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Družabna igra je razvedrilna dejavnost, ki omogoča sprostitev in zabavo. Je vir pobega iz realnosti in omogoča poglobitev v svet namišljenih, igralnih vlog. V sklopu diplomskega dela smo izdelali prototip družabne igre Fun Fight. Delo je potekalo vse od zarisovanja konceptov na skice, oblikovanja grafične podobe, do tiskanja in izdelovanja zaključnega prototipa. Pregledali smo družabne igre, ki že obstajajo na slovenskem in širšem evropskem trgu. Predvsem take, ki so po idejni zamisli in grafični podobi najbolj podobne naši igri, da smo lahko načrtovali edinstven izdelek. Preučili smo materiale, ki se uporabljajo za izdelavo namiznih družabnih iger in ključne postopke izdelave, kot so tisk, kaširanje in površinska obdelava. Koncept igre smo zarisali na pisarniški papir in določili okvirne dimenzije igralnih komponent. Oblikovali smo vsak posamezen parameter namizne igre, kot so igralna plošča, figure, karte in sama embalaža družabne igre. Načrtovali smo najprimernejše in obstojnejše materiale, ki so uporabni za naš namen dela. Tiskanje smo izvedli na treh tiskarskih strojih s tremi tehnikami tiskanja, in sicer ofsetno, digitalno in kapljično tehnologijo tiska. Embalažo in karte smo obrezali na rezalniku in posamezne dele škatle sestavili v končno embalažo. Figure smo izdelali iz lesa in jih izrezali z izrezovalnikom za les. Igralno ploščo smo odtisnili na ovojni papir, ki smo ga s postopkom kaširanja spojili z lepenko. Ob zaključku načrtovanega dela smo preverili še funkcionalnost in uporabnost našega izdelka s poskusnim igranjem družabne igre. Zapisali smo si opažanja in pomanjkljivosti, ki bi jih odpravili in s tem povečali izvrstnost izdelka. Predvsem smo se osredotočili na uporabnost igralnih delov v smislu trpežnosti in odpornosti na mehanske vplive iz okolja, kot so rokovanje z izdelkom, vlaga, sprememba temperature, odrgnine, prah ipd. Igralni plošči bi povečali trdnost s povečevanjem konusa na sestavljankah, kar bi omogočilo, da le-te ne padejo prehitro narazen. Karte bi dodatno zaščitili s površinskim lakiranjem ali plastificiranjem zaradi večje izpostavljenosti stalnemu rokovanju in premetavanju ob igranju. Površinsko bi zaščitili tudi embalažo s plastifikacijo, saj je kot taka najbolj izpostavljena zunanjim vplivom, hkrati pa mora obdržati kompaktnost in trdnost, da lahko hrani igralne dele v svoji notranjosti. Rezultat diplomskega dela je prototipni izdelek družabne igre Fun Fight. A board game is an entertainment activity that allows you to relax and have fun. It is a source of escape from reality and allows you to deep into the world of imaginary, playful roles. As part of the thesis, we made a prototype of the board game Fun Fight, the work went from drawing concepts on sketches and creating a graphic image to printing and making the final prototype. We reviewed board games that already exist in the Slovenian and wider European markets. Especially those that are most similar to our game in terms of concept and graphic image, so that we could plan a unique product. We looked at the materials used to make board games and key manufacturing processes such as printing, lamination and surface treatment. We drew the concept of the game on office paper and determined the approximate dimensions of the game components. We designed every single parameter of the board game, such as the game board, pieces, cards and the board game packaging itself. We have planned the most suitable and durable materials that are useful for our purpose of work. The printing was carried out on three printing machines with three printing techniques, namely offset, digital and inkjet printing technology. We cut the packaging and cards on a cutter and assembled the individual parts of the box into the final packaging. We made the figures out of wood and cut them out with a woodcutter. The game board was printed on wrapping paper, which was joined to cardboard using a laminating process. At the end of the planned work, we also checked the functionality and usability of our product by trial-playing a social game. We wrote down observations and shortcomings that could still be improved and increase the excellence of the product. We mainly focused on the usability of the game parts in terms of durability and resistance to mechanical influences from the environment, such as handling the product, moisture, temperature changes, abrasions, dust, etc. The main board would increase strength by increasing the taper on the puzzles, which would allow them to not fall apart too quickly. The cards would be additionally protected by surface varnishing or plasticizing, due to greater exposure to constant handling and shuffling during play. We would also superficially protect the packaging with plasticization since it is the most exposed to external influences, but at the same time, it must maintain compactness and strength in order to store the game parts inside. The result of the thesis is a prototype product of the board game Fun Fight.

V diplomskem delu smo oblikovali sistem označevanja sladkorja v mlečnih izdelkih ter kosmičih in ga umestili na 3D modele embalaže. Sistem smo oblikovali z namenom, da lahko ozaveščamo ter pomagamo potrošniku pri razumevanju vsebnosti sladkorja v živilskih izdelkih. Posvetili smo se predvsem živilom polnih skritih sladkorjev, saj lahko predstavljajo veliko tveganje zdravju. Ob izdelavi smo odgovarjali na zastavljena vprašanja, in sicer kako jasno in nepristransko izdelati sistem označevanja, kakšna je hierarhija prikaza informacij o živilu, ter kako koherentno umestiti izdelan sistem na embalažo. V teoretičnem delu je podrobneje predstavljena problematika nerazumljivega in nenatančnega označevanja hranilnih vrednosti in sestavin na predpakiranih živilih. Zakaj med potrošniki prihaja do zmede, smo razložili s pomočjo opredelitev različnih poimenovanj in vrst sladkorja, njihove funkcije v živilu, posledice prekomernega uživanja in opredelitev priporočil. Prav tako smo raziskali vpliv informacijskega oblikovanja živilske embalaže na potrošnika, s katerim smo si pomagali v nadaljnji izvedbi diplomskega dela. Diplomsko delo smo izvedli s pomočjo programske opreme – Adobe Photoshop, Adobe Ilustrator in Blender. Sprva smo vsebinsko analizirali obstoječe mlečne izdelke in kosmiče na Slovenskem trgu glede na vsebnost sladkorja. Sledila je grafična in vsebinska analiza tako embalaže kot tudi obstoječih sistemov označevanja po svetu in v Sloveniji. Na podlagi analiz smo oblikovali večbarvno različico in enobarvno različico lestvice, ki se med seboj razlikujejo v prikazu primarnih informacij, barvah, postavitvi ter formatu. Nato smo za namišljeno znamko grafično oblikovali embalažo in nanjo umestili lestvice. V zaključnem delu je oblikovana embalaža umeščena na 3D modele embalaž za vsako živilsko skupino. Končni rezultat diplomskega dela je nabor modelov embalaž na katere so umeščene oznake, ki potrošnika informirajo o vsebovanem sladkorju, omogočajo lažje odločanje ob nakupu in lažji nadzor nad svojo prehrano. Oznake so logične ter na embalažo konsistentno ter koherentno vključene, a hkrati dovolj izpostavljene, da pritegnejo pozornost. In the diploma thesis we designed a labelling system of sugar content in dairy products and cereals and placed it onto a 3D model of food packaging. The purpose of designing the system is to enable better awareness in addition to helping consumers control and understand the sugar content of food products. We focused mainly on food products (dairy and cereals) that contain so-called hidden sugar, as they can cause many health risks. Throughout the process of making this thesis we tried to answer the following questions how to clearly and impartially design a labelling system, what is the hierarchy and layout of food information on packaging and how to coherently incorporate the system onto pre-existing packaging. The theoretical portion of the thesis focuses on presenting the fundamental problem, which is unintelligible and imprecise labelling of nutritional value and ingredients that can lead to uninformed consumption of food, thus health risks. We explain the reason for consumer confusion by explaining the different types and terms for describing sugar, its functions, consequences of overconsumption and recommendations. Furthermore, we analysed the effects of information design on the consumer in the food packaging industry, which helped us with further execution. The thesis was carried out using different software, such as Adobe Photoshop, Adobe Ilustrator and Blender. First, we analysed the sugar contents of existing dairy product and cereals found on the Slovenian market. Moreover, we carried out a graphic and content analysis of both packaging and pre-existing labelling systems around the world and in Slovenia. Based on the research we designed multi-coloured and single-colour labelling system variations differing in primary information graphics, colour, placement and formats. Next, we designed packaging for an imaginary brand and placed said systems onto them. Lastly, the packaging design was implemented onto the 3D models for each food group. The product of this thesis is a collection of packaging models containing a labelling system, which informs the consumer of sugar content, enables easier decision-making and easier control of one’s food intake. The labels are logical and are consistently and coherently incorporated onto the packaging, while at the same time still drawing attention.

Namen diplomskega dela je bil načrtovanje, izdelava in testiranje oblikovno-funkcionalnega prototipa spletnega mesta za študentsko društvo Lista demokratičnega študentstva. V teoretičnem delu smo preučili področja uporabniških vmesnikov in uporabniške izkušnje, načela oblikovanja uporabniških vmesnikov, pomen tipografije, barv ter predstavili orodje Figma. Postopek izdelave spletnega mesta za študentsko društvo je vključeval uporabo metod testiranja uporabnosti, kot sta hevristično ocenjevanje in testiranje uporabniške izkušnje, da bi ugotovili prednosti in slabosti konkurenčnih spletnih mest. Na podlagi rezultatov smo oblikovali novo spletno mesto tako, da je ustrezalo potrebam in željam ciljnega občinstva. Z naročnikom smo opravili strukturiran intervju in na podlagi tega določili ciljno skupino ter izdelali uporabniške profile. Med postopkom oblikovanja spletnega mesta smo se osredotočili na oblikovanje informacijske arhitekture, ki je odražala želje in potrebe potencialnih uporabnikov kot tudi naročnika. Nato smo določili vizualno podobo z izbiro ustrezne barvne palete in tipografije. S pomočjo izdelanih žičnih modelov smo nato oblikovali še končen funkcionalno-oblikovni prototip spletnega mesta v okolju Figma. Uporabnost novega spletnega mesta smo preizkusili s testiranjem uporabniške izkušnje ter opredelili nadaljnje izboljšave, ki bi jih naročnik lahko v prihodnosti uvedel v spletno mesto. Funkcionalno-oblikovni prototip spletnega mesta za študentsko društvo Lista demokratičnega študentstva bo v prihodnosti društvo implementiralo v okolju Wordpress in ga uporabljalo za svoje delovanje. The aim of the diploma thesis was to design, develop and test a prototype website for the student association Lista demokratičnega študentstva. In the theoretical part we studied the fields of user interface and user experience, principles of user interface design, effects of typography and colour, and introduced the platform Figma. The process of creating a website for a student association involved using usability testing methods such as heuristic evaluation and user experience testing, to identify the strengths and weaknesses of competitors' websites. Based on the results of the analysis, we then designed a new website to meet the needs and preferences of the target audience. We conducted a structured interview with the client to identify the target audience and create user profiles. During the website design process, we focused on creating an information architecture that reflected the wants and needs of potential users as well as the client. We then defined the visual identity by selecting an appropriate colour palette and typography. Using the wireframes we created, we then designed the final functional and design prototype of the website in the Figma environment. Finally, we tested the usability of the new website by testing the user experience, and identified further improvements that the client could introduce in future. The functional and design prototype of a website for the students' association Lista demokratičnega študentstva will be implemented in Wordpress and used by the association in the future.

