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Copyright of RumeliDE Journal of Language & Literature Research / RumeliDE Dil ve Edebiyat Araştırmaları Dergisi is the property of RumeliDE Uluslararasi Hakemli Dil & Edebiyat Arastirmalari Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper makes a journey into the sociology of the body, especially with regard to food consumption. Consumer behaviour is also the subject of study of several disciplines. In this paper we will analyze it from the point of view of the intersection between marketing and sociology. And finally, we will analyze the body and the modes of consumption as they have been socially constructed through lenses, such as ‘’body project’ a concept of sociologist Chris Shilling, mobility as described by John Urry or from the perspective of “life as a show” (Gofman, 2003). All these lenses can be viewed reflexively. Nick Crossley (2006) considers that bodily reflexivity is a general feature of current societies, societies in which the body has become an important factor in the field of social relations. Eating behaviours include a high amount of body reflexivity that is largely based on the fear of illness in this “risk society” (Beck, 1992). [ABSTRACT FROM AUTHOR]

This paper draws on Merleau-Ponty's perspective on intercorporeality to inquire into the role of the body in virtual collaboration. Merleau-Ponty redefines the human body beyond pure physicality, as material-semiotic processes between self and other. From this perspective, meaningful engagements are based on the intertwinement of bodily activities including gestures and displays. Drawing on a rich case of an exclusively virtual collaboration, this paper illuminates how bodily expressivity is rematerialised through digital technology. The findings show how distributed bodies pattern an intercorporeal armature constituted of processes of co-presencing, co-orienting, and co-investing. The paper problematises claims of virtual disembodiment and advances current understanding of how body and technology merge to make virtual collaboration possible. The rich empirical insights are synthesised into four main theoretical propositions that constitute a novel perspective on virtual intercorporeality. This perspective advances our understanding of virtual embodiment and elaborates the role of technology and language in the process of mutual attunement between bodies. [ABSTRACT FROM AUTHOR]

Copyright of Trans/Form/Ação is the property of Trans/Form/Acao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

I argue that the social reproduction discourse from the 1970s onwards, or the so-called domestic labour debate, has been about two things: value on the one hand, and the body and intimacy on the other. While there is a highly visible stake in how domestic labour is understood from the viewpoint of value, which is still debated today, the contribution of the discourse to understanding the body and intimacy in capitalism is more hidden and less discussed. In this paper, I review the discourse on social reproduction from the perspective of value, with a particular focus on recent contributions, Jared Sacks' and Alessandra Mezzadri's works. Then, I will discuss the discourse of social reproduction from the perspective of the body and intimacy and finally link this aspect to the lessons around value. [ABSTRACT FROM AUTHOR]

This paper deals with the memoirs of two Bengali revolutionary women, Bina Das’ Srinkhal Jhankar published in 1948, translated as Bina Das: A Memoir, and Kamala Dasgupta’s Rakter Akshare (Written in Blood) in 1954 to argue how their subjective desire and experience dismantle the gendered rhetoric of nationalism in colonial Bengal. The accounts of Bina and Kamala present their involvement in militant activism and subsequent imprisonment. Notably, there is an inherent urge in their writings to sacrifice life for the nation and a determination not to retreat from the torturous conditions of the colonial prison. The paper contends that the rhetoric of nationalism in colonial Bengal is embedded in hegemonic masculinity that initially confined women to the spiritual and domestic realm and later allowed them to be educated and modern without acknowledging their subjectivity. Activities of these political women thus destabilise the gender discourse prevalent in the private and public sphere of colonial society, which calls for a revision of the nationalist historiography. So, this essay will examine how tropes of the body, self-sacrifice, and penal experience, as produced in these memoirs, negotiate the nationalist ideology, subvert the binary of masculine and feminine, and establish their political subjectivity. [ABSTRACT FROM AUTHOR]

