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Teesid: Sõjakäsitlus tavateadvuses on paljukihiline: selles on nii isikliku/perekondliku kogemuse elemente kui ka kollektiivsete ajalookujutluste ühtlustavaid mõjusid. Esimene maailmasõda on meist ajas sellisel kaugusel, kus see on muundunud sündmuse esialgsest kommunikatiivse mälu vormis meenutamisest institutsionaliseeritud kultuurimälu osaks. 2014. aastal viidi kahekümnes Euroopa riigis läbi üliõpilaste küsitlus, selgitamaks tänapäeva noorte kollektiivseid kujutlusi Esimesest maailmasõjast. Artiklis kirjeldame Eesti noorte Esimese maailmasõjaga seotud arusaamu ja võrdleme neid teistes Euroopa riikides elavate noorte arusaamadega. Eraldi analüüsime vastuseid küsimusele „Mida saame õppida Esimese maailmasõja kogemusest?“. Lay understanding of war is multi-layered containing elements of personal or family experience as well as the unifying effects of collective memory (representations). The First World War is at such a distance from us that a change in the form of collective historical representation has taken place, from the initial commemoration of the event in the form of communicative memory to part of institutionalised cultural memory (Assmann 2008). According to today’s view, the First World War is second most important global historical event (Liu et al. 2005). In 2014, one hundred years after the beginning of the First World War, a survey of students was conducted in twenty European countries (within the framework of COST Action IS1205 Social Psychological Dynamics of Historical Representations in the Enlarged European Union) to investigate the commonalities and differences in social representations of the War among young Europeans. Young people were asked about their factual knowledge of the War, their family war experiences, feelings related to the War, and more general interpretations of the war such as what they considered the main causes of the War to be, who was attributed the responsibility for the outbreak of the War, how they evaluate the violence of the different parties, how they perceive the distribution of the roles of aggressor and victim, etc. Background characteristics included cultural and national identity, anti-war attitudes, etc. In Estonia, the survey was conducted in both Estonian and Russian. In the article, we describe the main results of these studies. Previous analysis found that Europeans share a common representation of the causes of the First World War, although young people in Western and Eastern European countries have different interpretative frameworks when thinking about this war (Bouchat et al. 2019a; Pawliczek 2014). While in Western Europe it is the tragic Great War, with a definite beginning and end, in Eastern Europe there is not such a clear collective perception. The First World War led to various other wars in these countries, as a result of which empires fell apart and many small countries, including Estonia, gained independence, paradoxically a positive consequence of the War for these nations. Awareness of family or national war victimhood is linked to anti-war attitudes today; for more pacifist young people the First World War is associated with real and emotional human suffering, while less pacifist young people think more abstractly about the geopolitical results of the War (Bouchat et al. 2019b). Young people growing up in peacetime Europe after the Second World War have generally been free from militaristic propaganda. There has been a purposeful attempt to shape young people’s approach to history in schools, the trend of which in most European countries has been to reconcile former enemies (Rosoux et al. 2019). The survey discussed in the article showed considerable commonality and consensus in the representation of the First World War. The descendants of the former hostile parties evaluate this war in the same way, can reproduce the same facts, events, and characters, and interpret the causes and consequences of the war similarly. Looking back, young people primarily see the futility of War and the unnecessary human suffering. Thus, pacifism as one of the cultural consequences of the War is a viable common sense way of thinking today. Analysing Estonian war literature, Jaan Undusk (2016) has come to the conclusion that ‘passive pacifism’ and indifference to war are characteristic of Estonians. Unlike the communicative memory of the Second World War, where former intergroup enmity is still alive at times, in the collective cultural memory of the First World War, emotionality has faded and transformed; for example former war excitement or rage has become sadness and grief. Instead of enmity between countries and peoples, one sees rather a social conflict between greedy and reckless elites and ordinary people sacrificed for their interests (Bouchat et al. 2019a). One hundred years later, the First World War appears to the youth of Europe as a warning, a negative symbol that is contrasted with united Europe as a peace project (Bouchat et al. 2023). In this way, history has been transformed into a shared symbolic resource, war in collective memory acting as a supporter of international peace. Young people have developed a homogeneous anti-war-oriented collective image of the First World War. Estonian youth’s factual knowledge of the First World War was surprisingly good, considering the marginality of this war from the point of view of Estonian identity or current inter-group relations: Estonians do not feel like victims or war criminals, they do not feel the desire for revenge, there is no need to forgive anyone or demand an apology from anyone. We separately analysed Estonian young people’s answers to the question "What can we learn from the experience of the First World War?" Generalising the answers, we can conclude that most young people took a progressive, linear view of history, according to which war is an anomaly, a disease of society that can and should be prevented. The lessons of the First World War were primarily perceived as ways of preventing future conflict and avoiding the mistakes made in the past, both at the level of individuals, social groups (the elite), and society as a whole. A stable and peaceful world was perceived as the norm.