Namen diplomskega dela je bil prenoviti celostno grafično podobo in izdelati vizualen prototip novega spletnega mesta podjetja Moji štruklji Slovenije, ki bi bil v primerjavi z obstoječim preglednejši in bi bolje odražal enotno prepoznavno podobo. V teoretičnem delu smo raziskali načela oblikovanja spletnega mesta, uporabniško izkušnjo, uporabniški vmesnik in koncept celostne grafične podobe. Z metodo analize konkurence smo analizirali spletno ponudbo sorodnih podjetij na slovenskem trgu in njihovo vizualno podobo ter identificirali kriterije kakovosti spletnih mest. Opravili smo intervju z lastnikom podjetja in s tem pridobili dodatne informacije in napotke, ki so nas vodili po nadaljnjem procesu prenove. Izoblikovali smo nov logotip, določili barvno paleto in tipografske značilnosti ter s tem izboljšali vizualno koherentnost predstavitve podjetja. V procesu prenove spletnega mesta smo izdelali novo informacijsko arhitekturo, srednjepodrobnostne žične modele, določili vizualno podobo ter oblikovali prototipe spletnih strani za računalnike, telefone in tablice v okolju Figma. Končni rezultat diplomskega dela sta prenovljena celostna grafična podoba in izboljšan oblikovalno-funkcionalni prototip spletnega mesta, ki bosta v prihodnosti po želji lastnika podjetja lahko uporabljena in realizirana. The purpose of the diploma thesis was to redesign the corporate visual identity and create a visual prototype of a new website for the company Moji štruklji Slovenije, which would be better structured than the existing one and would better reflect a unified recognizable identity. In the theoretical part, we studied the principles of website design, user experience, user interface and the concept of corporate visual identity. Using the method of competition analysis, we analyzed the web sites of similar companies on the Slovenian market, their visual identity, and identified quality criteria. We conducted an interview with the owner of the company, and obtained additional information and recommendations that guided us throught the redesign process. We designed a new logotype, defined the colour palette and typographic features, and thus improved the visual coherence of company's presentation. In the process of the website redesign we created a new information arhitecture, medium-detailed wireframes, defined the visual identity and designed prototypes of web pages for computers, phones and tablets in the Figma environment. The final result of the thesis are a redesigned corporate visual identity and an improved design and functional protoype of the website, which can be used and realised in the near future at the request of the company owner.

V sklopu magistrskega dela smo po metodi oblikovalskega razmišljanja izdelali in oblikovali prototip interaktivnega digitalnega planerja v PDF formatu, ki se uporablja s pomočjo aplikacije, izdelane v ta namen. V teoretičnem delu smo najprej opisali lastnosti planerjev in primerjali prednosti in slabosti tiskanih ter digitalnih planerjev. Definirali smo interaktivnost in opisali interaktivne elemente, ki jih lahko vsebuje PDF. V nadaljevanju smo opisali celoten postopek metode oblikovalskega razmišljanja, ki jo sestavlja pet korakov. Pojasnili smo, kakšna je dobra uporabniška izkušnja izdelkov. Za konec pa smo opisali grafične elemente, ki so pomembni pri oblikovanju digitalnega planerja. V eksperimentalnem delu smo izvedli pet korakov metode oblikovalskega razmišljanja. V prvem koraku empatičnega razumevanja smo naredili raziskavo trga tiskanih in digitalnih planerjev, izvedli anketo o uporabi planerjev ter opravili intervjuje s potencialnimi uporabnicami. V drugem koraku smo problem podrobneje definirali in zastavili jasne smernice za nadaljevanje. Sledil je korak pridobivanja in oblikovanja idej, kjer smo s pomočjo tehnike zapisovanja zamisli pridobili ideje za vsebinski del, s pomočjo ustvarjanja skic pa oblikovno zasnovo postavitve planerja. V četrtem koraku smo oblikovali prototip, ki je pregleden, uporaben in nadvse enostaven za uporabo. Prototip smo v zadnjem koraku testirali s potencialnimi uporabnicami, s čimer smo ugotovili možne izboljšave. Ugotovili smo, da so vse zastavljene naloge opravile brez večjih težav in se nemoteno sprehajale po straneh. Uporabniška izkušnja izdelka je bila pozitivna, dodale pa so nekaj konstruktivnih komentarjev, ki jih bomo upoštevali pri nadgradnji prototipa. Metoda se je tekom celotnega eksperimentalnega dela naloge izkazala za zelo uporabno pri razvijanju in oblikovanju inovativnega izdelka, kot je digitalni planer, ki je namenjen dijakinjam in študentkam z veliko obveznostmi. Glavna lastnost oblikovalskega razmišljanja je, da se veliko časa nameni preučevanju ciljne skupine in iskanju inovativnih rešitev za problem, kar lahko pripelje do odličnih rezultatov. As part of the master's thesis, we created and designed a prototype of an interactive digital planner in PDF format using the design thinking method, which is applied with the help of an application created for this purpose. In the theoretical part we first described the characteristics of planners and compared the advantages and disadvantages of printed and digital planners. We defined interactivity and described the interactive elements that a PDF can contain. Then we described the whole process of the Design Thinking method, which consists of five steps. We explained what a good user experience is for a product. Finally, we described the graphic elements that are important when designing a digital planner. In the experimental part, we implemented five steps of the design thinking method. In the first step of empathic understanding, we conducted a market study on printed and digital planners, conducted a survey on the use of planners and conducted interviews with potential users. In the second step, we defined our problem in more detail and set clear guidelines for how to proceed. This was followed by the idea generation step, where we used the idea writing technique to get ideas for the content part, and sketching to get the draft layout of the planner. In the fourth step, we designed a prototype that is transparent, useful and extremely easy to use. In the final step, we tested the prototype with potential users to identify possible improvements. We found that they completed all tasks without any major problems and navigated through the pages without ant problems. The users' experience with the product was positive and they gave us some constructive comments that we will take into account when improving the prototype. During the experimental part of the thesis, the method proved to be very useful in developing and designing an innovative product such as a digital planner intended for students with many commitments. The main feature of design thinking is that a lot of time is spent studying the target group and finding innovative solutions to the problem, which can lead to excellent results.

Knjiga je prvenstveno namijenjena studentima i kao takva u potpunosti obuhvaća gradivo iz predmeta Osnove betonskih konstrukcija na Preddiplomskom sveučilišnom studiju građevinarstva te iz predmeta Betonske Konstrukcije 1 i Betonske Konstrukcije 2 na Preddiplomskom stručnom studiju građevinarstva FGAG Split. Djelomično se odnosi i na gradivo u okviru predmeta Betonske Konstrukcije 1 i Betonske Konstrukcije 2 na Sveučilišnom diplomskom studiju građevinarstva te gradivo predmeta Nosive konstrukcije 1 na Sveučilišnom preddiplomskom studiju arhitekture i urbanizma FGAG Split. Intencija je autora da se materija ne prikazuje na detaljistički i u širinu, već da se na jasan i koncizan način predstave osnove proračuna, dimenzioniranja i oblikovanja armirano betonskih konstrukcija. Kako je nastajala u dužem razdoblju, materijali su pratili i razvoj normi za proračun betonskih konstrukcija, od PBAB-a, preko europske prednorme, do najnovije europske norme za beton: HRN EN 1992-1-1:2013/A1:2015 (EC-2). Navedena norma, važeća u Republici Hrvatskoj te po kojoj je ovo izdanje knjige usklađeno, danas u svijetu nesumnjivo predstavlja jednu od najmodernijih normi za proračun, dimenzioniranje i oblikovanje armirano betonskih konstrukcija.

Tridimenzionalni liki so sestavni del sodobne industrije zabave, še posebej razvoja video iger, ki je danes ločeno, tehnološko hitro razvijajoče se področje. Cilj diplomskega dela je seznaniti se s tem področjem in postopkom ustvarjanja digitalnih likov ter preučiti in preizkusiti najbolj uporabne metode in tehnike oblikovanja. Teoretični del je razdeljen na več poglavij in podpoglavij. Prva poglavja zajemajo stile in področja uporabe 3D likov ter opis tehnične strani procesa izdelave. Dalje so navedene in opisane osnovne tehnike modeliranja in faze izdelave modelov, opisani so najbolj priljubljeni in pogosto uporabljeni programi za ustvarjanje likov. V eksperimentalnem delu je opisan proces izdelave 3D lika. Začne se s predstavitvijo obstoječega fantazijskega lika in izbranih referenc, nadaljuje se s postopkom samega oblikovanja lika. Razdeljen je na več delov, najprej je opisan postopek modeliranja vsakega dela telesa posebej, nato sledi oblikovanje dodatkov za model. Naslednji del govori o retopologiji in ustvarjanju UV map za vsak element ločeno. Temu sledijo poglavja, ki opisujejo nastavitev in nanašanje materialov. Eksperimentalni del se konča s postopkom osvetljevanja in upodabljanja scene. Rezultati diplomskega dela so statične upodobitvene slike ustvarjenega 3D lika. Z njimi so zajete različne perspektive in različni pogledi na model. Three-dimensional characters are an integral part of the modern entertainment industry, especially video games development, which is a particularly technologically rapidly developing field nowadays. The main goal of the diploma is to get acquainted with this field, the process of creating digital characters and to study and test the most helpful design methods and techniques. The theoretical part is divided into several chapters and subchapters. The first chapters cover the styles and areas of use of 3D characters and a description of the technical side of the production process. Next, basic modelling techniques and stages of model creation are listed and described, as well as the most popular and frequently used character creation programs. The process of creating a 3D character is described in the experimental part. It begins with presenting an existing fantasy character and the selected references, then continues with the procedures for creating the character itself. It is divided into several parts, beginning with describing the process of modelling each part of the body, followed by designing accessories for the model. The next part concerns retopology and creating UV maps for each element separately followed by chapters that describe setting up and applying materials. The practical part ends with the process of lighting and rendering the scene. The diploma results are static rendering images of the created 3D character. They cover different perspectives and views on the model.

Cilj diplomske naloge je oblikovanje in izdelava avtorskega dvodimenzionalnega (2D) lika plavalke in izdelava pripadajočega sistema okostja. V teoretičnem delu diplomskega dela je podrobneje predstavljena 2D digitalna animacija, pri čemer sta podrobneje razloženi animacija sličica za sličico ter animacija z računalniško generiranimi podobami. Predstavljene so različne tehnike izdelave animacij s pomočjo računalniških programov, s poudarkom na animaciji s sistemom okostja. Obrazloženi so tudi glavni principi animacije v dvodimenzionalnem prostoru. Izdelava avtorskega lika je del osebnega projekta – izdelave kratkega animiranega filma, v katerem nastopa več ženskih likov. V teoretičnem delu so zato podrobneje opisane tudi faze v procesu izdelave kratkega animiranega filma. Predstavljen je pregled faze razvoja, predprodukcije, produkcije, postprodukcije in distribucije. Prav tako so predstavljena tudi orodja, s katerimi smo lik in njegovo okostje ustvarili. Praktično delo se je začelo s procesom načrtovanja zgodbe, izdelavo snemalne knjige in animatike. Pri tem smo si pomagali primarno z računalniškima programoma Adobe Photoshop ter Toon Boom Storyboard Pro. Oblikovali ter razvili smo lik plavalke in ga pripeli na izdelano okostje. Za to smo uporabili računalniška programa Adobe Photoshop in Toon Boom Harmony. V zaključni fazi smo na podlagi gibanja lika v animatiku izdelali krajšo animacijo, s katerim smo preizkusili funkcionalnost lika in okostja za prihodnjo uporabo pri animiranju. Rezultat diplomske naloge je avtorski 2D lik, opremljen z okostjem in pripravljen za nadaljnjo uporabo v animacijskem procesu. The aim of the bachelor's thesis is the design and rigging of an original 2D (two dimensional) character of a swimmer. In the theoretical part of the thesis, the technologies and techniques of creating 2D animation are presented, with frame by frame animation and animation using computer generated imagery explained in more detail. We explore different techniques of creating animations using computer software are presented, with an emphasis on animation with a rig. We also describe the main principles of animation in two dimensional space. The design of a character is part of a personal project – creating an animated short movie, starring multiple female characters. Therefore, in the production process of creating an animated short movie is thoroughly explained, with the stages of development, preproduction, production, postproduction and distribution described in depth. We also disclose the tools and software used in the process of creating a character and its rig. The practical part of the thesis began with the process of planning out the story, and creation of a storyboard and animatic, for which we mainly used Adobe Photoshop and Toon Boom Storyboard Pro. We designed, developed and rigged the swimmer character. In that part of the process, we used Adobe Photoshop and Toon Boom Harmony. In the final phase we used the rig to animate a short sequence, to test out the functionality of the rigged character for future use in animation. The product of bachelor’s thesis is an original rigged 2D character, ready to be used in the animation process.