Much has been written about the disagreement and even radical opposition between Gilles Deleuze's and Félix Guattari's conceptualizations and those of Jacques Lacan: for example, about desire, psychotherapy, the subject and the radically opposed political consequences that result from their approaches. The purpose of this paper is to demonstrate from a Lacanian perspective that in the case of a central concept such as the body, there are rather more similarities than differences. Its main thesis is that Deleuze's and Guattari's body without organs is very close to Lacan's notion of the Other jouissance and that with slightly different strategies they both provide arguments to fight the same enemy: that is, the control and repression of singularity under capitalism. [ABSTRACT FROM AUTHOR]

This paper draws on 3 years of ethnographic research with young children and their families in a northern English town, employing a more‐than‐human lens to pay attention to what, beyond humans, might be involved in the emergence of children's literacies. The paper focuses on the role of the body and place in the emergence of young children's vocalisations and talk. In particular, the paper rethinks the dominant assumption that children's language is primarily for the purpose of transparently conveying meaning. It does this by drawing on posthuman and decolonial scholarship on childhood and language, and particularly on the work of Glissant on opacity and difference, in order to interrogate the relationship between expression, understanding and power. Thus, the paper outlines how an understanding of the relationship between body, place and talk might inform pedagogy by highlighting the need for space to embrace divergent, complicated, irrational, playful and non‐functional language practices in early childhood, rather than looking for rapid, straight line development. [ABSTRACT FROM AUTHOR]

This paper is a brief presentation of the research project called "The diet for weight loss. A study carried out on young high school students". The first part is an argument for choosing the theme, namely the weight loss diet for young people, in the context of the increase in the number of people who manifest nutritional disorders and obesity. This continues with a conceptualization of the terms diet, mass media, family and peer group, internal and external, then with the questions that need answering, following the conduct of the research and the presentation of the relevant literature for the research topic. At the end of the paper, the research methodology and the conclusions that are expected following the application of the sociological study are proposed. [ABSTRACT FROM AUTHOR]

In Orphism, through Pythagoras to Plato, the soul survives the death of the body. But for Aristotle it is the form of the body, and this makes its immortality unlikely, since form cannot exist without an individuating matter. Exploring synthesis, the soul is for Aquinas an incarnate spirit whose union with the body creates a unique union. This paper then employing the critical-analytic model argued that these traditions were quite myopic; and this informed the interrogation of another cultural position which is, the immortality of the soul in Igbo-African ontology. The intention is to brace the classical positions towards a holistic idea of the immortality of the soul. This is because, in Igbo ontology, there is no distinction between body and soul, as the attention is on man as a complete being, who at death experiences what this paper called ontological mutation. [ABSTRACT FROM AUTHOR]

This paper explores what is understood by the phrase ‘spontaneous movement’. We discern five different understandings of spontaneity in the usage of the phrase: 1) spontaneous movement as automatic machine-like mechanistic, 2) spontaneous movement as free, 3) spontaneous movement as primal animateness of the body, 4) spontaneous movement as embodied responsive dealing in the world, 5) spontaneous movement as a force of nature. The first two understandings are rooted in a dualistic view, with the dichotomies of voluntary/involuntary and mind/body in the Western philosophical tradition. The next two arise from a phenomenological reflection on the body, drawn from Husserl and Merleau-Ponty, while the last comes from a holistic Eastern view of the body, human beings and nature. We argue that the latter three understandings of spontaneity demonstrate three aspects of a more comprehensive picture of the spontaneity of human movement. [ABSTRACT FROM AUTHOR]

Copyright of Social Sciences & Humanities Studies / Društvene i Humanističke Studije (DHS) is the property of Faculty of Humanities & Social Sciences, University of Tuzla and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Drawing on ethnographic fieldwork on young white-collar women training bodies after work in Shanghai, I demonstrate that core muscles serve as visual indexes of discipline and hard-work, and that women create social spaces to collectively cultivate such dispositions. The socially sanctioned value of core muscles is connected to the discourse of 'having it all' increasingly popular among professional women in corporate, urban China. This paper elaborates on how bodily training transposes dispositions of work ethics beyond the workplace and on women's anxieties about their bodies at the intersection of productive and reproductive demands from the society. This paper builds on and critiques existing approaches to the body, and attends not only to the woman's body at the intersection of production and reproduction but also to the social aspect of bodily training in spaces between home and work. [ABSTRACT FROM AUTHOR]

