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The present paper discusses art as an environment for communicating meanings, as shared by the members of a community or culture in the late 20th and early 21st centuries; for this purpose, the paper focuses on the changes taking place in cultural production as well as the consumption practices of the digital age: more specifically, on the shift from a goods-centred economy to a service-centred economy, on the experience as a commodity, on interactive art and relational aesthetics, as well as on the emergence of a new way of production and consumption. The paper also discusses a possible modernity and the cultural differences that appear in the works of Eastern European artists (and Romanian artists in particular), works which reflect the transition from communism to post-communism and democracy. [ABSTRACT FROM AUTHOR]