Projektiranje proizvodnih sustava je ključna djelatnost za povećanje učinkovitosti proizvodnje, smanjenje troškova, poboljšanje kvalitete proizvoda i ostvarenje zadovoljstva kupaca. U toj djelatnosti, programska podrška ima neizostavnu ulogu u omogućavanju projektantima da brzo i precizno modeliraju, analiziraju i upravljaju projektnim rješenjima proizvodnih procesa. Istraženi su dostupni softveri (AutoCAD, SolidWorks, CATIA, Siemens NX, Creo, Siemens Teamcenter, Windchill, Enovia i Odoo), a posebno su s odabranim skupom projektnih podataka razmotrena dva od izravne koristi za projektiranje proizvodnje. Softver PAST služi za klasteriranje, što pomaže najprije u podjeli dijelova u skupine, a zatim za uspostavu odgovarajućih proizvodnih struktura. Softver visTABLE omogućuje projektiranje s 2D i 3D modelima, analizu i vizualizaciju toka materijala te vrednovanje i pronalazak najpovoljnijeg rješenja rasporeda elemenata za proizvodnju. Pruža i informacije o zauzetoj površini prostora za proizvodnju, skladištenje i otvoreni prostor, ukupnu duljinu prijeđenu tijekom transporta i opterećenju pojedinih elemenata sustava. U radu je na primjeru odabranih projektnih podataka prikazano kako navedeni softveri mogu pridonijeti efikasnijem projektiranju proizvodnih sustava: skraćenjem vremena projektiranja, većom točnošću kvalitetom projektnih rješenja. Production system planning is a crucial activity for increasing production efficiency, reducing costs, improving product quality and achieving customer satisfaction. In this activity, software support plays an essential role in enabling designers to quickly and accurately model, analyze, and manage project solutions of production processes. The available software (AutoCAD, SolidWorks, CATIA, Siemens NX, Creo, Siemens Teamcenter, Windchill, Enovia and Odoo) were explored, and two of the direct benefits for production design were specifically considered with a selected set of design data. The PAST software is used for clustering, which helps first in the division of parts into groups, and then in the establishment of appropriate production structures. The visTABLE software enables design with 2D and 3D models, analysis and visualization of material flow, and evaluation and finding of the most favorable solution for the arrangement of elements for production. It also provides information on the occupied surface area for production, storage, and open space, the total distance travelled during transport, and the load on individual system elements. The paper shows, on the example of selected design data, how the mentioned software can contribute to a more efficient design of production systems: by shortening the design time, increasing the accuracy and quality of the design solutions.

The market for electric bicycles has grown extremely and developed rapidly in recent years. To enter such a market with a new product, the development process has to be fast, and throughout the process, feedback from future potential customer(s) should be sought in order to achieve the best possible market acceptance. The article presents the design process of a pedelec e-bike central drive system. The authors were members of the development team and the designers of the mechanical transmission, and therefore had a good overview of the whole project. The development process and the set-up of production require a certain amount of time, during which design changes are inevitable due to changes in customer expectations and demands. The development team should respond to these changes and take them into account during development. Only the ability to react to changes and constant communication with the customer will ultimately lead to a product that can be commercially successful. Based on a critical review of the successfully completed project, general guidelines were established for the development of mechatronic products that consider the principles of Agile methodology. Particular attention was paid to the development of polymer gears, as these were the most demanding components in the system. The presented guidelines were based on an overview of the e-bike R&D process presented, but they can be generalized and used in the development process of any technical physical product. Agile methods were developed in the field of software development and therefore cannot be directly transferred to the field of physical product development. The article highlights and discusses individual special features that distinguish agile development of physical products from software development.

V magistrskem delu je bila izdelana grafična podoba uporabniškega vmesnika za povezovanje receptov z različnih spletnih mest in blogov, kjer ustvarjalci objavljajo recepte. V sklopu teoretičnega dela je bil opisan razvoj spletnih mest skozi čas ter začetki in razvoj spletnih mest z recepti in prehranskih blogov do današnjega časa. Najprej je bil opisan sam začetek interneta in njegov hiter razvoj do prvih prehranskih blogov in spletnih mest z recepti, čemur sledi predstavitev štirih različnih spletnih mest s prehransko tematiko. V nadaljevanju so bile opisane zakonitosti izdelave uporabniških vmesnikov ter predstavitev uporabe gumbov, fotografij in barv, upodobljenih na zaslonih. V eksperimentalnem delu je bila izvedena raziskava, v sklopu katere je bilo ugotovljeno, kakšne so potrebe uporabnikov glede podob spletnih mest z recepti in prehranskih blogov, ter kakšen je vidik ustvarjalcev tovrstnih spletnih mest glede uporabe elementov, kot so barve, fotografije, oblika in količina besedila. Na podlagi pridobljenih rezultatov smo izdelali podobo uporabniškega vmesnika v obliki spletne strani, ki uporabniku olajša iskanje receptov iz različnih spletnih mest prek enega iskalnika, ki jih povezuje. Med raziskavo je bilo ugotovljeno, da je svetovni splet zasičen z najrazličnejšimi spletnimi mesti z recepti in prehranskimi blogi, ki so si med seboj sicer različni glede uporabe barv, pisav in fotografij, po drugi strani pa bolj ali manj uporabljajo podobne postavitve receptov. Ugotovljeno je bilo tudi, da bi bil uporabnikom vmesnik za povezovanje receptov zanimiv, medtem ko so si ustvarjalci v glavnem enotni, da vmesniku ne zaupajo v celoti. In this master thesis, the visual identity of the user interface for linking recipes from different websites and blogs where the creators publish recipes was created. The theoretical part describes the development of websites over time and the beginnings and development of websites and blogs with recipes up to the present day. First, the beginnings of the internet and its rapid development up to the first food blogs and recipe websites are described, followed by the presentation of four different food websites. Then the regularities in the design of user interfaces and the presentation of the use of buttons, photos (images) and colours on screens were described. In the experimental part, a research was conducted to find out what users' needs are regarding the images of websites with recipes and food blogs, and what the opinion of the creators of such websites is regarding the use of elements such as colours, photos and the form and amount of text. Based on the results obtained, we created a user interface in the form of a website that makes it easier for the user to find recipes from different websites through a single search engine that links them together. During the research, it was found that the World Wide Web is saturated with a multitude of websites with recipes and food blogs that differ from each other in terms of the use of colours, fonts and photos, but on the other hand use more or less similar recipe layouts. It was also found that users would find an interface for linking recipes interesting, while creators generally feel that they do not fully trust the interface.

Diplomska naloga predstavlja razvoj spletne aplikacije Diplomko za oddajo diplomskega dela, ki pomaga pri reševanju številnih problemov s katerimi se srečujejo tako mentorji kot študenti pri obdelavi, pregledu in ocenjevanju diplomskih nalog. Mentorji se največkrat srečujejo s problemom pregleda podatkov študentov pod svojim mentorstvom, problemom dostopa do kontaktnih podatkov študenta za posamezno delo in pregledov nad sprotnimi popravki diplomskega dela posameznega študenta. Študenti se srečujejo predvsem s problemom komunikacije, saj nimajo direktnega pregleda nad statusom svojega diplomskega dela in lahko z uporabo obstoječih komunikacijskih rešitev kakšno informacijo spregledajo ali izgubijo. Mentorji in študenti trenutno največkrat komunicirajo s pomočjo e-pošte. Cilj razvoja spletne aplikacije Diplomko je centralizirati in poenostaviti komunikacijo med mentorjem in študentom, omogočiti pregled podatkov študentov in njihovih diplomskih nalog, ter možnost ocenjevanja diplomskih del znotraj spletne aplikacije Diplomko. Za izdelavo čelnega dela spletne aplikacije Diplomko je uporabljeno ogrodje Next.js, kateri je integriran s programskim jezikom TypeScript in oblikovan s pomočjo ogrodja Tailwind CSS. Čelni del komunicira z zalednim delom preko vmesnika API, kateri za podatkovno bazo uporablja orodje Prisma. The thesis presents the development of the website application called Diplomko for thesis submission, which helps to solve many problems faced by both mentors and students in the processing, review, and evaluation of theses. Mentors are most often faced with the problem of reviewing the data of students under their supervision, the problem of accessing student contact details for a particular thesis, and the problem of reviewing the online corrections of a particular student's thesis. Students are mainly confronted with the problem of communication, as they do not have a direct overview of the status of their thesis and may overlook or lose information using existing communication solutions. Currently, mentors and students communicate mostly by e-mail. The aim of the development of the Diplomko website application is to centralize and simplify the communication between mentor and student, to provide an overview of students' data and theses, and to allow the possibility of grading theses within the Diploma web application. The front-end of the Diplomko website application is built using the Next.js framework, which is integrated with the TypeScript programming language and designed using the Tailwind CSS framework. The front-end communicates with the back-end via an API, which uses the Prisma tool as its database.

Vizualno zaznavanje informacij je danes vse bolj prisotno. Zaradi nakopičenosti okolice z vizualnimi sporočili so bistvene njihova jasnost, premišljenost in konsistentnost. V diplomskem delu smo analizirali pomen vizualnih sporočil ob promociji festivala Gora Rocka 2022 v spektru industrije glasbenih dogodkov v Sloveniji. Izdelali smo vizualno identiteto festivala Gora Rocka za edicijo dogodka junija 2022 s sloganom Nazaj na Goro ter grafično oblikovali materiale za oglaševanje na analognih in digitalnih komunikacijskih kanalih. V teoretičnem delu smo povzeli literaturo o izdelavi vizualne podobe dogodka, o njenem pomenu in vključevanju nostalgije v oglaševanje. V eksperimentalnem delu diplomskega dela smo teorijo aplicirali na izdelavo bistvenih elementov promocijskega materiala za festival Gora Rocka 2022. Pri delu smo uporabljali predvsem programsko opremo Adobe: Lightroom, Illustrator, Photoshop in InDesign. Rezultat diplomskega dela je vizualna podoba festivala Gora Rocka 2022, ki je bila tudi uporabljena v praksi. Visual perception of information is very present today. Due to the accumulation of the environment with a lot of visual messages, the clarity, thoughtfulness and consistency of these information are essential. In this thesis, we dealt with the importance of visual messages for the promotion of the Gora Rocka 2022 festival. This event is a part of the spectrum of the music event industry in Slovenia. We created the visual identity of the Gora Rocka festival for the June 2022 edition. The slogan of this year's edition is nostalgic Back to the Mountain and the whole promotion is built around it. We designed graphic materials for analog and digital communication channels for advertising. In the theoretical part, we summarized the literature on the creation of a visual identity of the event, its meaning and the inclusion of nostalgia in advertising. In the experimental part of this diploma thesis, we applied the theory to the designing of essential elements of promotional material for the Gora Rocka 2022 festival. We did that with the help of the programs of Adobe: Lightroom, Illustrator, Photoshop and InDesign. The result of this diploma thesis is a visual identity of the Gora Rocka 2022 festival, which was also used in practice.