Embedded in everyday practices, food can be a rich resource for interaction design. This article focuses on eating experiences to uncover how bodily, sensory, and socio-cultural aspects of eating can be better leveraged for the design of user experience. We report a systematic literature review of 109 papers, and interviews with 18 professional chefs, providing new understandings of prior HFI research, as well as how professional chefs creatively design eating experiences. The findings inform a conceptual framework of designing for user experience leveraging eating experiences. These findings also inform implications for HFI design suggesting the value of multisensory flavor experiences, external and internal sensory stimulation and deprivation, aspects of eating for communicating meaning, and designing with contrasting pleasurable and uncomfortable experiences. The article concludes with six charts as novel generative design tools for HFI experiences focused on sensory, emotional, communicative, performative, and temporal experiences. [ABSTRACT FROM AUTHOR]

Physicality has been, and still is, an important part of the embodied identity of many physical education (PE) teachers. PE teachers' understanding and representation of their bodies influence both their teaching and act as role models for their students. PE is therefore an important site for exploring how ideals of the body shape both understandings and practices within this school subject. In this study we employed participatory visual methodologies in the form of participant-produced drawings to explore primary school children's experiences of PE teacher bodies and subjectivities. By drawing on poststructural and Foucauldian understandings of the body, we in this paper explore the construction and embodiment of PE teacher bodies as inextricably linked to students' understandings and experiences of this school subject. The findings demonstrate how dominant discourses of fitness, health, sport and even consumerism shape expectations around PE teacher bodies. They also draw attention to how those bodies enable and restrict certain educational purposes and practices. We argue that the ongoing reproduction and perpetuation of idealized PE teacher bodies is responsible for (re)producing meanings around the normal versus the abnormal PE teacher body with significant impact on students' bodily understandings and experiences in PE. We conclude by reasserting the need to challenge how dominant discourses of PE teacher bodies has the cumulative effect of restricting the possibilities for a multiplicity of bodies and physicalities to co-exist in PE. [ABSTRACT FROM AUTHOR]

Scrutinising Santner's comments on his own method in his recent book Untying Things Together, the paper argues that at the heart of Santner's theoretical endeavour lies something that might be called "the flesh of all words." To elaborate this thesis, I begin, following a corresponding hint by Santner himself, with a description of Freud's peculiar "way of working with concepts" in his The Interpretation of Dreams. From there I move on to the analysis of an author who has been one of Santner's main points of reference at least since his Psychotheology of Everyday Life: Franz Rosenzweig. The paper outlines Rosenzweig's self-interpretation in his essay "'The New Thinking'" and compares the specific methodology explained and developed in this text with the main work of Ferdinand Ebner, whose closeness to his own work Rosenzweig himself emphasised. Finally, against the background of these theoretical conceptions, I will borrow one of Santner's own neologisms and use it to describe his work as the "encystance" on/of this flesh of all words. [ABSTRACT FROM AUTHOR]

Jane Austen normally avoids discussing appearance throughout her works. Persuasion constitutes the exception to the rule, as the story focuses on the premature aging experienced by her protagonist, Anne Elliot, seemingly due to disappointed love. Much has been written about Anne's "loss of bloom," but never from the perspective of psychoneuroimmunology, the field that researches the interrelation between psychological processes and the nervous and immune systems. In this paper, we adopt a perspective of psychoneuroimmunology to argue that Austen established a connection between psychological distress, specifically lovesickness, and the development of early senescence signs, and vice versa, since the recovery of love is associated with happiness and physical glow. From a gender perspective, we discuss how Austen brightly reflected these interrelationships through the story of Anne, when the latest psychoneuroimmunological research has actually shown that women age earlier than men as a consequence of psychological turmoil. [ABSTRACT FROM AUTHOR]

