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In the domain of conservation and promotion of cultural heritage, the development of new information technologies offers new tools for sharing knowledge on heritage building. These tools are destined to help experts to enrich and access information about buildings. This article proposes an approach allowing the automatic transfer of annotations in a set of spatially-oriented photographs (whose positions and orientations in space are estimated) by using 3D information. First of all, an automated image-based 3D reconstruction method produces 3D information (specifically 3D coordinates) by processing photographs of the set. Then, the process of annotations' transfer between images uses this generated 3D information. Finally, this process allows the implementation of the annotations modification. As a consequence, this process provides a simple way to annotate blocs of images all at once instead of one by one.

In order to handle more efficiently projects of restoration, documentation and maintenance of historical buildings, it is essential to rely on a 3D enriched model for the building. Today, the concept of Building Information Modelling (BIM) is widely adopted for the semantization of digital mockups and few research focused on the value of this concept in the field of cultural heritage. In addition historical buildings are already built, so it is necessary to develop a performing approach, based on a first step of building survey, to develop a semantically enriched digital model. For these reasons, this paper focuses on this chain starting with a point cloud and leading to the well-structured final BIM; and proposes an analysis and a survey of existing approaches on the topics of: acquisition, segmentation and BIM creation. It also, presents a critical analysis on the application of this chain in the field of cultural heritage.

The paper will describe a new approach based on the development of a procedural modelling methodology for archaeological data representation. This is a custom-designed solution based on the recognition of the rules belonging to the construction methods used in roman times. We have conceived a tool for 3D reconstruction of masonry structures starting from photogrammetric surveying. Our protocol considers different steps. Firstly we have focused on the classification of opus based on the basic interconnections that can lead to a descriptive system used for their unequivocal identification and design. Secondly, we have chosen an automatic, accurate, flexible and open-source photogrammetric pipeline named Pastis Apero Micmac – PAM, developed by IGN (Paris). We have employed it to generate ortho-images from non-oriented images, using a user-friendly interface implemented by CNRS Marseille (France). Thirdly, the masonry elements are created in parametric and interactive way, and finally they are adapted to the photogrammetric data. The presented application, currently under construction, is developed with an open source programming language called Processing, useful for visual, animated or static, 2D or 3D, interactive creations. Using this computer language, a Java environment has been developed. Therefore, even if the procedural modelling reveals an accuracy level inferior to the one obtained by manual modelling (brick by brick), this method can be useful when taking into account the static evaluation on buildings (requiring quantitative aspects) and metric measures for restoration purposes.

Today with the development of new information technologies, the domain of conservation and promotion of cultural heritage benefits from new tools to disseminate knowledge on heritage buildings. These tools are intended to help experts to enrich and access information about buildings. This paper describes this critical issue and proposes an approach permitting the automatic transfer of annotations in a set of oriented photographs (whose positions and orientations in space are known) by using 3D information. First of all, photographs are processed with an automated image-based 3D reconstruction method to produce 3D information (specifically 3D coordinates). Then, 3D information is used in the process of annotations’ transfer between images. Finally, with this process, the modification of annotations can be easily implemented. As a consequence, this process provides a simple way to annotate blocs of images all at once instead of one by one.

Today, we need 3D models of heritage buildings in order to handle more efficiently projects of restoration, documentation and maintenance. In this context, developing a performing approach, based on a first phase of building survey, is a necessary step in order to build a semantically enriched digital model. For this purpose, the Building Information Modeling is an efficient tool for storing and exchanging knowledge about buildings. In order to create such a model, there are three fundamental steps: acquisition, segmentation and modeling. For these reasons, it is essential to understand and analyze this entire chain that leads to a well- structured and enriched 3D digital model. This paper proposes a survey and an analysis of the existing approaches on these topics and tries to define a new approach of semantic structuring taking into account the complexity of this chain.

During the modelling process, 3D models are not easily conceived to support changes over time. On the contrary, for the description of cultural heritage, it is often necessary to display not only the actual state of buildings but also their previous states so to understand their modifications. The construction and structuring of spatio-temporal models of cultural heritage demand a double conceptual effort: on one side, 3D models must be reconstructed and structured in space according to architectural concepts; on the other one, such elements should follow the criteria of temporal decomposition. For this reason, links between structured elements should be established to keep track of changes over time. Moreover, only the current state can be reconstructed in a rigorous way using a combination of different 3D measurement techniques (such as laser scanning and photogrammetry); on the contrary, knowledge about past states is conditioned by missing elements, whose morphology and dating can reveal uncertain. For this reason, this paper describes a methodological approach to make use of the existing iconographic corpus for the analysis and the 3D management of building transformations. The aim is to establish a relation between the iconography used for the hypothetical reconstruction and the 3D representation that depends on it. As a result, 3D representations can be used like visualization systems capable of reflecting the amount of knowledge produced studying historic buildings.