Ovaj se diplomski rad bavi problematikom oblikovanja knjižnih korica u Hrvatskoj s naglaskom na dizajn korica te na korištene elemente, simboliku, motive i boje. Objašnjava se kako elementi u dizajnu utječu na osobu koja prvi puta gleda određenu knjigu te kako se oni mogu upotrijebiti u marketingu i prodaji. Ciljevi su rada pregledati i istražiti dostupnu literaturu i izvore te dati sažeti prikaz pronađenih rezultata te provesti analizu mišljenja korisnika i nakladnika putem online ankete i online intervjua kako bi se utvrdile korisničke navike i interes te stručni stav vezan uz oblikovanje knjižnih korica. U prvom dijelu rada opisuje se pojam knjige te se daje podijela knjiga prema različitim karakteristikama. Opisuju se različite vrste knjiga s obzirom na namjenu, dob i razvoj čitatelja te podjela prema žanrovima. U drugom dijelu rada fokus je na oblikovanju knjižnih korica. Pozornost se pridaje trendovima dizajna koji su danas zastupljeni te njihovom utjecaju na oblikovanje i dizajniranje knjižnih korica. Treći i zadnji dio rada posvećen je provedenoj analizi i opisivanju podataka koji su dobiveni rezultatima online ankete i online intervjua. Na kraju se provodi rasprava na temelju dobivenih rezultata i daje se zaključak.

Glavni namen diplomske naloge je bil oblikovati knjigo in razumeti, kako lahko le-to vpliva na prodajo. Cilj je razumeti tudi, kakšen psihološki vpliv ima dizajn knjige na ljudi oz. kupce in kako lahko to vpliva na prodajo knjige, hkrati pa ugotoviti, kako optimalno oblikovanje, pri katerem sledimo določenim smernicam, neposredno vpliva na prodajo. Na začetku zastavljene hipoteze so se med oblikovanjem potrdile ali ovrgle. Teoretični del razlaga naslednje teme: psihološki vpliv barve na posameznika, barvna harmonija, barva v publikacijah, raba in vpliv tipografije na človeka, optimalno branje knjige, nepravilnosti pri knjižnem prelomu, oblikovanje publikacij, razporeditev elementov, knjižna struktura, struktura umetniškega dela, geštalt psihologija ter knjiga in prodaja. Medtem ko eksperimentalni del diplomske naloge zajema postopek izdelave knjižnega preloma in knjižne naslovnice za knjigo Petrova imperatorica avtorice Kristine Sabaliauskaite, izdane pri založbi Goga. Delo se je nadaljevalo s pomočjo anonimne ankete in testiranja ciljnih skupin na napravi za sledenje očesnih premikov. Za omenjeno testiranje so se pripravile različne zasnove knjižnih naslovnic, na osnovi česar se je ugotavljalo, katere vzbudijo največjo reakcijo pri opazovancu. Na podlagi pridobljenih rezultatov je analiza pokazala, da so potrošnikom bolj všeč minimalistične naslovnice, ki pa lahko vsebujejo tudi en izstopajoč element, ki pritegne pozornost. Potrjeno je tudi, da bralcem bolj ustreza pisava s serifi, ki ohranja pravilno razmerje med velikostjo znakov in praznimi vrsticami. Prav tako je potrjeno, da je bralcem bolj všeč večji prazen prostor okoli branega besedila, kot manjši. Na podlagi rezultatov je razvidno, da je dobro oblikovanje knjižnega preloma in naslovnice nujno za optimalno bralno izkušnjo ter uspešno prodajo. The main purpose of the diploma thesis was to be acquainted with designing a book as a whole, i.e. to separately design a book text break and a book cover and also to understand how the latter affects print media sales. The goal was also to understand how design has a psychological effect on people and what impact this has on selling a book itself. Therefore, the purpose was to design a book and to find out how optimal design (in which we follow certain guidelines) directly affects sales. The hypothesis set at the beginning were confirmed or refuted during the designing process. The theoretical part explains the following topics: psychological influence of colours on the individual, colour harmonies, colour in publications, use and impact of typography on people, optimal reading of the book, irregularities in book design, publication design, arrangement of elements, book structure, art work structure, gestalt psychology and book and sales. While the experimental part of the diploma thesis presents the process of making a book text break and a book cover for the book called Peter's Empress, by Kristina Sabaliuaskaite, published by Goga. Work continued with the help of an anonymous survey and testing of chosen targeted groups on a device for tracking eye movements (eye tracker). For the mentioned testing, various designs of book covers were prepared, on the basis of which it was determined, which ones arouse the greatest reaction in the observer. Based on the obtained results, the analysis showed that consumers prefer minimalist covers, which can also contain one outstanding element that attracts attention. It has also been confirmed that readers prefer a serif font that maintains the correct ratio between character size and blank lines. It is also confirmed that readers prefer a larger blank space around the text being read than a smaller one. Based on the results, it is clear that a good design of the book cover and cover is essential for an optimal reading experience and successful sales.

Vsaka oseba se vsaj enkrat v življenju sreča z izobraževalnim procesom. Prvi korak je obiskovanje osnovne šole, ki ima izobraževalno in vzgojno nalogo. Vsak učitelj ima vpliv na učence, ki jih poučuje, zato se tudi zavedajo, da morajo biti dober zgled, kar se kaže na več različnih načinov. Prijazen, spoštljiv in korekten odnos so lastnosti vsakega učitelja, ki si želi učencem dati nekaj več. Prav tako je pomembno, da je učitelj dober pedagog in da snov podaja razumljivo. Seveda pa ne smemo pozabiti na ustrezno organiziranost in predanost delu. Da uspejo učitelji slediti vsem aktivnostim in da imajo korekten odnos z učenci, morajo biti dobro organizirani, pri čemer si večinoma pomagajo s pedagoškimi rokovniki. Po večletnem opazovanju in nekaj pogovorih z učitelji smo zaznali splošen problem, in sicer da nekateri učitelji niso zadovoljni s pedagoškimi rokovniki, ki jih prejmejo v dar. Nekateri si zaradi tega rokovnike izdelujejo sami, zato smo se odločili, da bomo za diplomsko nalogo raziskali področje in oblikovali rokovnik na podlagi mnenj in predlogov, ki so nam jih podali učitelji. V teoretičnem delu smo pojasnili pojme, ki smo jih kasneje v praktičnem delu uporabili. Pisali smo o oblikovanju daljših prelomov in izpostavili ključne elemente, ki sestavljajo prelom. Pojasnili smo, kako na oblikovanje vplivata tipografija in barva. Dotaknili smo se tudi teme rokovnikov kot grafičnega izdelka in raziskali, ali obstajajo digitalni rokovniki. V praktičnem delu smo izdelali analizo trga, in sicer tako, da smo med seboj smo primerjali pet pedagoških rokovnikov. Izdelali smo tudi anketni vprašalnik in ga poslali slovenskim osnovnim šolam, nato pa podatke analizirali. Po analizi podatkov smo se lotili še analize trga, z dobljenimi rezultati pa smo lahko začrtali smernice, ki smo jih uporabili za oblikovanje rokovnika. Oblikovali smo prelom v standardni obliki. Ker smo v dobi digitalizacije, smo oblikovali tudi digitalno rešitev pedagoškega rokovnika. Vso uporabljeno programsko opremo, funkcionalnosti in oblikovanje rokovnika ter njegovo digitalno verzijo smo razložili v eksperimentalnem delu. Every person encounters the education process at least once in their life. The first step is to attend primary school, which has an educational role. The teachers influence their students and therefore understand that they need to set a good example, which reflects in many ways. A kind, respectful and correct attitude characterizes every teacher who wants to give something more to the students. It is also important that the teacher is a good educator. Of course, we must not forget the proper organization and dedication to work. To be able to follow all the activities and have a correct relationship with the students, the teachers must organize themselves well. Most of all, they help themselves with pedagogical diaries. After several years of observation and a few conversations with teachers, we noticed a general problem, namely that some teachers are not satisfied with the pedagogical diaries they receive. Therefore, we decided to research the field for the diploma thesis and design a diary based on the opinions and suggestions of the teachers. In the theoretical part we explained the concepts we used later in the practical part. We wrote about designing process and explained the key elements that make up the layout. We explained how typography and color affect design. We also touched on the topic of diaries as a product and explored whether digital diaries exist. In the practical part we made a market analysis. We compared five pedagogical diaries. We also prepared a survey questionnaire and sent it to Slovenian primary schools. Then we analyzed the data. With the help of the results of the survey and market analysis, we were able to outline the guidelines we used to design the diary. Then we designed a layout. Since we live in the digital age, we also designed a digital solution for the pedagogical diary and described all used software. The entire design was then explained in the experimental part.

Namen diplomskega dela je bil oblikovati in izdelati spletno mesto za najem oblačil, ki bo privlačno, preprosto, funkcionalno in enostavno za uporabo. V teoretičnem delu smo preučili ozadje spletnega nakupovanja in najema oblačil, smernice za oblikovanje spletnih mest, izhodišča uporabniške izkušnje in uporabniških vmesnikov ter predstavili načine testiranja uporabnosti za spletna mesta. Z metodami testiranja uporabnosti (hevristična evalvacija in testiranje uporabniške izkušnje) smo analizirali konkurenco in izpostavili prednosti in pomanjkljivosti konkurenčnih spletnih mest. Rezultate analize smo uporabili pri načrtovanju in oblikovanju novega spletnega mesta. Po opravljenem intervjuju s potencialnimi uporabniki smo določili ciljno skupino in definirali dve personi. V načrtovanju spletnega mesta smo zasnovali informacijsko arhitekturo po željah in potrebah potencialnih uporabnikov. Oblikovali smo žične modele in z izbiro barvne palete in tipografije določili oblikovno podobo spletnega mesta. S hevristično evalvacijo in testiranjem uporabniške izkušnje smo preverili uporabnost novo oblikovanega spletnega mesta ter rezultate kritično primerjali z rezultati hevristične evalvacije in testiranjem uporabniške izkušnje konkurenčnih spletnih mest. Končni rezultat diplomskega dela je novo oblikovano spletnego mesto za najem oblačil in modnih dodatkov, ki se v prihodnosti lahko realizira in uporabi na slovenskem trgu. The purpose of the thesis was to design and create an attractive, simple, functional and easy to use clothing rental website. In the theoretical part, we examined the background of online shopping and renting clothes, guidelines for designing websites, the basis of user experience and user interface, and presented ways to test websites for usability. With usability testing (heuristic evaluation and user experience testing), we analysed the competition and identified the shortcomings of competing websites. The results of the analysis were used in the planning and design of the new website. After an interview with potential users, we determined the target group and defined two personas. In planning the website, we designed the information architecture according to the wishes and needs of potential users. We designed the wireframes, and selected the colour palette and typography to finalise the design form of the site. With heuristic evaluation and user experience testing, we checked the usability of the newly designed website, and critically compared these results to the heuristic evaluation and user experience testing of competing websites. The final result of the thesis is a newly designed website for renting clothes and fashion accessories, which can be realized and put to use for the Slovenian market in the near future.

