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There existed a fascinating means of collecting fairy tales in the nineteenth and early twentieth centuries that has hitherto remained unexplored: the collection of chromolithographs or "chromos," used as a marketing tool by French department stores like Le Bon Marché and by chocolate producers like Poulain. Scholars such as Emily Cormack, Laura Kalba, and Pearl Michel have carried out essential research on the deployment of chromos in the rise of consumer society, but this is the first study with a specific focus on chromos that feature fairy tales. In mid-century, Victor-Auguste Poulain, a French chocolatier from Blois, found the means to mass produce chocolate and sought to transform the nineteenth-century conception of chocolate from being an elite privilege or a medicinal product to being a plearurable food accessible to the middle classes. It was under the direction of Victor-Auguste's son Albert that chromos, including fairy-tale themed chromos, became an important marketing tool for the company in the 1880s. Children in particular were encouraged to purchase the mass-produced chocolate by the insertion into the packaging of fragments of tales like "The White Cat," "The Doe in the Woods," and "Beauty with the Golden Hair." Each chocolate bar would include a beautiful color chromo of the tale on the recto, with the narrative fragment on the verso. This marketing strategy becomes a desire-generating machine: the desire for more story fuels the desire to purchase more chocolate, which subsequently fuels the desire for more story. In effect, as I hope to show through this case study of Poulain's use of tales by d'Aulnoy, narrative desire gets converted into consumer desire through Poulain's marketing campaign. [ABSTRACT FROM AUTHOR]

The article discusses the critical edition and translation of Madeleine de Scudéry's novel, Lucrece and Brutus: Glory in the Land of Tender, by Sharon Diane Nell. The novel explores the story of Lucretia, which is foundational to the larger framework of Scudéry's novel, Clélie. The edition provides context for understanding the story of Lucrece and Brutus within the novel and examines Scudéry's influence on other writers. The article praises the organization and accessibility of the edition, and highlights its contribution to understanding Scudéry's literary talents and philosophical ideas. [Extracted from the article]

An introduction to articles in the issue is presented on topics including the omnipresence of Marie-Catherine d'Aulnoy on the British stage, Carlo Collodi's translations of d'Aulnoy's tales into Italian, and extent to which d'Aulnoy's works served as a model and inspiration for 19th-century women.

The article focuses on Bozžna N&#283mcova's adaptation of Czech Marie-Catherine d'Aulnoy's fairy tale "Finette-Cendron." Topics discussed include information on the work collecting tales of Němcova, similarity between Němcova and d'Aulnoy, and significance of Němcova's "Cinderella."

An introduction to the three issues of the journal is presented which includes articles on topics including import of contemporary storytelling and scholarship, and cultural appropriations of different tales and traditions.

Introduced by the essay on Ḥannā Diyāb in vol. 32, no. 1, we present the second part of our translation from Antoine Galland's journal entries, between May 25 and June 2, 1709. [ABSTRACT FROM AUTHOR]

The article analyzes the television series "La brigade des maléfices." It states that the show consists of six episodes, and particular focus is given to the role played by Léo Campion and by Marc Lamole. The author discusses the factors that affect humanity which reside in the impacts of consumerism and mass media on interpersonal relations.

This study proposes to fill a gap in Grimm and folklore studies by staking out the landscape of the reception of the Brothers Grimm in nineteenthcentury France. While E. T. A. Hoffmann's tales received high literary acclaim, those by the Grimms seemed to make little impact on French literature of the period. However, among the French scholarly community, the Grimms were celebrated for their erudition, their integrity, and served as models for many scholars, from the historian Jules Michelet, who corresponded with Jacob Grimm in 1829, to the folklorist Emmanuel Cosquin, whose Contes populaires lorrains (1876) were inspired by the Grimms' Kinder- und Hausmärchen. Through an analysis of prefaces to French tale collections and to translations of Grimm tales, this essay looks at the impact the reception of the Grimms had on French conceptions of regionalist folklore and on the classical French fairy-tale tradition. [ABSTRACT FROM AUTHOR]

The article discusses various reports published within the issue on topics including the tendency in Dutch translations and adaptations to sentimentalize "Snow White" before the appearance of Disney's sentimentalizing film, decolonizing fairy-tale studies, and understanding folktale and fairy-tale texts.

This article explores the figure of the Epicurean-as-cannibal in the Doctrine curieuse des beaux esprits de ce temps, ou pretendus tels (1623) by the French Jesuit priest François Garasse. The Doctrine was drafted as an attack on the poet Théophile de Viau and his ‘Epicurean’ entourage, and was instrumental in transforming the French literary field of the early seventeenth century. Garasse uses the figure of the cannibal to locate Epicureans outside the civilized, Catholic, and human community. Cannibalism comes to signify transgressive, animal-like behaviour based on immanent desire as opposed to civilized behaviour guided by external law, while the cannibal serves as a figure for the heretical body that threatens to devour French youth. After comparing Théophile and Epicureans to cannibalistic peoples, Garasse moves on to associate them with cannibalistic animals in order to depict the supposed danger they represented to the Christian French body politic. [ABSTRACT FROM PUBLISHER]

The article examines how Riyoko Ikeda's "Rose of Versailles" and Jacque Demy's "Lady Oscar" transformation of the traditional maiden warrior tale affect constructions of gender and class. According to the article, the empowered maiden warrior in Ikeda's and Demy's works occurred because the traditional context of patriarchal monarchy in which she evolved resulted in class prejudices. Thus, gender is permanently destabilized with no fixed position the heroine can return at the end of the tales.

