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In order to determine narrative moments in comics, both from an analytical and a didactic perspective, the main focus is usually on its sequentiality. In doing so, it is easy to overlook the fact that the comic page itself is structured by its layout like a coherent picture. In this coherent pictoral unit the panels are designed and composed in a distinct way. This article delivers a poietic perspective on conventionalized ways of page design as well as the compositional knowledge and skills that go along with it. From this point of view further conclusions are drawn with regard to comics as a subject in art classes. [ABSTRACT FROM AUTHOR]

Let K be a complete discretely valued field of characteristic 0 with residue field \kappa of characteristic p. Let n be the p-rank of κ , i.e., pn = [κ : κp]. It was proved by Parimala and Suresh [Invent. Math. 197 (2014), no. 1, pp. 215-235] that the Brauer p-dimension of K lies between n/2 and 2n. For n ≤ 3, we improve the upper bound to n + 1 and provide examples to show that our bound is sharp. For n ≤ 2, we also improve the lower bound to n. For general n, we construct a family of fields Kn with residue fields of p-rank n such that Kn admits a central simple algebra Dn of period p and index pn+1. Our sharp lower bounds for n ≤ 2 and upper bounds for n ≤ 3 in combination with the nature of these examples motivate us to conjecture that the Brauer p-dimension of such fields always lies between n and n + 1. [ABSTRACT FROM AUTHOR]