V današnjem času na spletu najdemo veliko raznovrstnih vsebin. Vedno več podjetij, večjih ali manjših, se odloča za nakup spletne strani, saj jim bo ta lahko v veliko pomoč pri vodenju posla in pridobivanju novih strank. Vendar pa morajo biti spletne strani uporabniku prijazne in privlačne. Brez tega je spletna stran praktično neuporabna. Za izdelavo uporabniku prijazne in privlačne spletne strani je potrebno dobro oblikovanje uporabniškega vmesnika in dobro oblikovanje uporabniške izkušnje. Ker je ključno, kako in na osnovi česa so strukture zgrajene, smo se odločili preučiti postopek izdelave uporabniške izkušnje in oblikovanja uporabniškega vmesnika. Glavni namen diplomskega dela je bil definirati merila, ki se uporabljajo pri izdelavi spletnega mesta, in postopek same izdelave prototipa spletnega mesta. V teoretičnem delu je bil narejen poudarek na definicijah uporabniške izkušnje in uporabniškega vmesnika. V eksperimentalnem delu so opisani vsi postopki, ki so bili uporabljeni za izdelavo prototipa spletnega mesta Beauty Glow. Podrobno so predstavljeni postopki življenjskega cikla razvoja izdelka. Sledi poglavje, kjer so predstavljeni rezultati izvedenega eksperimentalnega dela. V tem delu so predstavljene analize konkurenčnih spletnih strani in rezultati izdelave prototipov za spletno stran Beauty Glow. Rezultat diplomskega dela je končan prototip spletne strani, ki je bil tudi izveden in je zdaj dostopen na spletu. Nowadays we can find a variety of content online. More and more businesses, large and small, are opting for a website as it can help them manage their business and attract new customers. However, websites need to be user-friendly and attractive, otherwise they are practically useless. Creating a user-friendly and attractive website requires good user interface design and user experience design. Since it matters how and on what basis these structures are built, we decided to examine the process of creating a user experience and designing a user interface. The main objective of the paper was to define the criteria for creating a website and the process of creating a prototype of a website. The theoretical part defines user experience and user interface. The experimental part describes all the processes needed to create a prototype of the Beauty Glow website. Life cycle of product development is also presented in detail. The following section presents the results of experimental work, analysis of the competing websites and results of prototype production for the Beauty Glow website. The result of the paper is a finished prototype of the website, which was also realised and is now available online.

Diplomsko delo temelji na raziskovanju tekstilnega oblikovanja kot sodobne scenografske prakse in ustvarjanju site-specific tekstilnih scenografskih instalacij. V okviru teoretično-raziskovalnega dela so predstavljeni izbrani ključni scenografski primeri iz sodobnega slovenskega gledališkega prostora: nova slovenska opera Koda L skladatelja Milka Lazarja v režiji in scenografiji Rocca, nov slovenski balet Kompozicija skladatelja Draga Ivanuše v koreografiji Sanje Nešković Peršin in scenografiji Mete Grgurevič, Točka. Brez povratka, instalacijsko-performativni projekt Sanje Nešković Peršin v sodelovanju s kostumografom Urošem Belantičem, ter drama Junakinje v režiji in scenografiji Aleksandra Popovskega. Ustvarjalno-praktični del je sestavljen iz opisa in analize kreativnega procesa in realizacije ter vizualne dokumentacije tekstilnih scenografij dveh opernih projektov v režiji slovenskega opernega režiserja Rocca: Deklica z vžigalicami, novonastala komorna opera slovenske skladateljice in libretistke Tine Mauko v produkciji Slovenskega komornega glasbenega gledališča (premiera 23. 6. 2021 v Stari elektrarni v Ljubljani), in Agripina, baročna opera seria skladatelja Georga Friedricha Händla v produkciji Akademije za glasbo Univerze v Ljubljani (premiera 23. 4. 2022 v Linhartovi dvorani Cankarjevega doma v Ljubljani). Oba scenografska projekta sta nastala v sodelovanju s skupino študentov oblikovanja tekstilij in oblačil na Oddelku za tekstilstvo, grafiko in oblikovanje Naravoslovnotehniške fakultete Univerze v Ljubljani. The diploma thesis is based on the research of textile design as a contemporary scenographic practice and on the creation of site-specific textile scenographic installations. In the framework of the theoretical-research part, selected key scenographic examples from the contemporary Slovenian theatre scene are presented: the new Slovenian opera Code L composed by Milko Lazar, directed and designed by Rocc, the new Slovenian ballet Composition composed by Drago Ivanuša with choreography by Sanja Nešković Peršin and scenography by Meta Grgurevič, Point. No Return, an installative-performance project by Sanja Nešković Peršin in collaboration with the costume designer Uroš Belantič, and the theatre piece Heroines directed and designed by Aleksandar Popovski. The creative-practical part consists of the description and analysis of the creative process and realization as well as visual documentation of the textile set designs for the two opera projects directed by Slovenian opera director Rocc: The Little Match Girl, a newly created chamber opera by Slovenian composer and librettist Tina Mauko, produced by the Slovenian Chamber Music Theatre (premiered on June 23, 2021 in the Old Power Station in Ljubljana), and Agrippina, a baroque opera seria composed by George Frideric Handel, produced by the Academy of Music of the University of Ljubljana (premiered on April 23, 2022 in the Linhart Hall of the Cankar Centre in Ljubljana). Both scenographic projects were created in collaboration with a group of textile and fashion design students from the Department of Textiles, Graphic Arts and Design at the Faculty of Natural Sciences and Engineering of the University of Ljubljana.

Namen diplomskega dela je bil ustvariti vizualno podobo tržne znamke uniseks oblačil. V teoretičnem delu smo opredelili pojme, kako izdelati vizualno podobo znamke, opredelili smo, kaj je sploh uniseks moda in definirali, kako označimo uniseks oblačila. V eksperimentalnem delu smo analizirali sorodne uniseks blagovne znamke tako v Sloveniji kot po svetu, ki že delujejo na trgu. Raziskali smo tudi ciljno skupino glede na starost. Opredelili smo metode dela in s pomočjo računalnika, računalniške tablice in Adobe programov, kot so Adobe Illustrator, Adobe Indesign in Adobe Photoshop izdelali celostno vizualno podobo, pri čemer smo upoštevali smernice iz teorije. Za konec smo izdelali priročnik celostne grafične podobe, v katerem je prikazana uporaba grafičnih elementov: logotipa, barve in pisave in primere implementacije v praksi. The purpose of the diploma thesis was to create a visual image of the unisex clothing brand. In the theoretical part, we defined the concepts of how to create a visual image of a brand, we defined what unisex fashion is and defined how to even label unisex clothing. In the experimental part, we analyzed related unisex brands operating in the market both in Slovenia and around the world. We also checked surveys about the target group according to age. We defined the methods of work and with the help of a computer, a computer tablet and Adobe programs such as Adobe Illustrator, Adobe Indesign and Adobe Photoshop created a holistic visual image, taking into account the guidelines from the theory. Finally, we produced a corporate identity manual, which shows the use of graphic elements: logo, colours, fonts and examples of implementation in practice (mock-ups).

Magistrsko delo “Analiza procesov oblikovanja kolekcije” opisuje proces ter razlike v pristopu med oblikovanjem in realizacijo dveh različnih kolekcij oblačil in dodatkov, ki imata različni izhodišči in različne zahteve. Prva je avtorska kolekcija športnih oblačil in dodatkov, ki se osredotoča na funkcionalnost izdelkov in se posveča predvsem konstrukciji in materialom. Druga pa je kolekcija promocijskih in korporativnih oblačil za naročnika, ki deluje na globalnem trgu. Teoretični del se osredotoča na zgodovino modne industrije in preiskuje načine delovanja za prihodnost. Pod drobnogled so vzeti vloga modnih oblikovalcev v industriji in orodja, ki so jim na voljo v digitalni dobi. Naloga predstavi tudi sodobni produkcijski proces in poda vpogled v sodobne metode tiska na tekstil in dodelave oblačilnih izdelkov. Delu je priložen priročnik, ki združuje ključne informacije za učinkovito delovanje modnega oblikovalca v sodobni modni industriji. Priročnik je mišljen kot orodje za uporabo v smislu internih praktičnih informacij na podlagi izkušenj iz prakse, kot pomoč oblikovalcem ob vstopu v industrijo. Modna industrija se je v nekaj stoletjih iz domače obrti razvila v globalnega giganta, ki zaposluje približno 300 milijonov ljudi in ustvarja neverjetne količine izdelkov letno. Nove tehnologije so popolnoma spremenile način izdelave in posledično oblikovanje oblačil in tekstilij. Tehnologija vpliva na modo do te mere, da novi tehnološki premiki botrujejo v nekaterih primerih popolnoma novim stilom, na ne tako daljnem obzorju pa so tudi digitalna oblačila. Sam proces priprave in izdelave vpliva na oblikovalski proces in obratno, njegova optimizacija pa je poleg produkcije kakovostnih oblačil, ki služijo danemu namenu, končni cilj te magistrske naloge. Skozi preglede primerov iz prakse je začrtan kar se da optimalen in celosten pristop do oblikovanja oblačil v komercialnem svetu in jasno predstavljene razlike med komercialno in avtorsko kolekcijo. The master’s thesis “Analysis of Collection Design Processes” describes the process and differences in approach between the design and implementation of two different collections of clothing and accessories. The first is a small and specialised collection of sportswear and accessories, which puts emphais on the functionality of products and focuses mainly on construction and materials. The second is a collection of promotional and corporate clothing designed and produced for a client. The theoretical part focuses on the history of the fashion industry and investigates ways it could change in the future. It takes a closer look at the role of fashion designers in the industry and the tools available to them in the digital age. The thesis also presents modern production processes and provides an insight into modern methods of printing on textiles and finishing of clothing products. The handbook attached to the thesis offers key information, based on experience from practice, to help designers function in the industry. The fashion industry has, in a few centuries, developed from a cottage industry into a global giant, employing about 300 million people and producing incredible quantities of products annually. New technologies have completely changed the way we make, and consequently design clothes and textiles. Technology is influencing fashion to such an extent that new technological shifts give birth to completely new styles, the future also seems to hint at purely digital clothing. The procedure of preparation and production influences the design process and vice versa, and the optimization of it, in addition to the production of quality clothing that serves a given purpose, is the ultimate goal of this master’s thesis. The most optimal and holistic approach to clothing design in the commercial world is outlined through case studies that also clearly present the difference between a large commercial and a small, studio collection.

