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Copyright of Samuel Beckett Today / Aujourd'hui is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Edad de Oro is the property of Departamento de Filologia Espanola de la Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Cet article étudie les échos de l’intertexte du Tombeau de Verlaine dans L’Inauguration de la salle des Vents (2003) de l’auteur français Renaud Camus. Après un aperçu des résonances mallarméennes au niveau des espaces textuels du roman, une analyse de la poétique absence-présence se fraie un passage à travers ce roman complexe et poétique, qui, sur un ton élégiaque, écrit le récit de la perte, de la mémoire et de l’écriture.