Copyright of Djoussour El-maarefa is the property of Association of Arab Universities and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The theatre has been an amalgamation of history, society, and its representation where it connects with the audience directly. It has been a medium of resistance, protest, and entertainment and a cultural and social tradition in various countries. This paper is an analytical study of feminist theatre and its nuances, showing that theatre, which has been used as a mode to protest and resist, becomes a tool to reclaim and re-own space and body for women. It is essential to theorize Feminist Theatre so that its congruency can be established with the socio-cultural and historical paradigm. All the genres that were written to stabilize feminist thought in the discourse fell back on the conventional praxis of mythology and other texts. For example, Indian narratives borrowed feminine tropes from the classical texts whether it was Rabindranath Tagore or Girish Karnad, women were phenomenal yet subdued. Hence, when men wrote women, there was always a hint of "othering" the female gender in these write-ups; there was always a moralistic judgment of these women. Thus, this study is an attempt to theorize women playwrights and feminist performances that have made an attempt to pave the way for feminist scholarships and feminist theatres to evolve. [ABSTRACT FROM AUTHOR]

While athletes are at increased risk for developing disordered eating, there is little consensus on the most effective treatment. While behavioral and cognitive behavioral approaches are most commonly used, we propose that psychoanalysis has the potential to revolutionize treatment for athletes with eating disorders (EDs). In this paper, we use the theories of Winnicott and Bion to frame our arguments, proposing that psychic overwhelm resulting from impingement as well as failures in containment may drive an individual to concretize their emotional and relational experiences through the body via EDs and sport. While historically sport and athletic involvement have been thought to perpetuate and maintain EDs, we propose that sport participation may also provide a unique path to ED recovery for athletes, a claim that is consistent with recent recommendations. Sport involvement may serve as a bridge to facilitate the process of emotion regulation, psychic symbolization, and self-reflection that is necessary for ED recovery. Through the facilitative function of a containing, therapeutic relationship, one may feel safe enough to practice curiosity and creatively explore the metaphor and meaning behind one's concrete relationship to food and sport, paving the way to recovery from EDs for athletes. [ABSTRACT FROM AUTHOR]

The struggle with becoming a tree in Sylvia Plath’s poems reveals her struggle to create a subjectivity for herself as a female poet in a patriarchal world. Becoming a tree epitomizes the tradition in which Plath strives to create her poetic subjectivity: the opposition between the male Romantic poet and the feminine nature that inspires him, the prototype of which is Ovid’s myth of Daphne becoming the tree muse for Apollo. Plath internalizes the death of the body imposed on the woman in the formula and creates out of the negativity within her. Instead of treating nature as an object in order to become a poet, she accepts that she is both the articulate poet and the nature that can never be fully expressed. Torn between the one who expresses and the one who is expressed, the bodies of trees in her poems painfully shine with layers of darkness. The trees represent a female subjectivity that closely communicates with the darkness, which is fairly dangerous for a formed subjectivity. This paper analyzes the complex layers of the question of becoming a tree imposed on the female body. It then discusses how Plath responds to this burden by creating a subjectivity expressed by black trees that intimately identify with the flourishing death and articulate the darkness within themselves as a landscape. [ABSTRACT FROM AUTHOR]