Celostna grafična podoba (krajše CGP) in promocijski material sta ena izmed ključnih orodij vsake organizacije ter pogosto prvi stik med organizacijo in uporabniki, zato je pomembno, da se preko le-teh ustvari dober prvi vtis. V diplomskem delu je opisana posodobitev CGP in oblikovanje promocijskega materiala za Šahovsko društvo Krka Novo mesto, ki je eno izmed vodilnih šahovskih društev na Dolenjskem. Namen je bil ustvariti enotno podobo ter s tem povečati prepoznavnost društva. Diplomsko delo je razdeljeno na teoretični in eksperimentalni del. V teoretičnem delu so opredeljeni pojmi CGP ter njegovi elementi. Opisani so promocijski material ter njegova pomembnost, logotip, barve, tipografija, spletna stran in družabna omrežja, spletno oglaševanje in programska oprema. V eksperimentalnem delu so opredeljene metode dela. Za oblikovanje so uporabljeni programi Adobe Photoshop, Adobe Illustrator, Adobe InDesign in Adobe Xd. Predstavljeno je društvo, njegova zgodovina, delovanje, vizija in želje za promocijski material. Analizirana je trenutni CGP. V rezultatih je opravljena analiza šestih podobnih društev. Slikovno so prikazani in opisani rezultati dela: posodobitev logotipa, izbira barvne sheme, izbira tipografije, dodatni grafični elementi, vizitka, pisemska ovojnica, dopisni list, mapa, šahovski formular, darilna vrečka, šahovski zvezek, skodelica, obesek za ključe, kemični svinčnik, zloženka, akreditacije, ovratni trakovi, nalepke, spletne objave, oblikovanje spletne strani, e-poštni podpis in priročnik celostne grafične podobe. Na koncu so rezultati dela ovrednoteni s pomočjo toplotnih zemljevidov spletnega programa Zyro. Corporate identity and promotional material are one of the key communication tools of every organization and often times represent the first contact between an organization and its users and therefore have essential impact on creating a good first impression. This diploma thesis describes the update of the current corporate identity and designing of new promotional material for Chess Club Krka Novo mesto, which is one of the leading chess clubs in the Dolenjska region. The aim was to unify its image and thereby increase the recognisability of the club. The thesis is divided into theoretical and experimental part. The theoretical part defines corporate identity and its elements, such as promotional material and its importance, logotype, colors, typography, website and social networks, online advertising and software used to create it. In the experimental part work methods are defined. Programmes Adobe Photoshop, Adobe Illustrator, Adobe InDesign and Adobe Xd are used for designing. History, current operations, vision and the club’s requests regarding the promotional materials are described. The current corporate identity of the club and six other Slovenian clubs are analyzed. The results are described with text and images: updating of the logotype, color scheme, typography, additional graphic elements, business card, letter envelope, letterhead, folder, chess score sheet, gift bag, chess notebook, coffee mug, keychains, pens, leaflet, lanyards, stickers, social media post templates, website design, e-mail signature and corporate identity manual. In the end, the results of the work are evaluated with the help of heat maps from the online programme Zyro.

Lesna podjetja morajo nenehno razvijati nove izdelke in izboljševati že obstoječe. V sodelovanju s podjetjem LES CAD d.o.o. smo zasnovali nov prodajalni program multifunkcionalnega pisarniškega pohištva. Pri oblikovanju in konstruiranju smo preučili ergonomijo ter upoštevali veljavne standarde na področju pisarniškega pohištva. Multifunkcionalni pisarniški program se lahko prilagaja prostoru, je fleksibilen glede na novonastale probleme in finančne zmožnosti. Bistvena ideja je bila ustreči najrazličnejšim željam in potrebam potrošnika in zagotoviti možnost poljubnega spreminjanja sestavov in razporejanja po prostoru. Uporaba sodobne programske opreme za modeliranje TopSolid je omogočala hitro izdelavo 3D modelov in 2D načrtov, ter enostavno predstavitev idej s pomočjo vizualizacije. Izdelan je bil katalog multifunkcionalnega pisarniškega pohištva. Wood companies must constantly develop new products and improve existing ones. In cooperation with LES CAD d.o.o. we designed a new multifunctional office furniture retail program. In the design and construction, we studied ergonomics and complied with existing standards in the field of office furniture. The multifunctional office program can be adapted to the space available, and is flexible with regard to the the related financial capabilities and any new problems that may emerge. The essential idea was to meet the most diverse wishes and needs of consumers, and to provide the possibility of easily changing the composition and layout of the space. The use of the modelling software TopSolid enabled the rapid creation of 3D models and 2D plans, as well as easy presentation of ideas through visualization. A catalogue of multifunctional office furniture was made.

Get Fit with Eva je blagovna znamka, za katero stoji mlada podjetnica s sedežem v Ljubljani, ki se ukvarja z različnimi tipi vadb in prehranskim svetovanjem. Svoje prostore Smart Gym ima v Ljubljani na Viču, kjer poleg klasičnih vadb ponuja tudi vadbe EMS oziroma električno mišično stimulacijo. V diplomskem delu bomo predstavili potek izdelave celostne grafične podobe (CGP) za podjetje, ki ga stranka do zdaj še ni imela. V začetku bomo opredelili, kaj je CGP in kateri so njeni ključni elementi. Podobo sestavljajo logotip, barve in tipografija. V nadaljevanju bodo predstavljeni ostali elementi CGP, kamor spadajo tiskovine (vizitka, dopisni list), tiskani oglasi (letak, brošura) in spletno oglaševanje (spletna stran). V teoretičnem delu bo opisana propagandna akcija za socialna omrežja, kjer se bomo osredotočili predvsem na Facebook in Instagram. V eksperimentalnem delu bomo opisali podjetje Get Fit with Eva, ki nam je zaupalo celotno izdelavo CGP, in analizirali njegovo konkurenco. Izbrali smo dve konkurenčni podjetji, ki v Ljubljani prav tako ponujata vadbo EMS. To sta EMS 20 in Optimum Studio. Opisali in analizirali smo njihove slabosti in prednosti. Z navodili stranke sta bila izdelana ikona in logotip. CGP smo dodelili barvno kombinacijo, ki naredi moderen videz. Logotip smo uporabili pri izdelavi vizitke in pri izdelavi spletne strani. Izdelali smo slikovni material za propagandno akcijo na socialnih omrežjih. S tem bo stranka lahko širila svojo prepoznavnost na socialnih omrežjih, kar je tudi njen cilj. Izdelali smo 21 objav za socialna omrežja. Na koncu pa smo opravili še analizo nekaterih objav. Po objavi propagandnega materiala smo analizirali pridobljeno število novih sledilcev. Get fit with Eva is a brand name of young entrepreneur. She specialises in various types of exercise and nutrition counseling. It has its premises in Ljubljana, Vič called Smart Gym. In addition to classic exercises, she also offers EMS exercises or electrical muscle stimulation. In the thesis work we will present the process of creating a corporate graphic image for a company that the client has not yet had. At first we will define the basis of a corporate identity and its key elements. It contains logo, colours and typography. We will continue with the description of other elements of the corporate identity, which include printed advertisement (business cards, mailing list, leaflets and brochures) and online advertisement (websites). In the theoretical part we will describe the campaign for social networks. The main focus we will on Facebook and Instagram. In the experimental part, we will describe the company Get fit with Eva who trusted us with the entire production of the graphic design. We will also analyse the competition. Two competing companies that also offer EMS training in Ljubljana were chosen for comparison. These are EMS20 and Optimum Studio. We described and analysed their weaknesses and strengths. With client’s instructions we created an icon, a logo and designed a color combination for overall graphic design to make it look modern. We used logo in the business card and in on the website. Pictorial material was also created for the campaign on social networks. This will allow my client to expand her visibility on social media, which is also her goal. We created 21 creative posts.

Namen diplomskega dela je bil analizirati in prenoviti obstoječo celostno grafično podobo podjetja Punčke za punčke, ki se ukvarja s prodajo otroških igrač. V teoretičnem delu smo opredelili pojme, ki so povezani z izdelavo celostne grafične podobe, predstavili pomen dobre grafične podobe in opredelili smernice in razloge za prenovo grafične podobe. V eksperimentalnem delu smo analizirali obstoječo grafično podobo podjetja, predstavili logotipe sorodnih podjetij, nato pa smo s pomočjo računalnika Macbook Pro in programov Adobe Illustrator, Adobe Indesign in Adobe Photoshop izdelali prenovljeno podobo, pri čemer smo upoštevali želje naročnika. Pred izdelavo smo z naročnikom opravili strukturiran intervju, ki je zajemal deset vprašanj, na podlagi katerih smo pridobili podatke o potrebah podjetja in željah naročnika glede videza nove podobe. Po izdelavi prenovljene podobe smo s pomočjo spletnega programskega orodja Expoze, ki simulira metodo sledenja pogleda, izdelali toplotne zemljevide posameznih elementov grafične podobe, s pomočjo katerih smo preverjali ustreznost postavitve grafičnih elementov na določenem izdelku. Preverjanje je pokazalo, da sta postavitev in hierarhija elementov na vseh izdelkih ustrezna, zato jih nismo naknadno popravljali. Po preverjanju ustreznosti smo izdelali priročnik celostne grafične podobe, ki vsebuje logotip in njegove različice, uporabljene pisave, hierarhijo pisav, barve, primere prepovedane uporabe in prikaze modelov. The purpose of the diploma thesis was to analyse and redesign the existing corporate identity of the company Punčke za punčke, which sells children's toys. In the theoretical part, we defined the concepts related to designing corporate identity, presented the importance of a good corporate identity, and defined the guidelines and reasons for the redesign of the corporate identity. In the experimental part, we analysed the existing corporate identity of the company, presented the logos of related companies, and then with the help of a Macbook Pro and Adobe Illustrator, Adobe Indesign, and Adobe Photoshop created a redesigned corporate identity, taking into account the wishes of the client. Before the production, we conducted a structured interview with the client, which included 10 questions, based on which we obtained information about the needs of the company and the client's wishes regarding the appearance of the new identity. After creating the redesigned identity, we used the Expoze online software, which simulates the method of eye-tracking, to generate heat maps of individual corporate identity elements, with the help of which we checked the suitability of the layout of graphic elements on a particular product. The testing showed that the layout and hierarchy of elements are appropriate, so we did not subsequently change the design. After checking the adequacy, we created a corporate identity manual, which contains the logo and its variants, the fonts used, the hierarchy of fonts, colours, examples of prohibited use, and mock-ups.

Spletni dostop do multimedijskih vsebin omogoča široki populaciji ljudi, da se na enostaven način in prek različnih naprav seznani z novo-medijsko umetnostjo. V diplomski nalogi je predstavljena izdelava dinamične in odzivne spletne strani, ki opravlja vlogo arhiva oz. virtualne galerije. Čelni del sistema je realiziran s knjižnico React, HTML5, CSS3 in JavaScript. Zaledni del pa temelji na uporabi NodeJS okolja in na datotečnem sistemu za upravljanje relacijskih podatkov. V arhivu so shranjena dela iz obdobja 15-ih let, zato je implementiran interni iskalnik prilagojen specifični multimedijski vsebini. Z izdelano spletno stranjo je novo-medijska umetnost društva ArtNetLab dolgoročno shranjena in dostopna z uporabo sodobnih spletnih tehnologij. Online access to multimedia content allows a wide population of people to get acquainted with new media art in an easy way and through various devices. The diploma thesis presents the creation of a dynamic and responsive website, which acts as an archive or a virtual gallery. Frontend of the system is realized with the library React, HTML5, CSS3 and JavaScript. The backend is based on the use of NodeJS environment and a file system for managing relational data. Fifteen years of work is stored in the archive, so the implemented internal search engine is adapted to specific multimedia content. With the created website, the new media art of the ArtNetLab association is stored for longevity and is accessible using modern web technologies.

