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Multi-modality foundation models, as represented by GPT-4V, have brought a new paradigm for low-level visual perception and understanding tasks, that can respond to a broad range of natural human instructions in a model. While existing foundation models have shown exciting potentials on low-level visual tasks, their related abilities are still preliminary and need to be improved. In order to enhance these models, we conduct a large-scale subjective experiment collecting a vast number of real human feedbacks on low-level vision. Each feedback follows a pathway that starts with a detailed description on the low-level visual appearance (*e.g. clarity, color, brightness* of an image, and ends with an overall conclusion, with an average length of 45 words. The constructed **Q-Pathway** dataset includes 58K detailed human feedbacks on 18,973 images with diverse low-level appearance. Moreover, to enable foundation models to robustly respond to diverse types of questions, we design a GPT-participated conversion to process these feedbacks into diverse-format 200K instruction-response pairs. Experimental results indicate that the **Q-Instruct** consistently elevates low-level perception and understanding abilities across several foundational models. We anticipate that our datasets can pave the way for a future that general intelligence can perceive, understand low-level visual appearance and evaluate visual quality like a human. Our dataset, model zoo, and demo is published at: https://q-future.github.io/Q-Instruct., Comment: 16 pages, 11 figures, page 12-16 as appendix

The proliferation of in-the-wild videos has greatly expanded the Video Quality Assessment (VQA) problem. Unlike early definitions that usually focus on limited distortion types, VQA on in-the-wild videos is especially challenging as it could be affected by complicated factors, including various distortions and diverse contents. Though subjective studies have collected overall quality scores for these videos, how the abstract quality scores relate with specific factors is still obscure, hindering VQA methods from more concrete quality evaluations (e.g. sharpness of a video). To solve this problem, we collect over two million opinions on 4,543 in-the-wild videos on 13 dimensions of quality-related factors, including in-capture authentic distortions (e.g. motion blur, noise, flicker), errors introduced by compression and transmission, and higher-level experiences on semantic contents and aesthetic issues (e.g. composition, camera trajectory), to establish the multi-dimensional Maxwell database. Specifically, we ask the subjects to label among a positive, a negative, and a neutral choice for each dimension. These explanation-level opinions allow us to measure the relationships between specific quality factors and abstract subjective quality ratings, and to benchmark different categories of VQA algorithms on each dimension, so as to more comprehensively analyze their strengths and weaknesses. Furthermore, we propose the MaxVQA, a language-prompted VQA approach that modifies vision-language foundation model CLIP to better capture important quality issues as observed in our analyses. The MaxVQA can jointly evaluate various specific quality factors and final quality scores with state-of-the-art accuracy on all dimensions, and superb generalization ability on existing datasets. Code and data available at https://github.com/VQAssessment/MaxVQA., Comment: Proceedings of the 31st ACM International Conference on Multimedia (MM '23)

Recent learning-based video quality assessment (VQA) algorithms are expensive to implement due to the cost of data collection of human quality opinions, and are less robust across various scenarios due to the biases of these opinions. This motivates our exploration on opinion-unaware (a.k.a zero-shot) VQA approaches. Existing approaches only considers low-level naturalness in spatial or temporal domain, without considering impacts from high-level semantics. In this work, we introduce an explicit semantic affinity index for opinion-unaware VQA using text-prompts in the contrastive language-image pre-training (CLIP) model. We also aggregate it with different traditional low-level naturalness indexes through gaussian normalization and sigmoid rescaling strategies. Composed of aggregated semantic and technical metrics, the proposed Blind Unified Opinion-Unaware Video Quality Index via Semantic and Technical Metric Aggregation (BUONA-VISTA) outperforms existing opinion-unaware VQA methods by at least 20% improvements, and is more robust than opinion-aware approaches.

The rapid increase in user-generated-content (UGC) videos calls for the development of effective video quality assessment (VQA) algorithms. However, the objective of the UGC-VQA problem is still ambiguous and can be viewed from two perspectives: the technical perspective, measuring the perception of distortions; and the aesthetic perspective, which relates to preference and recommendation on contents. To understand how these two perspectives affect overall subjective opinions in UGC-VQA, we conduct a large-scale subjective study to collect human quality opinions on overall quality of videos as well as perceptions from aesthetic and technical perspectives. The collected Disentangled Video Quality Database (DIVIDE-3k) confirms that human quality opinions on UGC videos are universally and inevitably affected by both aesthetic and technical perspectives. In light of this, we propose the Disentangled Objective Video Quality Evaluator (DOVER) to learn the quality of UGC videos based on the two perspectives. The DOVER proves state-of-the-art performance in UGC-VQA under very high efficiency. With perspective opinions in DIVIDE-3k, we further propose DOVER++, the first approach to provide reliable clear-cut quality evaluations from a single aesthetic or technical perspective. Code at https://github.com/VQAssessment/DOVER.

The increased resolution of real-world videos presents a dilemma between efficiency and accuracy for deep Video Quality Assessment (VQA). On the one hand, keeping the original resolution will lead to unacceptable computational costs. On the other hand, existing practices, such as resizing and cropping, will change the quality of original videos due to the loss of details and contents, and are therefore harmful to quality assessment. With the obtained insight from the study of spatial-temporal redundancy in the human visual system and visual coding theory, we observe that quality information around a neighbourhood is typically similar, motivating us to investigate an effective quality-sensitive neighbourhood representatives scheme for VQA. In this work, we propose a unified scheme, spatial-temporal grid mini-cube sampling (St-GMS) to get a novel type of sample, named fragments. Full-resolution videos are first divided into mini-cubes with preset spatial-temporal grids, then the temporal-aligned quality representatives are sampled to compose the fragments that serve as inputs for VQA. In addition, we design the Fragment Attention Network (FANet), a network architecture tailored specifically for fragments. With fragments and FANet, the proposed efficient end-to-end FAST-VQA and FasterVQA achieve significantly better performance than existing approaches on all VQA benchmarks while requiring only 1/1612 FLOPs compared to the current state-of-the-art. Codes, models and demos are available at https://github.com/timothyhtimothy/FAST-VQA-and-FasterVQA.

