1. Resemanticization of codes in Spanish film noir: the production of Alberto Rodríguez as a case study.
- Author
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Martínez-García, Ángeles and Gómez Aguilar, Antonio
- Subjects
- *
FILMMAKING , *SPANISH films , *FILM genres , *FILM noir , *FILMMAKERS , *REALITY television programs , *DATA analysis - Abstract
The main objective of this article is to analyze the visual codes and the diegetic universe manifested in the film noir of the film director Alberto Rodríguez in order to find out if in his procedures there is a will to resemanticize the genre. For this purpose, a methodological tool has been created that combines image theory, filmic narrative and script theory, focusing mainly on the analysis of characters and spaces. The chosen sample is circumscribed to the director's last four films: Grupo 7 (2012), La isla mínima (2014), El hombre de las mil caras (2016) and Modelo 77 (2022). After the analysis and discussion of the data, it is concluded that Alberto Rodríguez's cinema represents a return to the standards of the classic film noir genre, but updating codes and adapting it to the interests of the director, who focuses on posing questions to the viewer about the reality of his country regarding issues of dubious morality. In this way, Alberto Rodriguez's work is revealed as a paradigm of Spanish Neonoir, which returns to basic patterns to connect with the viewer and stir his conscience. [ABSTRACT FROM AUTHOR]
- Published
- 2024