Rad prikazuje odnos estetike i pedagogije razmatrajući aspekte suda ukusa u odgojno-obrazovnom kontekstu. Usmjerava se na istraživanje mogućnosti subjektivnog i objektivnog određenja suda ukusa kritički razmatrajući moguće problemske implikacije koje nastaju zauzimanjem takvih pozicija u nastojanju njegova određenja. Razmatranjem koncepata suda ukusa rad donosi temeljne odrednice njegova razumijevanja u okviru estetike kao filozofske discipline oslanjajući se poglavito na Humeova i Kantova djela kao izvore i temelj za promišljanje odgojne uloge u njegovom oblikovanju. Analizom ključnih odrednica suda ukusa u njihovu mišljenju pružaju se implikacije putem kojih se iznosi povezanost, relevantnost i nužnost oblikovanja suda ukusa putem odgojno-obrazovne djelatnosti. Stoga rad ukazuje na potrebu za odgojem i obrazovanjem kao neizostavnim čimbenicima koji, osim što produbljuju razumijevanje estetskih vrijednosti, imaju utjecaj na oblikovanje njegove kvalitete i profinjenosti., The paper presents the relationship between aesthetics and pedagogy by considering aspects of the judgement of taste in the educational context. It focuses on exploring the possibility of subjective and objective determination of the judgement of taste by critically considering the possible problematic implications that arise from taking such positions in an effort of its determination. By considering the concepts of the judgement of taste, the paper presents the fundamental concepts of its understanding within aesthetics as a philosophical discipline, relying mainly on Hume’s and Kant’s works as sources and basis for considering the educational role in its figuration. The analysis of the key determinants of the judgement of taste in their works provides the basis for implications through which the connection, relevance and necessity of shaping the judgement of taste through educational activities are presented. Therefore, the paper points to the need for upbringing and education as indispensable factors that, in addition to deepening the understanding of aesthetic values, have an impact on the formation of its quality and sophistication.

Cilj ovog diplomskog rada je prikazati djelatnost pedagoga u oblikovanju izvannastavnih aktivnosti učenika osnovne škole. Izvannastavne aktivnosti važni su čimbenici kvalitetnog provođenja slobodnog vremena djece i mladih, a mijenjale su se tijekom godina. Ove aktivnosti različitih su organizacijskih oblika okupljanja učenika u slobodno izvannastavno vrijeme u školama, a mogu imati kulturno-umjetničko, športsko, tehničko, rekreacijsko i znanstveno (obrazovno) obilježje i sadržaje. Aktivnosti se kreiraju na temelju kurikuluma u kojem slobodu imaju oba čimbenika i učenici i učitelji. Pedagozi ističu kako kod učenika postoje sve veći interesi za bavljenjem izvannastavnim aktivnostima i stoga je potreban ozbiljniji pristup i rad na unaprjeđenju ovoga područja. Upravo zbog prepoznavanja ovoga područja kao značajnog za razvitak dječjih sposobnosti i vještina valja se za njega što kvalitetnije pripremiti u okviru školskih ponuda i omogućiti učenicima popunjavanje slobodnog vremena i pridavati mu značaj koji zaslužuje. Aktivnosti u izvannastavnom vremenu škole karakteriziraju povezivanje učenika radom u skupini koju vežu zajedničke sklonosti i interesi prema određenoj aktivnosti. Učenici se u njih uključuju prema vlastitom opredjeljenju, želji i intrinzičnoj motivaciji. Rad naglašava ciljeve i zadatke, metode i područja izvannastavnih aktivnosti u koja se učenici mogu uključiti. Istraživačkim dijelom rada definirani su oblici kojima pedagozi sudjeluju u kreiranju izvannastavnih aktivnosti. Pri kreiranju izvannastavnih aktivnosti učenika pedagozi imaju savjetodavnu ulogu. U anonimnom anketnom istraživanju je sudjelovalo 33 ispitanika, pedagoga diljem Republike Hrvatske, a njihovi odgovori su prikazani deskriptivnom analizom podataka. Uz ulogu su u istraživanju definirani načini vođenja, kreiranja, oblikovanja i suradnje s drugim sudionicima te procjena kompetentnosti ispitanika pri njezinu kreiranju.

The significance of adapting to a rapidly changing world is quite evident in the current day thus, the awareness of how to teach students so that they can be ready to face challenges in the future is very important. Early education has a huge impact on the further development of children, so preschool teachers must be competent and use appropriate teaching and educational methods. In this study, the development of self-directed learning (SDL) of future preschool teachers is investigated by considering two variables, namely the type of study (full-time and part-time students) and the learning modalities caused by the COVID-19 pandemic (pre-, during and post-COVID-19 confinement). We collected data from 418 participants and analysed them using descriptive statistics, 2 × 3 factorial analysis of variance (ANOVA) and a two-step cluster analysis. The results show the status of pre-service preschool teachers' perceptions of their SDL development and how the variables influenced it. There were significant differences in the students' self-reported SDL skills, depending on the learning environment and the type of study. The status indicator helps educators identify and change the curriculum and how they work with students. It allows the faculty to highlight the positive aspects of the different educational modalities encountered, as well as the characteristics of the study types and their impact on the learning process to improve students’ SDL skills. The results of the study may help in the design of tailored metacognitive scaffolds that take into account different modalities. Further studies are needed to investigate the effectiveness of digital open learning environments that address both SDL and preschool educational practices.

Cilj diplomskega dela je seznaniti se s 3D tehnologijo, tehniko poligonskega modeliranja, kiparjenja in izdelava 3D znanstveno - fantastičnega lika, v odprtokodnem programu za oblikovanje računalniške grafike. Teoretični del zajema opis in zgodovino pojma »znanstvena - fantastika« in zgodovino ter razvoj obstoječega znanstveno - fantastičnega lika. Podrobneje sta opisana nastanek in razvoj obstoječega lika v razmahu popularnosti videoiger. Prav tako so navedeni in opisani še nekateri najpogosteje uporabljeni programi za 3D modeliranje ter podrobneje opisan odprtokodni program Blender, v katerem je bil v praktičnem delu izdelan lasten znanstveno – fantastičen 3D lik. V eksperimentalnem delu so predstavljene izbrane reference in opis procesa izdelave lastnega 3D lika. Razdeljen je na več delov: v prvem delu so predstavljene preference uporabljene za naš lik in navedeni razlogi za izbiro. V drugem je opisan in upodobljen postopek izdelave lika po posameznih delih telesa v programu Blender. Sledi opis postopka izdelave oblačil, dodatkov in orožja z upodobitvami. V zadnjem delu je opisan proces nanašanja tekstur in materialov na končni lik s pripadajočimi dodatki. Končni rezultat diplomskega dela je upodobitev lika in animacija lika na vrteči plošči. The main goal of diploma is to get acquainted with 3D technology, the technique of polygon modeling, sculpting and the production of 3D science fiction character in an open program for the design of computer graphics. The theoretical part covers the description and history of the term "science fiction" and the history and development of the existing science – fiction character. The origin and development of the existing character in the spread of video game popularity are described in more detail. There are also listed and described some of the most commonly used programs for 3D modeling and a more detailed description of the open source program Blender, in which, in the practical part, our own science fiction 3D character was created. References and a description of the process of making our own 3D character are presented in the experimental part that is divided into several parts. The first part presents the preferences that were used for our character and given reasons for those choice. The second describes and depicts the process of making a character for individual body parts in the Blender program. Following by description of the process of making clothes, accessories and weapons with depictions. The last part describes the process of applying textures and materials to the final character with the associated accessories. The final result of the diploma is a depiction of a character and animation of a character on a spinning plate.

V diplomski nalogi se bom ukvarjala s tem, kako s pomočjo fotografije prikazati, za kakšno duševno stanje oziroma duševno motnjo gre. Ukvarjala se bom z upodobitvijo krhkih vizualnih podob, ki jih bom dosegla predvsem z napakami v fotografskem postopku in z uničevanjem filmskih negativov. S svojo fotografsko serijo želim prikazati mentalna stanja in občutke, ki jih posameznik doživlja pri določeni duševni motnji. S svojim diplomskim delom želim bolje spoznati duševne motnje, jih analizirati, in to upodobiti skozi avtorsko serijo fotografij. Raziskovala bom avtorje, ki se ukvarjajo z duševnimi boleznimi, zgodovino upodabljanja duševnih bolezni v umetnosti, duševne motnje in na kakšne načine jih lahko prikažemo s fotografijo. My thesis highlights the depiction of mental illness and state of mind through photography. I will be exploring fragile visual representations and portraying them mostly by errors in the photographic process along with destroying the negatives of the film. The intent of my photographic series is to illustrate various mental and emotional states as experienced by individuals with a specific mental illness. In my thesis I want to learn about various mental illnesses, analyse them and portray them through my original photo series. I will focus on authors who are exploring the complex issues of mental health and emotions through photographic projects and artworks, depiction of mental illness in art history, mental illness in general and how to depict them with photography.

Ovaj rad bit će posvećen zvuku za animaciju. Govorit će o nastanku samoga zvuka, koje sve vrste zvuka postoje, kada i kako je postao iznimno važan dio animiranog filma te kakvu zapravo ulogu ima u istome. Ukratko će se opisati i oprema tijekom povijest koja se koristila za snimanje zvukova i njihovu obradu. Pristup temi temeljit će se uglavnom na teoretskom znanju rada na animiranome filmu i praktičnom dijelu koji će se baviti cjelokupnim procesom produkcije zvuka i njegovom prilagodbom animaciji. animirani film, zvuk, proces, oblikovanje, produkcija, animacija

Cilj diplomskega dela je bil izdelati knjigo o zgodovini in razvoju tipografije ter jo opremiti z avtorskimi ilustracijami. Diplomska naloga je razdeljena na teoretični in eksperimentalni del. V teoretičnem delu so predstavljeni tipografija, njen zgodovinski razvoj in delitev pisav v skupine, glede na skupne značilnosti. V nadaljevanju je predstavljena ilustracija, podrobneje knjižna ilustracija. Opisan je njen zgodovinski razvoj, zatem pa je opisana tudi digitalna ilustracija, ki je predstavljala osnovo za izdelavo ilustracij za eksperimentalni del tega diplomskega dela. V eksperimentalnem delu je predstavljen potek oblikovanja knjige. Najprej sta predstavljena izbira ciljne skupine ter pisanje besedila. Nato je predstavljena izdelava ilustracij v programu Procreate, pri čemer je opisan postopek od izdelave tradicionalne skice do končne ilustracije, pripravljene za nadaljno obdelavo. Predstavljene so izbrane barve, čopiči, stil ... Eksperimentalni del se osredotoča tudi na postavitev dokumenta v programu Adobe InDesign v tem delu je predstavljen postopek od postavitve preloma, dodajanja besedila in ilustracij do izbire pisave, dodajanja vektorskih elementov ter priprave končne datoteke za tisk. The aim of the diploma thesis was to design a book about the history and development of typography and to create own illustrations for the book. Diploma thesis is divided into two parts, theoretical and experimental part. Theoretical part describes typography, its historical development and typeface classification, according to common characteristics. The following part describes illustration, more in detail book illustration. It describes its development through history. The theoretical part later describes digital illustration, which was the foundation for illustrations for the experimental part of the diploma thesis. In the experimental part the book design process is presented. It firstly describes the chosen focus group and the process of writing the text. It later presents the process of creating the illustrations in Procreate application from the traditional sketch to final illustration, prepared for the following handling. The experimental part depicts chosen colours, brushes, style ... This part also focuses on document setup in Adobe InDesign, as it describes page layout, inserting text and illustrations, typeface selection, adding vector elements and print file preparation.