In the past, the Romani in Slovakia identified with the prevailing religion, mainly with the Roman Catholic Church. However, the missionary activities of various Christian denominations after 1990 resulted in the conversion of the Romani to Pentecostal Christian communities. This launched a long, creative process of the formation of Pentecostal Romani music. Romani believers consider music and the ability to play and sing to be a gift from God and view these as a form of prayer that should serve for the praise of God. That is why many have given up their worldly music making and now play only praise songs. They gradually modified the hymns they borrowed and replaced them with their own creations. The soundscape of religion does not lie only in religious singing and music, as the emotional sermons and prayers, glossolalia and sounds during the healing and blessing rituals can also be considered religious sounds. During the worship services, this mixture of various sounds leads to the gradual spiritual and emotional unification of the community. The music and the rituals create feelings of intense sensory and emotional character that reflect in bodily expressions. Movements, dance, and the positions of the hands can help glorify God and experience the worship service more intensely. However, under certain circumstances, they might become sources of temptation and sin. This is related to the concepts of "purity" and "impurity". The premises, whether sacral or profane, interior or exterior ones, also play a significant role in creating the sound. In writing this paper, I have also drawn on my own research on Romani Christian songs, which I carried out in (2012–2013 in Eastern Slovakia). [ABSTRACT FROM AUTHOR]

The paper seeks to critically explore Angela Carter's use of colour symbolisms in her short story "The Bloody Chamber" (1979). By focussing on the recurrent invocation of three major colours, namely red, black and white, the paper studies how chromatic coding becomes a potent rhetorical device through which the psychological and physical implications of gendered violence are negotiated in Carter's story. Paying close attention to the protagonist's interaction with an aesthetically stimulating narrative world, steeped in visceral colours, the paper attempts at problematizing the politics of victimisation and female agency that underlies the entire narrative. Carter's deployment of colour symbolisms has a quasi-theatrical dimension that tends to visualise the subversive implications of the text. Keeping that in mind, the paper seeks to crack the chromatic codes at multiple levels; for instance, red is studied in context to patriarchal violation of female bodies, as an embodiment of female desire and a manifestation of female bonding. Black is read through the lens of motherhood where it becomes a visual trope that deconstructs the prototype of an ideal mother and individualises her as a redemptive and rebellious figure. Finally, by paying attention to Carter's use of the colour white, the paper seeks to trace its dual purpose in perpetuating invisibilization of female desire and charging the act of seeing with an agential import. [ABSTRACT FROM AUTHOR]

Taking an embodied approach, this paper conducts ethnographic research on foreign scholars working at Sino-foreign universities. First, it examines both bodily comfort and dissonance they encounter while living in China. Second, it investigates how some scholars deploy bodily strategies at everyday and transnational level to overcome bodily discomfort and reframe lived experiences. As such, the paper demonstrates that embodiments, especially in the context of migration, are always, and necessarily, situated, multiple and ever-changing, as they are structurally positioned, agentively reconstructed and temporally/spatially distributed. Critically, with a focus on the newly emerged academic mobility pattern moving from the Global North to the South, this paper brings a bodily sensitive theoretical framework into academic migration studies, unpacking the interacting dynamics between places, migrant bodies, agency and subjectivities. It thus expands the analytic utility of the approach of bodies/embodiments and further facilitates the body turn in migration studies in new theoretical and empirical directions. [ABSTRACT FROM AUTHOR]

After a critical analysis of Simone de Beauvoir’s and Catherine Malabou’s accounts of aging, the paper offers an alternative to them. In contrast to de Beauvoir and Malabou, it explores the actual share of other beings, both human and non-human, in one’s aging. The paper employs the Heideggerian ontological framework and his concepts of “bodying” and gesture to argue that changes induced by others do not damage or contaminate one’s being but allow the disclosure of someone’s particularity in its undefinable character. [ABSTRACT FROM AUTHOR]

