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The Quartiere Cogne was erected at the beginning of the last century to house workers and managers employed at the new steel works. The whole neighbourhood is now affected by a wide-ranging transformation project which combines the features of aspects which really pertain to architectural building refurbishment within a broader framework of urban regeneration. Part of this project is financed by the National Programme for the Quality of Living. The design develops dwelling models aimed at strengthening the social structure at various levels (family, block, community, neighbourhood, local associations), making the most of local features. It includes initiatives to foster inclusion based on a broad network of infrastructures and services. An important feature is transition spaces, semi-private and semi-public, in which the idea and the quality of community is challenged. The aim is to give more natural and sustainable responses to instances of sharing and common use for collective housing in the Alpine area.

This research explored buildings for carbon neutrality to solve the global warming problem in the Third Solar Decathlon China (SDC). The methods were derived from subjective and objective evaluation aspects based on the competition rules. Then, the results of the concepts, technologies, and prospects of 15 buildings were output. The conclusion was summarized after a discussion as follows: (1) Solving global warming through carbon neutrality is widely required and research into this issue is required now. (2) Research methods were determined via five subjective and five objective contests with multiple sub-contests. (3) Fifteen buildings’ concepts, technologies, and prospects were determined regarding the carbon neutrality aspect. (4) A good architectural design concept was needed before building for carbon neutrality. (5) This research summarized the current development of architecture concepts and technologies in academia and industry. (6) Thirty-five kinds of active and passive technologies were determined, where PV as an active method and modular assembly as a passive method were the most used in this competition. (7) The technologies used with a low frequency, such as wind turbine, Stirling engine, hydrogen fuel cell, UHPC, PCM, and SST walls technologies, also need further attention. (8) The prospect of carbon neutrality, especially for energy production in residential buildings, may shift people’s passive acceptance of carbon neutrality to active energy production. (9) Using ANP to produce the SDC ranking may be considered for more scientific investigations to demonstrate the carbon neutrality effect. (10) The limitations will continue to be researched in the future. Finally, this research aimed to make a contribution to solving the global warming for sustainable development.

More than two centuries of research and development have produced a vast choice of metallic materials and manufacturing processes, useful in giving form and structure to architecture. This chapter aims to consider the state of manufacturing technologies in the light of possibilities opened up by digital innovation. The analysis of fabrication technologies examines production processes in order to identify unit manufacturing processes within the succession of processes. Two projects are examined thoroughly. Frank Barkow and Regine Leibinger designed the gatehouse of the Trumpf factory near Stuttgart with a wide metal roof, protecting the open space to welcome visitors and employees. The space is not interrupted by the glass parallelepiped of the building, whose vertices are the pillars which support the 65 ft (20 m) of overhang of the roof. The transparency of the body of the building, which houses the reception and waiting room, is not immaterial, but rather emphasises the properties of the glass in the search of a semi-transparent effect. The way the structure is built exploits the possibilities of digital manufacturing and intends to be the visiting card, the demonstration of the expressive and constructive capacity of the machine tools produced by Trumpf itself as applied to creating the building which gives access to the factory. Manufacturing involved intensive mass change NC processes with cutting and punching, deformations with bending as well as the final assembly. Randall Stout won the international design competition for the expansion of the Art Gallery of Alberta, Canada. The exhibition spaces are highlighted by juxtapositions and intersections between two blocks: the grounding of the units of the building, accentuated in the cladding in local stone, and the complete transparency of the atrium, intersected by the sinuous form inspired by the aurora borealis, a characteristic of the latitudes of Alberta. This form has no centre, starting point or point of symmetry on which the eye can rest. The morphology, observed from different angles in crossing the piazza, the approach path or the atrium, appears changeable to the observer. The firm of Randall Stout Architects modelled in three dimensions the design of the complex geometry of the aurora borealis and of the building and the numerous intersections between the two using Rhinoceros (Rhino) software. From the Rhino model, Empire Iron Works created the Building Information Modeling of the aurora borealis in Tekla Structures. Zahner’s Design Assist Group imported and translated the geometric model into a Pro/ENGINEER parametric model. The parametric model of the secondary structure and of the cladding panels integrates the requirements of the manufacturing process and the assembly tolerances, specific to the ZEPPS™ system, and automatically generates the subsystems of the joints and of the panels necessary to make the complete roof.

This chapter considers the digital continuum between design and manufacture, achieved with the technologies of CAD/CAM, numerical control and prototyping. Although the ‘digitalization’ of architecture is sometimes seen as a threat to the physical aspects of construction, the opportunity to use a digital model directly in the context of production actually strengthens the traditional links between design and practical craftsmanship. The chapter offers an overview of manufacturing processes currently or potentially relevant to construction. Units of manufacturing processes may be described in sufficiently general terms so as not to be restricted to working with a specific material, a given component or a certain producer of machine tools. Key unit manufacturing processes are identified: (1) mass-change, (2) phase-change, (3) structure-change processes, (4) deformations, (5) consolidation, including (6) rapid prototyping. It concludes by considering integrated manufacturing. Two projects are examined in detail because they have been precursors of the principles of design for assembly: Frank Gehry’s “Fish-sculpture” at the Olympic Village, Barcelona (1989–1992), and Norman Foster’s Swiss Re Tower in London (1997–2004). The analysis of these projects confirms the recurring importance of the “craft” factor. Computer-aided design and production systems have shifted the emphasis from skills in craftsmanship to competence in the control of the manufacturing machinery. As manufacturing and construction become increasingly automated, more and more skills are required of the designers.

Incubators of Public Spaces is a funded JPI Urban Europe project aiming to support the self-organization of places by enhancing the factors that motivate, encourage, and enable the urban actors to reach common understandings in order to coordinate their actions by reasoned argument, consensus, and cooperation rather than strategic thinking only. By catalyzing citizens’ willingness to ‘do their bit’ for improving spaces, it provides the means to grow and care for places. The paper is organized into three main sections. The first section offers a theoretical underpinning on the roots of self-organization and co-creation in urban interventions. After a brief introduction about the project’s aims, the second section deals with incubators’ co-creative process and system. It describes the running of the scenario workshops and provides an overview of the web platform and its inherent features. The third section presents the results of the application of the incubators method in the regeneration of an Italian neighborhood. It provides some general information about the area, and foresees a set of interventions for both built and open spaces. Conclusions offer early remarks concerning the ongoing experimentation in Incubators.