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Hand col. lithographed map. Relief shown pictorially. Covers parts Tocantins, Bahia, Maranhao and Piaui., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Uruguay, Rio Grande do Sul, Brazil, and Buenos Aires province, Argentina., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers part of southern Brazil. Includes text: Note sur le Bresil. Pour le commencement voyez la carte no. 13., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Sao Paulo, Minas Gerais, Espirito Santo and Rio de Janeiro states., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially; depths by soundings. Covers parts of Bahia and Minas Gerais., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of northeastern Brazil., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers part of Santa Cruz, Bolivia and Mato Grosso and Mato Grosso do Sul, Brazil., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Goias, Federal District, Minas Gerais and Tocantins., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers part of Bolivia generally north and east of La Paz, with a small part of southern Rondonia, Brazil., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 2, p. 186 and p. 237.

Hand col. lithographed map. Relief shown pictorially. Covers part of southern Brazil., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Para and Maranhao., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Covers Amazonas region, Brazil., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 75 and 172.

Hand col. lithographed map. Covers parts of Amazonas, Para and Amapa., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Brazil and a portion of northern Bolivia., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Mato Grosso, Tocantins, Amazonas and Para., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown by hachures. Covers parts of Peru, Brazil and northern Bolivia., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 2, p. 187 and v. 3, p. 172.

Hand col. lithographed map. Relief shown pictorially. Covers parts of Piaui, Ceara and Rio Grande do Norte. Includes text: Note sur le Bresil ... Pour la suite voyez la carte no. 32., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown by hachures. Covers parts of Venezuela, Brazil and Guyana., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Kapp, K.S. The early maps of Colombia up to 1850, 135; A catalogue of maps of Hispanic America, v.2, p. 89 and 123.