This article treats a selection of pamphlets concerning the Ravaillac and Concini affairs. It traces how these narratives establish a criminal profile of Ravaillac and the Concinis, characterize their political plots in terms of diabolical schemes, and depict the punishments they undergo as tortures from hell. Examining together the texts erupting from these two cases brings to the fore connections that authors themselves made between Ravaillac and Concini and the ways in which these two quite different stories--assassination of the king as against assassination carried out by the king--become systematized within an overarching narrative about Satan's attempts to destroy France. [ABSTRACT FROM AUTHOR]

The article focuses on the influence of female characters in Charles Perrault's tales. It discusses that female characters in Perrault's tales are abject that threatens male identity. It also discusses various works of Perrault, such as "Grisélidis," "Apologie des femmes," and others defending women's role within the public discourse and society.

Provides information on a study which evaluated the performance of a near patient test for Helicobacter pylori infection in primary care. Methodology; Results of the FlexSure test compared with an enzyme linked immunosorbent assay; Discussion and conclusion.

An introduction to the journal is presented which includes articles on topics including fairy-tale tradition and its legacy in France, Germany, Louisiana, and Australia, and an essay in the memory of Detroit civil rights activist Viola Liuzzo.

An introduction is presented in which the editors discuss articles within the issue on topics including indigenous traditional and contemporary storytelling, and fairy tales, along with appointment of co-review editors Claudia Schwabe and Christy Williams.

An introduction is presented in which the editor discusses various articles within the issue on topics including trickster tales, and, fairy tales.

An introduction is presented in which editor discusses various reports within the issue on topics including the transcultural and intermedial reception and production of fairy tale, intersections of fairy tale and police proceedings, and Indigenous storytelling on Canadian television.

An introduction is presented in which the editor discusses various reports within the issue including the functions of color symbolism, translation technique in the fairy tale and Victorian fiction.

The article presents an introduction to the special issue of the journal in honor of fairy-tale scholar Donald Haase in which the editors mention the new editorial team, the contribution of Donald Haase in fairy-tale studies and his work in the editorial board of the journal.

An introduction is presented in which the editor discusses various reports within the issue including an essay on the contemporary fairy-tale work of writer Cathrynne Valente, the Victorian subversions of 1960s fairy-tale writer Marie-Catherine d'Aulnoy, and Orientalism in the film "The Story of Little Mook."

Presents a study to assess how restrictions on the government's pharmaceutical benefits scheme have affected the prescribing of antiulcer drugs in Australia. Discussion of H [sub]2 receptor antagonists, proton pump inhibitors, and treatments to eradicate Helicobacter pylori; Participants, methods, and results.

An introduction to the journal is presented in which the editor discusses reports published within the issue including a report on queer possibilities of 17th-century French texts by male writers, by Lewis C. Seifert, a story on the queerness of the illustrations for L. Frank Baum's Oz books, by Tison Pugh and an examination of the queer tensions in Han Christian Andersen' "Snow Queen," by Pauline Greenhill.

Background and Aim: Early endoscopic intervention reduces morbidity and mortality for patients with high-risk gastrointestinal hemorrhage and gallstones causing pancreatitis or ascending cholangitis. For low-risk bleeds ‘after-hours’ endoscopy services allow risk stratification and early, safe discharge leading to reduced length of stay. Recognized standards for these services include availability of endoscopically trained medical and nursing staff, access to a specialized endoscopy unit and full availability of the service. The aim of the present study was to assess ‘after-hours’ endoscopy services at Australian teaching hospitals using the British Society of Gastroenterology (BSG) criteria. Methods: A standardized questionnaire based on the BSG guidelines was developed. The Gastroenterology Society of Australia provided a list of accredited sites for gastroenterology training. An advanced gastroenterology trainee at each hospital was interviewed by telephone. Results: Thirty-four centers (100%) provided complete data. Gastroscopy, colonoscopy and endoscopic retrograde cholangiopancreatography were provided in 100, 58 and 84% of centers, respectively. The operation suite followed by endoscopy unit was the most frequently used site. However, one-third of centers performed procedures at the bedside, including the emergency department or ward. Support staff were not consistently trained endoscopically and, in 15 centers (44%), the advanced trainees participated in the ‘on call’ roster with a consultant present for the procedure, although this was not consistently the case. Conclusions: Most Australian hospitals offer comprehensive emergency endoscopy services. However, few centers fulfill all BSG recommendations. The registrar training and patient safety implications of emergency endoscopic services need to be considered in the light of these findings. [ABSTRACT FROM AUTHOR]