorithms yields considerable performance on scene recognition, it still suffers from the variation of ground objects, lighting conditions etc. Inspired by the multi-channel perception theory in cognition science, in this paper, for improving the performance on the aerial scene recognition, we explore a novel audiovisual aerial scene recognition task using both images and sounds as input. Based on an observation that some specific sound events are more likely to be heard at a given geographic location, we propose to exploit the knowledge from the sound events to improve the performance on the aerial scene recognition. For this purpose, we have constructed a new dataset named AuDio Visual Aerial sceNe reCognition datasEt (ADVANCE). With the help of this dataset, we evaluate three proposed approaches for transferring the sound event knowledge to the aerial scene recognition task in a multimodal learning framework, and show the benefit of exploiting the audio information for the aerial scene recognition. The source code is publicly available for reproducibility purposes., Comment: ECCV 2020

Visual-to-auditory sensory substitution devices can assist the blind in sensing the visual environment by translating the visual information into a sound pattern. To improve the translation quality, the task performances of the blind are usually employed to evaluate different encoding schemes. In contrast to the toilsome human-based assessment, we argue that machine model can be also developed for evaluation, and more efficient. To this end, we firstly propose two distinct cross-modal perception model w.r.t. the late-blind and congenitally-blind cases, which aim to generate concrete visual contents based on the translated sound. To validate the functionality of proposed models, two novel optimization strategies w.r.t. the primary encoding scheme are presented. Further, we conduct sets of human-based experiments to evaluate and compare them with the conducted machine-based assessments in the cross-modal generation task. Their highly consistent results w.r.t. different encoding schemes indicate that using machine model to accelerate optimization evaluation and reduce experimental cost is feasible to some extent, which could dramatically promote the upgrading of encoding scheme then help the blind to improve their visual perception ability., Comment: Accepted by CVPR2019

Multiple modalities can provide more valuable information than single one by describing the same contents in various ways. Hence, it is highly expected to learn effective joint representation by fusing the features of different modalities. However, previous methods mainly focus on fusing the shallow features or high-level representations generated by unimodal deep networks, which only capture part of the hierarchical correlations across modalities. In this paper, we propose to densely integrate the representations by greedily stacking multiple shared layers between different modality-specific networks, which is named as Dense Multimodal Fusion (DMF). The joint representations in different shared layers can capture the correlations in different levels, and the connection between shared layers also provides an efficient way to learn the dependence among hierarchical correlations. These two properties jointly contribute to the multiple learning paths in DMF, which results in faster convergence, lower training loss, and better performance. We evaluate our model on three typical multimodal learning tasks, including audiovisual speech recognition, cross-modal retrieval, and multimodal classification. The noticeable performance in the experiments demonstrates that our model can learn more effective joint representation., Comment: 10 pages, 4 figures

The conventional supervised hashing methods based on classification do not entirely meet the requirements of hashing technique, but Linear Discriminant Analysis (LDA) does. In this paper, we propose to perform a revised LDA objective over deep networks to learn efficient hashing codes in a truly end-to-end fashion. However, the complicated eigenvalue decomposition within each mini-batch in every epoch has to be faced with when simply optimizing the deep network w.r.t. the LDA objective. In this work, the revised LDA objective is transformed into a simple least square problem, which naturally overcomes the intractable problems and can be easily solved by the off-the-shelf optimizer. Such deep extension can also overcome the weakness of LDA Hashing in the limited linear projection and feature learning. Amounts of experiments are conducted on three benchmark datasets. The proposed Deep LDA Hashing shows nearly 70 points improvement over the conventional one on the CIFAR-10 dataset. It also beats several state-of-the-art methods on various metrics., Comment: 10 pages, 3 figures

The seen birds twitter, the running cars accompany with noise, etc. These naturally audiovisual correspondences provide the possibilities to explore and understand the outside world. However, the mixed multiple objects and sounds make it intractable to perform efficient matching in the unconstrained environment. To settle this problem, we propose to adequately excavate audio and visual components and perform elaborate correspondence learning among them. Concretely, a novel unsupervised audiovisual learning model is proposed, named as \Deep Multimodal Clustering (DMC), that synchronously performs sets of clustering with multimodal vectors of convolutional maps in different shared spaces for capturing multiple audiovisual correspondences. And such integrated multimodal clustering network can be effectively trained with max-margin loss in the end-to-end fashion. Amounts of experiments in feature evaluation and audiovisual tasks are performed. The results demonstrate that DMC can learn effective unimodal representation, with which the classifier can even outperform human performance. Further, DMC shows noticeable performance in sound localization, multisource detection, and audiovisual understanding., Comment: Accepted by CVPR2019

Image is usually taken for expressing some kinds of emotions or purposes, such as love, celebrating Christmas. There is another better way that combines the image and relevant song to amplify the expression, which has drawn much attention in the social network recently. Hence, the automatic selection of songs should be expected. In this paper, we propose to retrieve semantic relevant songs just by an image query, which is named as the image2song problem. Motivated by the requirements of establishing correlation in semantic/content, we build a semantic-based song retrieval framework, which learns the correlation between image content and lyric words. This model uses a convolutional neural network to generate rich tags from image regions, a recurrent neural network to model lyric, and then establishes correlation via a multi-layer perceptron. To reduce the content gap between image and lyric, we propose to make the lyric modeling focus on the main image content via a tag attention. We collect a dataset from the social-sharing multimodal data to study the proposed problem, which consists of (image, music clip, lyric) triplets. We demonstrate that our proposed model shows noticeable results in the image2song retrieval task and provides suitable songs. Besides, the song2image task is also performed., Comment: 13 pages, 13 figures, accepted by ICCV 2017

With the increasing demand of massive multimodal data storage and organization, cross-modal retrieval based on hashing technique has drawn much attention nowadays. It takes the binary codes of one modality as the query to retrieve the relevant hashing codes of another modality. However, the existing binary constraint makes it difficult to find the optimal cross-modal hashing function. Most approaches choose to relax the constraint and perform thresholding strategy on the real-value representation instead of directly solving the original objective. In this paper, we first provide a concrete analysis about the effectiveness of multimodal networks in preserving the inter- and intra-modal consistency. Based on the analysis, we provide a so-called Deep Binary Reconstruction (DBRC) network that can directly learn the binary hashing codes in an unsupervised fashion. The superiority comes from a proposed simple but efficient activation function, named as Adaptive Tanh (ATanh). The ATanh function can adaptively learn the binary codes and be trained via back-propagation. Extensive experiments on three benchmark datasets demonstrate that DBRC outperforms several state-of-the-art methods in both image2text and text2image retrieval task., Comment: 8 pages, 5 figures, accepted by ACM Multimedia 2017