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The article discusses the increasing integration of artificial intelligence (AI) tools in the moving image production process, from concept art to post-production work. It highlights both the creative potential and ethical concerns surrounding AI-generated content, such as deepfake pornography and copyright infringement. The text also explores the impact of AI on labor rights in the entertainment industry and emphasizes the need for a nuanced evaluation of AI's role in shaping contemporary media aesthetics and workflows. [Extracted from the article]

This article explores the Russian studio Melnitsa's bogatyr cycle, a series of animated films that blend Hollywood animation tropes with Russian narratives and visual influences. The films parody traditional depictions of Russian folk heroes, using caricature and humor to create a distinct aesthetic. The article also discusses the political context in which these films were produced, highlighting the government's support for animation as a tool for promoting nationalism. While the bogatyr series has been successful at the Russian box office, it has also been criticized for promoting a nationalist vision of history and perpetuating stereotypes of ethnic groups. The article concludes by emphasizing the need to broaden the study of animation beyond a US-centric perspective and to consider the complex interplay of political, cultural, and industry factors in non-Western animation studios. [Extracted from the article]