Search

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Brazilian Journal of Biology is the property of Instituto Internacional de Ecologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of UCV Hacer is the property of UCV Hacer and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Foco (Interdisciplinary Studies Journal) is the property of Revista Foco and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Museologia e Patrimônio is the property of Museologia e Patrimonio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Esse artigo objetiva compreender as perspectivas e as contribuições de pesquisas que interconectam moda e sustentabilidade, utilizando como contexto específico o caso do evento científico Encontro de Sustentabilidade em Projeto – ENSUS. Trata-se de um estudo de abordagem quantitativa-qualitativa do tipo exploratório-descritiva, realizada mediante a uma análise sistemática de bibliografia, em que, com apoio no software IRaMuTeQ®, foram elencadas redes temáticas. Em relação aos principais resultados, destaca-se que foram encontrados 76 textos classificados em três redes de temas, sendo estas: I) Sustentabilidade, processos produtivos e uso de resíduos; II) Designer de moda e sustentabilidade; e III) Moda, consumo e impacto ambiental. Se em outrora, os debates tramados focalizavam nos impactos ambientais ocasionados pela produção e consumo de roupas de forma rápida e massificada, atualmente, as discussões centralizam-se cada vez mais na criação de estratégias e na utilização de tecnologias que visam uma diminuição das consequências socioambientais acarretadas por essa indústria.

Copyright of Apotheke is the property of Universidade do Estado de Santa Catarina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A arte e literatura se conectam na experiência descrita neste trabalho com o intuito de tecer relações entre os textos e os têxteis. Essas conexões foram costuradas via ação dos projetos de extensão “Experiências de leitura compartilhadas” e “Artistando, ceramicando e muito mais”, do Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Sul (IFRS) - Campus Feliz, em parceria com a biblioteca Pedro Hahn e as escolas municipais de Feliz/RS. O objetivo consiste em mobilizar a experiência estética, por meio da educação literária e da arte, nas proposições teórico-práticas que nutrem significativamente a vida. As oficinas estético-pedagógicas foram planejadas coletivamente e desenvolvidas com cinquenta estudantes de duas escolas municipais, os quais vivenciaram aspectos da criação inventiva. Tal processo se deu através de memórias e histórias que se conectaram e produziram experiências significativas, associando literatura e arte.

Este artigo tem como objetivo identificar aplicações algorítmicas na área do design de moda, pois, atualmente, reconhece-se os algoritmos associados a procedimentos automatizados inerentes à tecnologia digital. Buscamos, também, compreender o seu papel na composição do trabalho criativo envolvido no design de moda, além de contribuir na busca de soluções criativas na concepção de produtos. Esta pesquisa, quanto à sua natureza é aplicada e quanto aos seus objetivos é exploratória. Os procedimentos técnicos utilizados foram a pesquisa bibliográfica sobre a história dos algoritmos e as suas aplicações, além de experimentos de criação manual de texturas têxteis desenvolvidos com base em algoritmos. Conclui-se que a utilização de algoritmos na geração de texturas têxteis é uma ferramenta de criação que auxilia o processo do designer de moda, ampliando a capacidade de autoralidade e concedendo o caráter das artes manuais na concepção de produtos de moda.

China's progressive assumption as a major actor on the African scene needs critical academic attention and examination. Although there are undoubtedly varied benefits, there are also concerns about whether China's win-win rhetoric is sincere or just empty propaganda. This paper contributes to the debate by examining the relationship between China and Africa through the lens of neo-colonialism. In this regard, the paper examines China's involvement in the textiles and mining industries of Ghana as a case study to argue whether the partnership between China and Africa is one that actually promotes development or engenders a new trend of neo-colonialism. Since this research focuses on areas such as partnership (i.e., between Ghana and China) and illegal mining with its effects, it intersects four of the SDGs (clean water and sanitation [SDG 6]; sustainable cities and communities [SDG 11]; life below water [SDG 14]; and partnership for the goals [SDG 17]. [ABSTRACT FROM AUTHOR]

Copyright of Lusitania Sacra is the property of Universidade Catolica Portuguesa, Centro de Estudos de Historia Religiosa and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

RESUMO O comércio transatlântico de escravos africanos esteve estreitamente relacionado às transações de manufaturas entre europeus e africanos, em particular, de tecidos, como, há décadas, a historiografia tem demonstrado. Em Angola, o comércio nos portos e sertões, para obtenção e exportação de cativos, também teve como elemento fundamental a importação de têxteis, que compunham a cesta de produtos pagos em troca dos escravizados. Neste artigo, discutimos o papel do Contrato de Angola no fornecimento de têxteis aos mercadores de Luanda, destacando a proveniência geográfica e os tipos de tecidos comercializados, tomando como base dados dos registros comerciais mantidos por seus administradores em Luanda nas décadas de 1760 e 1770. De forma a realçar os nossos resultados, comparamos com dados de transações mercantis do final do século XVII e do comércio angolano no final do século XVIII e início do XIX. Concluímos pela estabilidade de certos padrões desse comércio, como a aversão dos agentes reinóis a investirem diretamente nos escravos a serem exportados, bem como destacamos algumas diferenças, tais como o maior peso dos têxteis europeus na oferta de manufaturas pelo Contrato de Angola.

