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La denominada folla de entremeses es uno de los espectáculos teatrales más desconocidos del Siglo de Oro. Esto se debe en buena medida a la poca atención que le ha prestado la historiografía, y derivado de ello, a la aparente escasez de fuentes documentales que den noticia de en qué consistían y cómo, cuándo y dónde se representaban. En el presente trabajo se documentan puestas en escena de follas de entremeses hasta ahora desconocidas, que se representaron ante los monarcas en el Real Alcázar y en el Buen Retiro. Con ello se pretende un mayor conocimiento sobre este espectáculo.

Copyright of Cuadernos de Estudios del Siglo XVIII is the property of Instituto Feijoo de Estudios del Siglo XVIII (Universidad de Oviedo) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Edad de Oro is the property of Departamento de Filologia Espanola de la Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the role of emotion and affect in the context of social media. Drawing on the works by Brian Massumi, Nigel Thrift, Zizi Papacharissi, Richard Grusin, Margaret Wetherell, the paper reflects on the need to engage more deeply with feelings and emotions as driving forces of digital affect culture and on how this digital affect culture can manifest itself within different kind of affectively charged collectivities, created via spontaneous interaction on various social media platforms. [ABSTRACT FROM AUTHOR]

The article focuses on Il mondo salvato dai ragazzini considered from a socioanthropological point of view. It tries to define the dynamics of revolutionary feast that inspire the work of Morante. We point out the charismatic nature of the boys and their disposition simoultaneusly sacred and profane. The discourse about the boys oversteps the young rebellion of 1968 and becomes an analysis on history (and on the limits of some types of historical operation) at which Morante opposes the poetr.