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Greetings! I had hoped to be joining with many of you in Salt Lake City instead of hiding from my children in our basement in Rochester. Still, it is wonderful [...]

Notes Editor's Report delivered at MLA 2023: It is absolutely wonderful to be here with you all! The past year has been eventful for Notes with so many excellent articles [...]

Alumni William 'Bill' Conti and Shelby Cox Conti of Los Angeles are giving LSU the original musical scores from Bill's prolific career as a composer and conductor. The William and [...]

Resources for teaching in higher education have undergone a tremendous evolution during the past several decades. The Internet and commercial services, such as YouTube and Google, have revolutionized the manner by which students and faculty access information to both conduct research and meet course requirements. This mixed methods study implemented an online survey and interviews to determine how performing arts faculty at three institutions integrate library resources and services into their teaching. Conclusions indicate that, while personal collections and Internet resources provide a majority of teaching content, the academic library still offers important access to materials for instruction.

It is mid-July, and a lot has changed since I was announced as Notes editor at the 29 February MLA Business Meeting. (1) A virus has killed more than 130,000 [...]

Eagle-eyed Notes readers may have noticed a change to the covers of the 2021 September and December issues. The design is a bit of a departure from the visual puns [...]

This study examines music library practices regarding School of Music recordings in the Big Ten Academic Alliance. The most significant difference among libraries is between those which accept deposits (a majority) and those which do not (a significant minority). Reasons for not collecting include having an effective system outside the libraries and the amount of labor involved. Arguments in favor of the service include the view of the recordings as a vital part of the university record and world heritage; a pedagogical resource; a key expansion of library services; a source for fundraising; and a demonstration of disciplinary equality. [ABSTRACT FROM AUTHOR]

A comparison of two narcocorridos, Los Tigres del Norte's "Contrabando y traicion" (1974) and Alfredo Rios's "El Katch" (2009), highlights both continuity and change in core features of the genre. Whereas Los Tigres del Norte demonstrate a greater degree of restraint, a change of perspective enables Rios to enthusiastically celebrate the illicit lifestyle of the narco-trafficker. The lighthearted musical setting of "El Katch" emphasizes personal autonomy by degrading the sense of the power of death, but a preoccupation with mortality remains, following Rios beyond the song's boundaries into his off-stage reality. [ABSTRACT FROM AUTHOR]