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1. Maxwell Davies Premiere St Magnus Festival, Orkney ANDREW CLARK THE CRITICS

2. Cherevichki Garsington Opera ANDREW CLARK THE CRITICS

3. 'It's good to leave while you're slightly ahead': INTERVIEW: As the Cheltenham Festival gets under way, Andrew Clark finds out why its organiser - and composer, broadcaster

4. Fast track to great opera: MUSIC

5. CDs & DVDs

6. High brow, low blows Summer means festivals, but has their proliferation devalued the concept? The FT's chief music critic Andrew Clark thinks so. Arts writer Peter Aspden begs to differ

7. Music

8. The Io Passion Aldeburgh Festival ANDREW CLARK THE CRITICS

10. CDs & DVDs

11. Music

12. Magical stagecraft has all spellbound THE ENCHANTRESS - GRANGE PARK OPERA

13. There's no end to the jinx on Wagner: BAYREUTH

14. 'Thank God for Arabella!': INTERVIEW: She may be the heroine in the romantic fairytale, but Karita Mattila has had to work hard for her success, discovers Andrew Clark

15. CDs & DVDs

16. Music

17. Sublime submission In writing opera, just how much say should a librettist have? In Verdi's day, the composer had the upper hand. Wagner wrote his own Today's librettist is more possessive - often at a considerable cost

18. CDs & DVDs

19. Music

20. The ritual world of the classical galas: The mother of modern arts events takes place in Bayreuth's Festival Theatre (pictured). But, says Andrew Clark, it has all become a little too successful for dedicated Wagnerites

22. Alcina Palais Garnier, Paris ANDREW CLARK THE CRITICS

23. Music

24. CDs & DVDs

26. Les Paladins Chatelet, Paris ANDREW CLARK THE CRITICS

27. CDs & DVDs

28. Music

29. 'If you're going to retire you damn well retire': INTERVIEW: George Christie has finally taken a back seat four years after handing over the chairmanship of Glyndebourne to his son, and finds that the quiet life suits him, writes Andrew Clark

30. CDs & DVDs

31. Curtain falls on operatic adventure

32. Curtain falls hard on cut-price opera: The demise of Raymond Gubbay's bold Savoy experiment shows there are no simplistic solutions to finding audiences, writes Andrew Clark

33. Prokofiev/LSO Barbican, London ANDREW CLARK THE CRITICS

34. Politics starves a great Scottish company to death: OPERA

35. CDs & DVDs

36. Music

37. Music

38. CDs & DVDs

39. 'My preoccupation is writing good music': INTERVIEW: Jennifer Higdon's unconventional background is a big part of why she writes pieces that are popular with both the public and other musicians, says Andrew Clark

40. 25 Years of European Music No art form tests the intellectual and political temperature of culture more accurately than classical music. For 400 years, writes Andrew Clark, it has reflected the social trends of the day while expressing truths opaquely, in a language beyond words or ..LH.-image. That was certainly true of classical music a generation ago

41. Vanda Bloomsbury Theatre, London ANDREW CLARK The Critics

42. Christine Brewer Wigmore Hall, London ANDREW CLARK THE CRITICS

43. CDs & DVDs

44. Music

46. Madama Butterfly/ Hansel and Gretel Sadler's Wells, London ANDREW CLARK The Critics

47. CDs & DVDs

48. Music

50. BBC Symphony/Robertson Barbican, London ANDREW CLARK THE CRITICS

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