Copyright of Religación: Revista de Ciencias Sociales y Humanidades is the property of Religacion: Revista de Ciencias Sociales y Humanidades and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Tea plantation workers in India have historically been a part of the feminized workforce, constituting somewhat exceptionally formal labor in a country with high informalization of women's employment. In the past decade, however, a combined fallout of neo-liberalization and globalization contextualized within the local history of varying phases of incorporation, accumulation/dispossession and shifting relations of production brought about a crisis in the tea plantations leading to closures, retrenchment, and casualization. The women workers from tea plantations joined the burgeoning casualized urban labor force. Through ethnography and interviews I traced women workers from tea plantations in West Bengal, India, who migrated to the beauty industry in Hyderabad and Delhi-NCR. The paper focuses on the construction of women's labor in the beauty industry with continuities and contrasts from the tea plantations to understand the makings of gendered labor and skill. The women's frequent invocation of femininity as skill foregrounds the woman's body as central to woman's labor and the workplace but also provides a scope to unsettle understanding of femininity as a specific and naturalized concept. Using the lens of migration from one sector of feminized labor to another, this paper interrogates the production of the feminine worker and the workplace in different but related contexts. Their reflections on their work, skill, and workplace allows us an insight into the ways in which the body as the woman and the worker is deployed as skilled/natural and how they themselves co-construct, negotiate, and subvert the construction of femininity and feminine labor in the workplace. [ABSTRACT FROM AUTHOR]

Copyright of Nasleđe is the property of University of Kragujevac, Faculty of Philology & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Felsefelogos is the property of Felsefelogos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This conceptual paper explores the integration of technology and virtual spaces into preadolescents' lives, blurring the boundaries between the digital and physical worlds. It emphasises the profound implications of this integration on various aspects, including perception, reality, and interactions. The younger generations, deeply immersed in this reality, experience a transformation in their perception of the world, well-being, identity, and selfhood due to technology's pervasive influence. The fusion of online and offline experiences gives rise to a new form of existence, shaping a hybrid identity that can be manipulated and reconstructed in the virtual realm. However, this fluidity and transience of virtual life also pose risks and challenges to personal identity and societal ruptures. Educators face the dual challenge of effectively integrating technology into education while understanding its impact on the new generations. Social media usage influences the interlink between body and identity processes, challenging traditional notions of embodiment and raising questions about the malleability and multiplicity of identities in technologically mediated spaces. The proposed reflections seek to provide valuable guidance for educators in navigating this complex digital reality. [ABSTRACT FROM AUTHOR]

This paper argues that correlative thinking, a fundamental aspect of Chinese thought often distinguished from rational thinking, is rooted in our situated bodily experiences, constituting a unique mode of sensemaking. It performs a comparative analysis between Zhuangzi's Fish Parable and Merleau‐Ponty's philosophy of embodied perception, focusing on the self‐attunement in our embodied experience and Dao, which remains invisible but gradually reveals its presence as the parable unfolds. The paper illuminates the embodied nature of correlative thinking by exposing the intricate interplay between the self and others, as well as the self and its lived environment. This analysis underscores the reciprocal relationship between Dao and correlative thinking: Dao acts as the origin of correlative thinking, while correlative thinking, in turn, unveils the presence of Dao. This analysis could enrich our understanding of the interplay between the self, others, and the world they inhabit. [ABSTRACT FROM AUTHOR]

This study explores the complex and evolving portrayal of intimacy in Malayalam cinema, particularly through the lens of eco-theological settings and remote locations. Examining films from the 1970s to the present day, the analysis highlights how these narratives have employed problematic tropes to introduce eroticized content, often framing it within sacred spaces or remote landscapes to achieve a sense of forbidden allure and potentially mitigate audience disapproval. This paper contends that the ecotheological spaces depicted in Malayalam cinema are not neutral but laden with socio-cultural and gendered meanings. Examining intimacy within these spaces provides a unique vantage point for understanding how cinematic representations reinforce prevailing power structures, especially concerning gender dynamics. It prompts a deeper exploration of how ecological practices and spiritual beliefs intersect with notions of femininity and masculinity. [ABSTRACT FROM AUTHOR]

