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1. Juan Daniel Fullaondo. Una revisión de sus obras y proyectos en el País Vasco (1964-1978).

Author

Urcola, Joaquín Lizasoain

Subjects
ART materials, TWENTIETH century, ARCHITECTS, EXHIBITIONS, NINETEEN sixties
Abstract

Copyright of Constelaciones (2340-177X) is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Published
2023
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2. SIGNIFICANT DIFFERENCE.

Author

ROSE, JULIAN

Subjects
*ARCHITECTS, *ART materials, *NATURAL history, *SOCIAL problems
Abstract

An interview with architect Jacques Herzog is presented. When asked about the collaboration of architects with artists, he mention about recognising the artist based on the art materials used for making of arts. He mention about his interest for artist Beuys for his work connected to natural history and social and anthropological issue. He comment on minimalism and the popularity of architects due to minimalist boxes. It also mention about the works of architect Pierre de Meuron.

Published
2018

3. Documenting the real early America.

Author

Ivy, Robery

Subjects
*ARCHITECTS, *TRAVEL, *INDIA ink, *ART materials
Abstract

The article focuses on the travels and works of architect Terrence J. Brown. Brown has documented his travels and experiences since student days at Montana State. In 1981, before returning to the U.S. from Central America, he spent more than a month traveling throughout the region, including in Honduras and Guatamala. In Mexico's Yucatan peninsula, he visited and sketched Uxmal and Chichen-Itza, Mayan urban centers. He captured the jungle-laced temples and steles with a crow-quill pen and India ink.

Published
2007

4. Tea and Coffee Service, 1983.

Subjects
AMERICAN art, TEA & coffee services (Tableware), PORCELAIN in art, ARCHITECTS, POSTMODERN architecture, ART materials
Abstract

The article offers information on American artist Michael Graves' artwork titled "Tea and Coffee Service." It is a prototype for a tea service which was one of eleven such services designed as part of a research program started in 1979 by Alessi, an Italian company known for its mass-produced chromium, steel and brass hardware. A number of international architects, including Charles Jencks, Richard Meier, and Aldo Rossi, were asked to design limited edition tea and coffee services utilizing conventional handicraft processes but materials other than those commonly used in mass production. Graves' work is similar to an architectural model which epitomizes his own Postmodernist approach to design. Materials used by Graves in his work include bakelite, mock ivory and blue lacquered aluminum.

Published
1988