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This study offers an alternative perspective for examining the rise of Turkish nationalism in the Eastern Mediterranean in relation to cinema culture within the political and historical contexts of Cyprus. The cinema business and its practices had their golden age in the 1950s through the distribution of Turkish films from Turkey and the increasing number of movie theatres in Turkish Cypriot neighbourhoods. This period was also crucial in terms of political developments on the island due to the drastic rise in ethnic and national divisions. Drawing on archival research and oral history; this article aims to examine how Turkish nationalism was provided with the ideal conditions to grow rapidly at Cypriot cinemas and how multi-communal cinemagoing experiences of the early 1950s had transformed into nationally divided Cypriot audiences during the last years of British colonial rule in Cyprus. [ABSTRACT FROM AUTHOR]

As the global wave of decolonization that began after 1945 reached the island of Cyprus, the Cyprus question turned into an issue of paramount importance for Turkish nationalists and for the Turkish people in general. Long before, Turkish foreign policy architects – who had previously taken the line that ‘Turkey does not have a Cyprus problem’ – came to portray Cyprus as a ‘national cause’. Three different geopolitical discourses were instrumental in legitimizing Turkey’s claims over Cyprus and in leading Turkish society to believe that it had a crucial stake in the fate of the island. Naturalized geopolitics represented Cyprus as a natural extension of the Turkish heartland, while ideological geopolitics put forth that Greek Cypriots were responsible for the spread of communism. Finally, civilizational geopolitics characterized Turkey and Greece’s rivalry in Cyprus as the latest chapter in the centuries-old conflict between Turkishness and Hellenism. [ABSTRACT FROM PUBLISHER]