AbstractRecently, the concept of mobile labour has garnered increasing attention among mobilities scholars. Yet, the preponderance of research has emphasised workers’ movements that are fairly large-scale and routes-based. This paper proposes another kind of mobility that is of equal significance—that of micro-mobilities by labour, or more accurately by their bodies. Using original research conducted through semi-structured interviews with 40 customer service agents working in an international airport in Asia, the paper examines three kinds of aesthetic labour that these workers perform alongside passengers. Enacted through various bodily motions intended to speed up aeromobile processes and augment productivity, I argue that these performances produce a (tenuous) aesthetics of assuring presence, orderly movement, and passing time. As more and more work tasks are redistributed across the airport between staff and passengers, ‘new’ automation presents an opportunity to reflect on the mobile practices being invented as self-service technologies infiltrate customer service and other work where human relations and decision-making skills are required. More broadly, it also uncovers the gendered politics of bodily comport, gaits, gestures and other micro-movements in labour (re)production in a wider age of technological change. [ABSTRACT FROM AUTHOR]

This paper explores the intricate relationship between our personal experiences of space and the autobiographical nature of our geography. Our geographical awareness is profoundly shaped by the places we have been, encompassing a rich tapestry of places such as childhood homes, educational institutions, vacation spots, and bustling city streets. These spaces become imbued with personal memories and significance, forming the backdrop of our individual narratives. While these experiences are inherently personal and unique, they are also shared in a broader sense. This duality of personal fand communal experience adds layers of complexity to our understanding of space. Furthermore, our experiences of space are deeply intertwined with the passage of time. [ABSTRACT FROM AUTHOR]

This paper draws on original ethnographic research in Australia focussing on the handling, management, and conceptualisation of death and the dead human body in 2020–2021. Analysis produced themes of secrecy and (in)visibility regarding both death and the collection of data. Key findings discussed are the withdrawal of information and off-the-record comments from participants, controlling of public access to information, and the (in)visibility of death and the body in the context of the mortuary, viewings and identifications, and the presentation of the body in virtual spaces. The paper argues that those who work with death and the dead in this particular context have power to shield their work, the body, and their processes from the public. Future research exploring the attitudes held by the general public towards death and the body and whether they align or challenge the death industry is proposed. [ABSTRACT FROM AUTHOR]

This paper reviews contemporary geography literature pertaining to the development and experience of underwater spaces. Examining the underwater world as a space of practices, experiences, and visions that are both phenomenologically and geopolitically rich, the review covers research studies from human geography and cognate fields concentrating on the tourism and travel literature. After a brief overview of the many activities taking place underwater worldwide—from the evolution of the mythical Atlantis to the development of modern‐day Atlantis such as underwater hotels—the paper focuses studies in three areas: the consumption of cultural and natural heritage, Self‐contained underwater breathing apparatus diving and divers' experiences, and the possibility of human inhabitation of underwater realms in habitats such as underwater hotels and submarine research sites. It is argued that by becoming more familiar with underwater spaces, geographers who concentrate on tourism and marine environments can gain new perspectives that are likely to challenge the terrestrial imagination. [ABSTRACT FROM AUTHOR]

The role of the body is a common topic for discussions concerning competitive gaming, also known as electronic sport (esport). In esport, the focus on the body shifts from its physical presence towards digitality and therefore differs significantly compared to traditional sports. It is therefore questionable whether disciplinary mechanisms typical for sport that originate from the physical body being surveyed can be observed in competitive gaming as well. This conceptual paper uses Michel Foucault's concept of panopticism to theorize what consequences of deviant or normative behaviour can be derived from a (partially) absent physical corporeality in esport. Our approach reveals that esport and competitive gaming are lacking disciplinary mechanisms typical for traditional sports. We introduce the term dysopticon as a concept where players are not exposed to surveillance like in traditional sports, because of a perceived absence of the players' physical bodies while competing. This can result in arbitrariness and deviant behaviour but also be an opportunity for inclusion or self-expression regardless of hegemonic corporeal norms and standards. Stakeholders, including players, clubs, associations, and corporations, can build upon these insights to develop and promote esport beneficially for sport and society. [ABSTRACT FROM AUTHOR]

