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Marijos Gimbutienės ‒ mokslininkės, teoretikės ir archeologės praktikės, veiklios, įvairiapusiškos ir jautrios asmenybės – intelektualinis palikimas, ypač lituanistinė jo dalis, iki šiol yra palyginti mažai tyrinėta. Šiame straipsnyje atskleidžiamas M. Gimbutienės ryšys su šeima ir išryškinamas jos santykis su mama Veronika Janulaityte-Alseikiene. Straipsnio autorė kelia ir pagrindžia mintį, kad ypatingas ryšys su mama ir kitomis šeimos moterimis, jų pavyzdys ir autoritetas padėjo M. Gimbutienei įžvelgti ir atpažinti archeologinėje medžiagoje veiklų ir kūrybišką moteriškąjį pradą bei sudarė prielaidas ieškoti moteriškųjų deivių pasaulio archeologinėse kultūrose. The intellectual legacy of Marija Gimbutas – scholar, theoretician and practical archeologist, an active, versatile and sensitive personality – has been hitherto little investigated, including in particular her Lithuanian studies. The article focuses on the relationship that Marija Gimbutas had with her family, especially highlighting her connection with her mother – Veronika Janulaitytė-Alseikienė. Gimbutas’ mother Veronika Janulaitytė-Alseikienė (1883–1971) was among the very few Lithuanian women of the peasant descent that managed to obtain the university education at the turn of the 19th – 20th centuries. In 1908, she defended her doctoral thesis in medicine in Berlin. However, due to various circumstances, including nostalgia for her homeland, she discontinued her scholarly work in Germany, returning to the Russian Empire of that time. After the WWI, together with her husband Danielius Alseika (doctor, politician and editor of numerous Lithuanian publications) Veronika established the first Lithuanian hospital in Vilnius, engaging in the medical, social and educational activities. Marija Gimbutas’ parents were a rather different personalities. Her father was an idealist ardently pursuing his social and political ideas, while her mother was a rational and practical woman, who took care of maintaining the hospital, social welfare and family matters. Since early childhood, Marija’s mother enfolded her daughter with her care, attempting to provide her with everything that she considered valuable, and devoting special attention to her education. Gimbutas’ cousin, professor Meilė Lukšienė has described her mother as a “silent soul”, since she could not fully realize her talents, but devoted all her energy to enable her daughter to do so. It is obvious that Marija inherited most of her character features from her mother, including courage, determination, inexhaustible energy, industriousness, and vitality. In spite of the passionate care that she received from her mother, in her childhood and youth Marija regarded her father as her personal ideal and as an example to follow. She considered her rational and pragmatic mother as a given, as someone providing her with good living conditions, and directed her admiration and love to her father. She felt inspired by Danielius Alseika’s ideals, his broad humanitarian worldview, his articles on the Lithuanian culture and his devoted work as editor and publisher of the Lithuanian books. She regarded her father as an embodiment of human creativity. However, he died when Marija was just fifteen years old. It took her considerable time afterwards to fully appreciate her mother’s love, her dedicated care of the children, and her hard work to ensure family’s welfare and security. The author of the article assumes that the active, vital and creative energy, which Marija saw embodied in her father’s image and political activities, subsequently inspired her impressive theory of the Indo-Europeans spreading across the whole of Europe. And only later, her down-to-earth side of life became more visible, manifesting in her theory of matristic culture of the ancient Europe. Marija Gimbutas fully and consciously appreciated her connection with her mother only after she got married and had her daughter Danutė born in 1943. Unfortunately, the development of this connection was suspended because of the necessity for her to flee from Lithuania, which was occupied by the Soviet troops in 1944. Further on, Marija’s connection with her mother and other female members of her family (her aunt Julija Matjošaitienė and her cousin Meilė Matjošaitytė-Lukšienė) was maintained from emigration. The first letter from Marija reached Lithuania only after seven years following her departure, and regular correspondence could be established only after Stalin’s death. However, when acquiring this possibility, Marija corresponded very actively: she has written over 400 letters and over 200 postcards to her mother. Another way of maintaining connection with her family was sending packages. Ample gifts were shipped from America to Lithuania; however, Marija received equally dear presents from Lithuania in return. Veronika Alseikienė saw sending gifts as an expression of her love to her daughter, as means of creating the Lithuanian atmosphere in Marija’s home and supporting her Lithuanian cultural activities in America. For Marija, things that she received were primarily means of connection with her mother. Only in the summer of 1960, there finally was hope of meeting in person. Although possibilities of visiting the Soviet Union from the USA were severely restricted, Marija Gimbutas managed to visit her mother at least seven times. These short encounters allowed her to establish a closer connection, and during long times of separation to envision her mother’s home in Kaunas. Anyway, Marija Gimbutas had a special talent of feeling her loved ones in spite of the distance that separated them. She has described her extraordinary state of mind and her telepathic ability of seeing and feeling her mother, who was hospitalized after a surgery at that time. She experienced a deep feeling of connection also on the day of her mother’s funeral, having a vision of her mother finally being able to visit her daughter’s home in Topanga – at least after her death. For Gimbutas, considerations of life and death were not merely academic studies of the ancient European religion, but constituted an inherent part of her personality. She discussed the indestructible nature of the vital energy, and the human ability to feel close proximity with the deceased, who never left us completely. The religious images and phenomena that she examined were her reality. [...]

Šiame straipsnyje aptariamas Marijos Gimbutienės gyvenimas ir darbas tiriant Europos priešistorę, o asmeninė žymios archeologės biografija atskleidžia, kaip jos vaikystė augant Lietuvoje suformavo akademinių tyrimų linkmę ir interesus. Profesinis mokslininkės indėlis bei pasiekimai pristatomi pateikiant septynis jos akademinio gyvenimo aspektus, t. y. jos laiką įgyjant aukštąjį išsilavinimą, darbą gilinantis į Lietuvos folklorą ir simbolizmą, Senosios Europos neolito laikotarpio tyrimus, kurganų hipotezės iškėlimą bei įsitraukimą į baltų tyrimus, kasinėjimus pietryčių Europoje, taip pat jos darbus deivės ir simbolizmo temomis. Šiame straipsnyje taip pat apžvelgiami akademinės ir plačiosios visuomenės požiūriai į M. Gimbutienės darbus. Marija Gimbutas (Gimbutienė) is a renowned archaeologist who specialised in European prehistory. This paper explores her life and work, including her personal biography, showing how her upbringing in Lithuania shaped her academic interests and orientations. This paper also reviews her professional achievements and contributions via the lenses of seven aspects of her academic life, namely her time in higher education, her work on Lithuanian folklore and symbolism, her explorations of Old Europe during the Neolithic, her Kurgan Hypothesis and engagement with Baltic studies, her excavations in southeast Europe, her work on the Goddess, and her symbolism work. It also examines academic and popular reactions to her writing and her influence on scholars and public discourse.