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Conservar Património is the property of Associacao Profissional de Conservadores-Restauradores de Portugal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Brasileira de Historia is the property of Associacao Nacional dos Professores Universitarios de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

O presente texto incide nas armações têxteis ao serviço das comemorações religiosas assinaladas nas igrejas da capital do reino. Apesar dos estudos já consagrados ao tema das festas, pouca atenção foi ainda concedida aos profissionais responsáveis pela conceção e execução dos programas ornamentais em que consistem, afinal, estes complexos decorativos. Nesse sentido, e com base nos elementos recolhidos até ao momento, designadamente, naqueles camarários de teor regulador, propomo-nos clarificar o modus operandi e o âmbito de atuação dos armadores de igreja na cidade de Lisboa durante os séculos XVII e XVIII.

Objective: To test performance of SurgiSafe®, a radiofrequency electronic device to detect surgical textiles during operations as compared to manual counting. Methods: Surgical sponges with radiofrequency TAGs were placed in the abdominal cavity of a pig submitted to laparotomy, in randomly distributed sites. The TAGs were counted manually and also using SurgiSafe®. Positive and negative predictive values, sensitivity, specificity and time required for counting were analyzed for both methods. Results: Through the analysis of 35 surgical cycles, SurgiSafe® immediately identified all sponges, with specificity, sensitivity, positive and negative predictive values of 100%. Although not statistically significant, the manual count had sensitivity of 99.72% and specificity of 99.90%. Conclusion: SurgiSafe® proved to be an effective device to identify surgical sponges in vivo, in real time; and its use as an adjuvant to manual counting is very helpful to increase patient's safety. [ABSTRACT FROM AUTHOR]

Copyright of Exacta is the property of Exacta - Engenharia de Producao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ingeniería Solidaria is the property of Universidad Cooperativa de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Introduction. This project analyzes the situation in a Company, Dugotex S. A., specifically in the cleaning area, which has 40 % of unproductive time periods, caused by the lack of standardized procedures for the operations previous to the assembly of every production order, thus causing failures to the programming schedules, delays in the deliveries and low production in the plant. Objective. Introduce a proposal to reduce unproductive time periods in Dugotex S.A's cleaning plant for stretching materials. Materials and methods. A field work was performed during six months in order to gather and identify the main causes that generate unproductive time periods and propose action plans to contribute to their reduction. Results. Standardized procedures were generated to regulate the operations that have a greater impact, such as the passing of samples and the enlisting and cleaning of the machinery necessary in the process, thus projecting a reduction of unproductive periods of time in 27 % and a monthly saving in expenses of COL$43.000.000. Conclusion. The importance of having standardized processes and procedures in the cleaning plant was demonstrated, given the fact that, besides the projected savings, an improvement in the quality is expected, due to the reduction of the products that require re-processes. [ABSTRACT FROM AUTHOR]

The article analyzes the use of the Labour Court for textile workers and factory workers, between 1940 and 1960, based on lawsuits filed by workers of the two categories to the Board of Conciliation and Judgement (Labour Court) of Juiz de Fora. During this period, the transition to heavy industry has an impact on the configuration of the occupational structure of Brazilian society, on the labour market of Juiz de Fora, as well as on the composition of occupational categories analyzed, which presumably affected the actors' behavior, resulting in the formulation of demands, therefore how the workers stablish their relationship with the labour court. [ABSTRACT FROM AUTHOR]

O texto discute as idéias e diferentes conotações que os conceitos de conservação e restauração trazem em diferentes idiomas e culturas e as possíveis mudanças conceituais ocorridas nos últimos anos. São discutidas as diferenças de abordagem, procedimentos e objetivos que as duas atividades apresentam, sempre do ponto de vista da conservação de têxteis. Vários exemplos de abordagens distintas, desenvolvidas em função dos tratamentos de têxteis de diferentes naturezas são discutidos em detalhe.

O texto discute as idéias e diferentes conotações que os conceitos de conservação e restauração trazem em diferentes idiomas e culturas e as possíveis mudanças conceituais ocorridas nos últimos anos. São discutidas as diferenças de abordagem, procedimentos e objetivos que as duas atividades apresentam, sempre do ponto de vista da conservação de têxteis. Vários exemplos de abordagens distintas, desenvolvidas em função dos tratamentos de têxteis de diferentes naturezas são discutidos em detalhe.