People have different ways of developing knowledge about their 'selves', what has come to be called 'technologies'. Apart from technologies of production, of sign systems, and of power, the 'technology of the self' enables individuals to effect certain operations on their bodies, thoughts, behaviour, feelings and other ways of being. Such technologies involve the application of certain modes of training by individuals not only for the sake of acquiring skills but also for effecting change in their values, attitudes and beliefs. This paper argues that applied theatre practice involves not only the technology of the self but also of the other. Using the case study of a practice based project that was carried out among disabled students at the University of Zimbabwe, the paper examines how disabled students not only subverted ableist discourses of hopelessness but also acted upon their own bodies to assert their own agency, power and authority. Thus the focus will be specifically on the politics of the disabled body as a site of ableist perceptions that construct the disabled body in terms of lack, incapacity, pathology, deformity and deficiency. [ABSTRACT FROM AUTHOR]

Not all heroin users that enter the prison estate continue to use heroin or access opiate maintenance or detoxification treatment programmes. Some prisoners decide to self-detoxify. The literature on self-detoxification is thin and focuses on the decisions and practices of self-detoxification in community settings. Less attention has been given to the role of the body and the lived experience of self-detoxification in prison settings. The aim of this paper therefore is to examine the process of self-detoxification in prison, with a particular focus on the role of the body, embodiment and prisoner social relations. This paper draws on Drew Leder's (1990) absent body theoretical framework and the literature on prison masculinity to analyse qualitative interviews with recently released prisoners. It shows how the decision to self-detoxify can be understood as part of the masculine performance of keeping a low profile. Keeping a low profile helped the participants minimise the risks of victimisation. The self-detoxification techniques the participants used were underpinned by an awareness of the body as poisoned by heroin, suffering because of its presence, rather than its absence. This study has implications for prisoners' access to opiate maintenance and detoxification treatment programmes and harm reduction services upon release. [ABSTRACT FROM AUTHOR]

Blumenberg's preoccupation with Husserl aimed at the anthropological implications of the latter's transcendental phenomenology. The paper addresses some connections in Blumenberg's posthumous Beschreibung des Menschen (Description of Man), in particular the nexus between body/embodiment, lifeworld, and intersubjectivity, to critically assess a few of his claims. The paper concludes by turning to two key concepts for Blumenberg's anthropological transformation of Husserl's phenomenology: self-preservation and reflection. [ABSTRACT FROM AUTHOR]

Building on the work of Rancière, this paper theorizes otherness in organization. Extant research primarily understands the Other as a subject silenced by the voices of the One. The underlying assumption is that albeit silent, the Other is still perceived as a subject able to articulate him-/herself in intelligible ways to the One. But what happens when the Other is not even perceived as a subject part of the community of human speech? We introduce the concept of noise to understand such otherness that has remained theoretically neglected and empirically understudied so far. We develop how affect plays a significant role for how the position of Other as noise is produced and overcome - something that we term miscounting and recounting. The paper extends the theoretical repertoire of organizational scholarship by developing the notion of the Other as noise, the role of affect in struggles over otherness and the significance of in/equality enacted in practice. [ABSTRACT FROM AUTHOR]

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Copyright of Japanese Journal of Educational Research / Kyoikugaku Kenkyu is the property of Japanese Educational Research Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper critically discusses the combination of creative and social research methods to generate a novel approach to explore the multimodal technoscape. This paper draws on an interdisciplinary exploratory case study on interactive skin—an emergent technology that augments and/or interacts with the skin. This paper shows how concepts from skin studies and the HCI literature can be used to draw on creative methods to think about and with the body. We describe the use of an online probe pack, a speculative research workshop and sensory research interviews using 'proxy feelers' to agitate the design space of interactive skin futures. We show how combining these methods provoked and expanded the scope of interactive skin from the technological to the sensory and the social. We discuss the opportunities and challenges of the research dialogues that this approach facilitated, make the case for creative methodological improvisation and exploration of emergent technologies and show how creative and social research methods can be combined to explore the interconnection between technology, society and design. [ABSTRACT FROM AUTHOR]