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Irus Braverman CORAL WHISPERERS Scientists on the brink 312pp. University of California Press. 21 [pounds sterling] (US $26.95). 978 0 520 29885 9 Inis Braverman's fascinating book turns on the [...]

For a decade from 1965-975, an Australian poet, Judith Wright, and a Reef artist, John Busst, played a major role in helping to save the Great Barrier Reef. The Queensland State Government had declared its intention of mining up to eighty percent of the Reef's corals for oil, gas, fertiliser and cement. The campaign of resistance led by these two humanists, in alliance with a forester, Dr. LenWebb, contributed substantively to the establishment of the Great Barrier Reef Marine Park in 1975 and to then to the Reef's World Heritage listing in 1983 as 'the most impressive marine environment in the world'. This paper explains the challenges facing today's environmental scholars and activists as they attempt to replicate the success of their 1970s predecessors in helping to save the Great Barrier Reef from even graver and more immediate threats to its survival. [ABSTRACT FROM AUTHOR]

Human preferences, practices and actions are the main drivers of global environmental change in the 21st century. It is crucial, therefore, to promote pro-environmental behavior. In order to accomplish this, we need to move beyond rational choice and behavioral decision theories, which do not capture the full range of commitments, assumptions, imaginaries, and belief systems that drive those preferences and actions. Humanities disciplines, such as philosophy, history, religious studies, gender studies, language and literary studies, psychology, and pedagogics do offer deep insights into human motivations, values, and choices. We believe that the expertise of such fields for transforming human preferences, practices and actions is ignored at society's peril. We propose an agenda that focuses global humanities research on stepping up to the challenges of planetary environmental change. We have established Environmental Humanities Observatories through which to observe, explore and enact the crucial ways humanistic disciplines may help us understand and engage with global ecological problems by providing insight into human action, perceptions, and motivation. We present this Manifesto as an invitation for others to join the "Humanities for the Environment" open global consortium of humanities observatories as we continue to develop a shared research agenda. [ABSTRACT FROM AUTHOR]

During the 40-odd years that the Alsatian-born, French-trained artist Philippe Jacques de Loutherbourg lived in Britain, he became a triple celebrity. A decade after his migration to Britain in 1771 his achievements as a picturesque landscape artist were celebrated in election to the Royal Academy. During the same period he also worked for David Garrick at Drury Lane theatre as the highest-paid scenographer in Britain. Critics hailed him as a genius for revolutionizing Britain's dull staging traditions along the spectacular and naturalistic lines of France's Giovanni Servandoni. Finally, as the creator in 1781–82 of a pioneering commercial moving picture show, the Eidophusikon, he was acclaimed by leading arbiters of artistic taste such as Reynolds and Gainsborough. Well-heeled West End crowds flocked to performances, and the Eidophusikon was widely imitated in Europe, the United States, and the British colonies. Yet de Loutherbourg's professional and social standing remained surprisingly fragile. At periodic intervals he was accused publicly of charlatanry, or its British equivalent, quackery. This damaging smear surfaced on each of the three occasions that de Loutherbourg shifted career direction. And though he managed to redeem himself on each occasion, it was only by making serious artistic and professional compromises. In this sense, the spectre of quackery haunted and shaped Philippe de Loutherbourg's British career, making him a fascinating test-case of quackery's shifting valencies at the dawn of the modern industrial age. [ABSTRACT FROM AUTHOR]

Introduces a series of articles which deals with the concept of exotic in the 18th century.

Presents a speech by Iain McCalman, delivered to the Humanities and Social Sciences Summit at the National Museum of Australia in Canberra on July 26 and 27, 2001. Value of cultural heritage organizations as agents of public good; Information on the government's innovation plan Backing Australia's Ability; Integration of science, technology and cultural heritage.