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Hand col. lithographed map. Relief shown by hachures. Covers Hainan and parts of Guangdong and Guangxi. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers part of eastern Manchuria and the Maritime Territory of Russia. Relief shown by hachures. Shows explorers' routes. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers parts of Xinjiang and western Mongolia. Relief shown by hachures. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers Okinawa, Sakishima Shoto, and parts of eastern Zhejiang and northern Taiwan. Includes lengthy "Note sur la Chine ... pour la suite voyez no. 50 de l'Asie. (Redige par A. Delavault)." Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers Guizhou and parts of Yunnan, Guangxi, Hunan, Hubei and Sichuan. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers Jiangxi, Fujian and parts of Zhejiang, Guangdong, Hunan and Hubei. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers northeastern India, northern Burma and parts of Tibet, Sichuan and Yunnan. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers parts of Hubei, Henan, Anhui, Jiangsu, Shanxi and Shandong provinces. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers the Mouth of the Yangtze area in Jiangsu and Zhejiang, and southwestern Korea. Shows explorers' routes. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers parts of Gansu, Sichuan and Shaanxi. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Also covers parts of Qinghai, Sichuan and Gansu. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers parts of Qinghai, Gansu and Xinjiang. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers Korea from 360 N north and the Liaodong and Shandong peninsulas. Relief shown by hachures; depths by soundings. Shows sea routes of explorers. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers Ningxia and parts of Gansu, Qinghai, Inner Mongolia and Shaanxi. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers parts of Xinjiang, Tibet and Qinghai. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers parts of northeastern China including Beijing. Relief shown by hachures; depths by soundings. Shows sea routes of explorers. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers part of Manchuria. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers area east of Lake Balkash in Kazakhstan and Xinjiang. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Covers parts of Mongolia and Inner Mongolia. Relief shown pictorially. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially. Covers part of the Amur River Valley Region. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.