Current deep video quality assessment (VQA) methods are usually with high computational costs when evaluating high-resolution videos. This cost hinders them from learning better video-quality-related representations via end-to-end training. Existing approaches typically consider naive sampling to reduce the computational cost, such as resizing and cropping. However, they obviously corrupt quality-related information in videos and are thus not optimal for learning good representations for VQA. Therefore, there is an eager need to design a new quality-retained sampling scheme for VQA. In this paper, we propose Grid Mini-patch Sampling (GMS), which allows consideration of local quality by sampling patches at their raw resolution and covers global quality with contextual relations via mini-patches sampled in uniform grids. These mini-patches are spliced and aligned temporally, named as fragments. We further build the Fragment Attention Network (FANet) specially designed to accommodate fragments as inputs. Consisting of fragments and FANet, the proposed FrAgment Sample Transformer for VQA (FAST-VQA) enables efficient end-to-end deep VQA and learns effective video-quality-related representations. It improves state-of-the-art accuracy by around 10% while reducing 99.5% FLOPs on 1080P high-resolution videos. The newly learned video-quality-related representations can also be transferred into smaller VQA datasets, boosting performance in these scenarios. Extensive experiments show that FAST-VQA has good performance on inputs of various resolutions while retaining high efficiency. We publish our code at https://github.com/timothyhtimothy/FAST-VQA., Comment: Will appear on ECCV 2022. 14 Pages

The temporal relationships between frames and their influences on video quality assessment (VQA) are still under-studied in existing works. These relationships lead to two important types of effects for video quality. Firstly, some temporal variations (such as shaking, flicker, and abrupt scene transitions) are causing temporal distortions and lead to extra quality degradations, while other variations (e.g. those related to meaningful happenings) do not. Secondly, the human visual system often has different attention to frames with different contents, resulting in their different importance to the overall video quality. Based on prominent time-series modeling ability of transformers, we propose a novel and effective transformer-based VQA method to tackle these two issues. To better differentiate temporal variations and thus capture the temporal distortions, we design a transformer-based Spatial-Temporal Distortion Extraction (STDE) module. To tackle with temporal quality attention, we propose the encoder-decoder-like temporal content transformer (TCT). We also introduce the temporal sampling on features to reduce the input length for the TCT, so as to improve the learning effectiveness and efficiency of this module. Consisting of the STDE and the TCT, the proposed Temporal Distortion-Content Transformers for Video Quality Assessment (DisCoVQA) reaches state-of-the-art performance on several VQA benchmarks without any extra pre-training datasets and up to 10% better generalization ability than existing methods. We also conduct extensive ablation experiments to prove the effectiveness of each part in our proposed model, and provide visualizations to prove that the proposed modules achieve our intention on modeling these temporal issues. We will publish our codes and pretrained weights later.

In this work, we point out that the major dilemma of image aesthetics assessment (IAA) comes from the abstract nature of aesthetic labels. That is, a vast variety of distinct contents can correspond to the same aesthetic label. On the one hand, during inference, the IAA model is required to relate various distinct contents to the same aesthetic label. On the other hand, when training, it would be hard for the IAA model to learn to distinguish different contents merely with the supervision from aesthetic labels, since aesthetic labels are not directly related to any specific content. To deal with this dilemma, we propose to distill knowledge on semantic patterns for a vast variety of image contents from multiple pre-trained object classification (POC) models to an IAA model. Expecting the combination of multiple POC models can provide sufficient knowledge on various image contents, the IAA model can easier learn to relate various distinct contents to a limited number of aesthetic labels. By supervising an end-to-end single-backbone IAA model with the distilled knowledge, the performance of the IAA model is significantly improved by 4.8% in SRCC compared to the version trained only with ground-truth aesthetic labels. On specific categories of images, the SRCC improvement brought by the proposed method can achieve up to 7.2%. Peer comparison also shows that our method outperforms 10 previous IAA methods.

As it is said by Van Gogh, great things are done by a series of small things brought together. Aesthetic experience arises from the aggregation of underlying visual components. However, most existing deep image aesthetic assessment (IAA) methods over-simplify the IAA process by failing to model image aesthetics with clearly-defined visual components as building blocks. As a result, the connection between resulting aesthetic predictions and underlying visual components is mostly invisible and hard to be explicitly controlled, which limits the model in both performance and interpretability. This work aims to model image aesthetics from the level of visual components. Specifically, object-level regions detected by a generic object detector are defined as visual components, namely object-level visual components (OVCs). Then generic features representing OVCs are aggregated for the aesthetic prediction based upon proposed object-level and graph attention mechanisms, which dynamically determines the importance of individual OVCs and relevance between OVC pairs, respectively. Experimental results confirm the superiority of our framework over previous relevant methods in terms of SRCC and PLCC on the aesthetic rating distribution prediction. Besides, quantitative analysis is done towards model interpretation by observing how OVCs contribute to aesthetic predictions, whose results are found to be supported by psychology on aesthetics and photography rules. To the best of our knowledge, this is the first attempt at the interpretation of a deep IAA model.