Between 1970 and 1973, fascinating political, social and cultural battles took place in Chile, in which contradictory experiences of time and representations of history interacted; a "historicity regime" emerged that had not yet been consolidated, and did not manage to harmonize the past, the present and the future in any way. Based on a systematic analysis of press archives, this article aims to understand the place that the present occupies in this very particular and effervescent period of Chilean history, analyzing the uses of time, the representations of history and the symbolisms of force in this period. [ABSTRACT FROM AUTHOR]

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This study looks at illustrated popular literature as a tool for shaping its readers–viewers’ perceptions of national histories. The author explores this issue through the example of Rudolf Herzog’s book for German school students «History of Prussia» ("Preußens Geschichte'', 1913) illustrated by Arthur Kampf and Georg Belwe. Despite the book’s popularity in the 1910s, this paper offers its first academic examination. The study combines terminology and methods coming from the fields of history of representations, political mythologies’ and visual cultures studies as well as art history. The author also adheres to methodological recommendations formulated by researchers in illustrated literature. The paper demonstrates that «Preussens Geschichte» exemplifies personality- and event-centred «official-nationalist» approach to history writing. The book’s contents reflect the current political situation and seek to promote the imperial government’s agendas as well as certain moral values. The author argues that the specific purpose of Kampf and Belwe’s illustrations consisted in stressing and simplifying the book’s key subject matter and facilitating its memorisation. The ballads performed the same function. The author maintains that the stylistic unity and repetition of similar subject-matter in Belwe and Kampf’s work contribute to the book’s overall representation of Prussia’s history as a coherent narrative. Belwe’s pictures encapsulate the book’s main ideas through the use of generalised images rather than directly translating Herzog’s prose and poetry into pictures. Kampf’s illustrations further stress the role of monarchy and army as the key actors of Prussian history through the artist’s selection of subject-matter and employment of artistic devices. Together with Herzog’s text, his pictures promote determination, courage, and self-sacrifice for the sake of the country. Two other themes that dominate Kampf’s illustrations are the bond between the monarchy, the nation, and the church (an element of The Second Reich’s official nationalism) as well as Prussia’s technological advancement as an epitome of its political power.

When a social group’s history includes significant victimization by an outgroup, how might that group choose to represent its collective history, and for what reasons? Employing a social identity approach, we show how preferences for different representations of colonial history were guided by group interest in a sample of urban Indigenous participants. Three themes were identified after thematic analysis of interview and focus group transcripts from thirty-five participants who identified as Indigenous. First, participants expressed concern that painful, victimization-focused representations of colonial history would harm vulnerable ingroup members, and urged caution when representing colonial history in this way. Second, while colonial history was clearly painful and unpleasant for all participants, many nevertheless felt it was important that representations of colonial history tell the whole truth about how badly Indigenous people have been mistreated by outgroups. Participants suggested these brutal representations of colonial history could also serve the interests of their group by bolstering ingroup pride when representations also emphasized the resilience of Indigenous peoples. Finally, participants described how brutal representations of colonial history could help transform intergroup relations with non-Indigenous outgroups in positive ways by explaining present challenges in Indigenous communities as the result of intergenerational trauma. We discuss findings in terms of their relevance for ingroup agency and their implications for public representations of colonial history.

This special thematic section aims to bring together current research on the connections between collective memories – or representations of history – and present-day intergroup relations. Drawing from a multitude of geographical and historical contexts as well as different methodologies, we bring forth ten articles focusing on distinct aspects of the relations between representations of the past and present day intergroup dynamics. The topics covered in these articles focus on one or more of the four research lines identified within this field: 1) the antecedents of collective memories; 2) the contents and structure of collective memories; 3) the official or institutional transmission of collective memories; and 4) distinct socio-psychological correlates of collective memories in present-day societies. Together, the contributions in this special thematic section showcase current directions of research within the field and highlight the need to consider the role of representations of the past for understanding present day instances of intergroup conflict or harmony. We discuss the need for more interdisciplinary work in this field, as well as more applied research in the future.