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Die the Long Day narrates the 24 hours following the flight, capture, and brutal murder of Quasheba, a fugitive slave, on an 18th-century Jamaican plantation. Quasheba is remembered, retroactively, for her defiance of, despite ultimate defeat by, both the extreme gendered violence of the plantation and the paternalism of the narrative. The climax of this novel is Quasheba's funeral, on which her community insists in accordance with their communal, African religious (Myal) rites. In these following pages I will consider how Quasheba's spirit galvanizes this community as much as it may threaten to destroy it, and how this narrative places Obeah/Myal at the center of spiritual survival in the face of ever-present physical—and social—death during and after slavery, and at the center of strategies for the survival of its aftereffects. [ABSTRACT FROM AUTHOR]

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This article repositions Orlando Patterson, the originator of "social death," in his Caribbean milieu and suggests that part of why "social death" as a conceptual category has become fossilized is precisely because North American scholars have neglected other works in Patterson's oeuvre, particularly the Caribbean scholarship that precedes Slavery and Social Death and the "richer stories" he attempts to tell in his largely unstudied Caribbean novels of the 1960s. This article attends to the emphasis on the hierarchies of difference and the idiom of sex within an understanding of “social death” in its close reading of Patterson’s 1972 neoslave narrative Die the Long Day. [ABSTRACT FROM AUTHOR]