Sodoben razvoj različnih izdelkov in strojev poleg njihove funkcionalnosti vedno bolj stremi k privlačni zunanji obliki. Ob tem upošteva funkcionalnost izdelka katere zaradi oblikovanja zunanje oblike ne sme zanemariti. V zadnjem času so tudi kmetijski stroji vedno bolj sodobni in privlačnih oblik. V nalogi sem sem se ukvarjal z oblikovanjem zunanje oblike robota za krmljenje živine. Pri tem sem moral upoštevati vse funkcije katere opravlja robot in temu prilagoditi obliko. S pomočjo industrijske oblikovalke smo izdelali skice zunanje oblike stroja in jih sproti tudi popravljali in prilagajali glede na možnost izdelave 3D modelov in same tehnologije proizvodnje. Pri zunanji obliki smo upoštevali simetrijo in smernice sodobnega oblikovanja. Oblikovali smo tudi sistem varovanja ljudi in živali med delovanjem robota. Ta prekine delovanje stroja ob morebitnem stiku s človekom ali živaljo. Po umiku ovire robot samodejno ponovno deluje. In addition to their functionality, the modern development of various products and machines is increasingly striving for an attractive appearance. At the same time, it takes into account the functionality of the product, which must not be neglected due to the design of the external shape. Recently, agricultural machines are also becoming more modern and attractive in shape. In the assignment, I was involved in designing the exterior shape of a livestock feeding robot. In doing so, I had to take into account all the functions performed by the robot and adjust the shape accordingly. With the help of an industrial designer, we made sketches of the external shape of the machine and also corrected and adjusted them according to the possibility of making 3D models and the production technology itself. In the external form, we took into account the symmetry and guidelines of modern design. We also designed a system to protect humans and animals during robot operation. This interrupts the operation of the machine in the event of any contact with humans or animals. After removing the obstacle, the robot automatically works again

Embalaža je pogosto neizkoriščen vir ustvarjanja vrednosti in prepoznavnosti blagovne znamke. Četudi je njen glavni namen zaščita izdelka je odlično orodje za informiranje in nagovarjanje potrošnika. Namen diplomskega dela je bil raziskati in analizirati področje embalaže za nakit in ugotovitve uporabiti za izdelavo lastne okrasne ter zaščitne embalaže. Delo obsega zasnovo ter izdelavo te embalaže, katere glavni namen je ustvarjanje dodatne vrednosti ter prepoznavnosti za naročnika. V prvem, teoretičnem delu je predstavljena embalaža na splošno, s poudarkom na embalaži za nakit. Sledi analiza znamke Timeless Style, za katero je potekala izdelava embalaže, s čimer je prepletena tudi teorija najpomembnejših oblikovnih elementov znamke. Analiza trga, konkurenčnih podjetij in njihovih embalaž predstavlja zadnji del teoretičnega dela diplomske naloge. V eksperimentalnem delu so predstavljeni embalažni materiali, tiskalnik ter rezalnik in programa, v katerih je potekalo delo, Engview Package & Display Designer ter Adobe Illustrator. Temu sledijo rezultati in razprava, kjer je opisan potek izdelave same embalaže. Potek obsega osnovno skiciranje, izris plaščev, izdelavo prototipov, digitalizacijo plaščev, izdelavo grafične podobe embalaže ter končni izdelek. Končni izdelek je embalaža v dveh delih. Zunanja, zaščitna škatla je narejena iz valovitega kartona gramature 400 g/m2, notranja oziroma okrasna, s promocijskim kartončkom vred, pa iz premazanega kartona gramature 300 g/m2. Rezultat diplomskega dela sta unikatna oblika ter grafična podoba embalaže, ki se skladata s potrebnimi funkcijami, ki so pomembne ob transportu, zaščiti ter dobri prezentaciji izdelka. Packaging is often an underutilized source of building a brand and brand awareness. Although its main purpose is the protection of its contents, it’s an excellent tool for informing and communicating something to the consumer. The purpose of this diploma thesis is researching and analyzing the industry of jewelry packaging and using the findings to create our own decorative and protective packaging. The thesis encompasses the formation and creation of this packaging, the main goal being to create additional value and brand recognition for the customer. Presented in the first, theoretical part, is packaging in general, with the emphasis on jewelry packaging. Following that is an analysis of the brand the packaging was created for, Timeless Style. This segment is intertwined with theory regarding the most important design elements of branding. The market analysis, as well as the analysis of competitive businesses and their packaging, constitutes the last segment of the theoretical part of the thesis. Packaging materials, the printer, the plotter cutter and the programs used, namely Engview Package & Display Designer and Adobe Illustrator, are all presented in the experimental part. The following chapters, results and discussion, describe the process of making the packaging. This encompasses the initial sketching, creating dielines, creating prototypes, digitalizing dielines, creating the design and the final product. The final product is a packaging consisting of two parts. The outer, protective packaging, is made out of corrugated cardboard with a grammage of 400 g/m². The inner, decorative packaging, with the promotional card included, is made out of coated cardboard with a grammage of 300 g/m². The unique shape and the design of the packaging fit well within the necessary functions required to transport, protect and adequately present the product.

V diplomskem delu je predstavljen proces oblikovanja embalaže in etikete za kraft pivo. Cilj je bil ustvariti preprosto embalažo, ki se lahko sestavi na preprost način in je še vedno funkcionalna. Pomembno nam je bilo dejstvo, da morata embalaža in etiketa vizualno na trgu izstopati od drugih in na tak način pritegniti pozitivno pozornost. V teoretičnem delu je predstavljena embalaža, njeni nameni uporabe in funkcionalnost ter embalažni materiali. Opisane so tudi teoretične lastnosti etikete ter raziskane potrebne zakonodajne informacije, ki morajo biti zapisane na etiketah in embalažah. Na koncu je opisan tudi tisk. V eksperimentalnem delu je opisan postopek izbire materiala, opis posameznih metod dela, tehnika tiska ter razrez materiala. Določeni so bili tudi dejavniki, ki vplivajo tudi na grafično podobo, pod katere spadajo oblika, izbira barv, tipografija in dodatni grafični elementi. Z določitvijo teh dejavnikov in elementov smo lahko oblikovali grafično podobo in tako dobili končno podobo. Rezultat diplomskega dela je izdelana etiketa ter embalaža za kraft pivo, pripravljena za prodajni trg. The thesis presents the process of designing the packaging and label for kraft beer. The aim was to create a simple packaging that can be assembled in a simple way and still be functional. It was important to us that the packaging and the label should stand out visually in the market and thus attract positive attention. In the theoretical part we describe packaging, its uses and functionality as well as packaging materials. The theoretical properties of the label and explored the necessary legislative information that must be written on labels and packaging has been described. At the printing methods are also described. The experimental part describes the material selection process, the description of the different working methods, the printing technique and the cutting of the material. The factors that are important for the design such as the choice of colours, typography and additional graphic elements have been determined. By determining these factors and elements, we were able to design the graphic image and thus obtain the final image. The result of the thesis is a label and packaging for kraft beer, ready for the retail market.

Ljudje in njihove navade se spreminjajo, spreminjajo pa se tudi običaji, kultura in med drugim tudi kuharske navade. Stoletja nazaj so si lahko skuhali le tisto, kar so ulovili ali pridelali sami. Danes je zgodba povsem drugačna, saj potrebne surovine dobimo povsod, v skoraj neomejenih količinah. Namen naloge je preučiti recepte starih, tudi pozabljenih slovenskih jedi, jih preizkusiti (skuhati) in fotografirati ter iz izbranih receptov in fotografij oblikovati kuharico privlačnega in preprostega videza, ki bi uporabniku nudila praktično rabo – da bi iz nje lahko hitro razbral sestavine in postopke priprave. Cilj diplomske naloge je torej zasnovati in oblikovati pregledno kuharico in izvesti ustrezno grafično pripravo za njen tisk. Da bi bila kuharica smiselno, estetsko in uporabno oblikovana, je bilo v teoretičnem delu preučenih nekaj obstoječih kuharic. Opredeljeni sta bili vsebina in izgled, ki sta se skozi različna obdobja spreminjala – v odvisnosti od potreb ter kuharskih spretnosti ljudi. Izkazalo se je, da so se prvim, pretežno besedilnim kuharicam, postopno začele dodajati risbe, kasneje tudi fotografije. Slednje danes kuharice bogatijo in imajo zato v grafičnem oblikovanju posebno mesto. V nalogi so zato navedeni prav tako pomen kuharic in osnovni postopki, potrebni za njihovo oblikovanje oz. izdelavo, ter tehnološke operacije v grafični dodelavi v trde platnice vezanih knjig. V eksperimentalnem delu je prikazana in analizirana vsebina štirih izbranih starejših in novejših kuharic ter prikazana razlika v njihovem zapisu in oblikovanju. Na podlagi ugotovitev je »nastala« kuharica z obstoječimi starimi, a nekoliko posodobljenimi recepti. V procesu izdelave kuharice se je izkazalo, da je ponudba tovrstnih knjig na trgu raznovrstna, saj se razlikujejo predvsem po vsebini in grafični podobi. Starejše kuharice so običajno neatraktivnega videza in brez fotografij, novejše pa bogatijo lične fotografije in skrbno oblikovano ter enostavno berljivo besedilo. People and their habits change, but so do customs, culture and, among other things, cooking habits. Centuries ago, you could only cook what you caught or made yourself. Today, it is quite different, because the raw materials we need are available everywhere and in almost unlimited quantities. The aim of the thesis iwas to study the recipes of old Slovene dishes, to prepare them, to taste them and to photograph them. From the selected recipes and photos of the dishes, we wanted to create a cookbook with an attractive and simple appearance, which would be of practical use to the user so that he could quickly understand the ingredients and preparation processes. The aim of the diploma thesis iwas therefore to design and create a transparent cookbook, as well as to carry out the appropriate graphic prepress for printing. In order to make a cookbook useful and aesthetically pleasing, we studied some of the existing cookbooks in the theoretical part. We defined their content and appearance, which changed over time, depending on people's needs and culinary skills. While reviewing them, we noticed that the first ones, mostly textbooks, were joined by drawings and later photographs, which nowadays enrich cookbooks and therefore have a special place in the graphic design. In addition, we also investigated the meaning of cookbooks and the basic processes required for their design or production, as well as technological processes used in the graphic finishing in bound books. In the experimental part, the contents of four selected older and newer cookbooks were analyzed, revealing the differences in their notation and design. Based on our findings, a cookbook was created with existing old recipes slightly updated. In preparing the cookbook, it was found that there is a wide variety of such books on the market, differing mainly in content and graphic design. Older cookbooks tend to be unattractive in appearance and devoid of photographs, while newer cookbooks are complemented by neat photographs and carefully designed text that is easier for the consumer to read.

V teoretičnem delu diplome obravnavam teorijo spletnih strani, raziščem, kakšno vlogo in vpliv imajo le-te na stranke, prav tako pa predstavim celostno grafično podobo podjetja, njeno vloga in ključne lastnosti, kot so logotip, barve, tipografija ipd. V empiričnem delu je cilj in namen diplomskega dela izdelava spletne strani za podjetje Studio Amadeus, ki se ukvarja predvsem s fotografijo, video produkcijo in z grafičnim oblikovanjem, in sicer s pomočjo graditelja spletnih strani Squarespace. Ker sproti analiziram rabo Squarespacea, izdelavo spletne strani obravnavam po naslednjih korakih: izbor teme, vpis v Squarespace, uvod rabe Squarespace in oblikovanje spletne strani. Prav tako pa zanje izdelati celostno grafično podobo podjetja po postavkah: izdelava logotipa, izbrane barve in tipografija, vizitka, poslovne tiskovine, elektronski podpis in napis na vozilu. Za izdelovanje celostne grafične podobe sem uporabila Adobova programa, in sicer InDesign in Illustrator, ter graditelja spletnih strani Squarespace za oblikovanje spletne strani. Za Squarespace sem se odločila, ker se na socialnih omrežjih vedno bolj promovira graditelje spletnih strani in slednje postaja najbolj popularno orodje za manjša podjetja, blogarje idr. v nasprotju s klasičnim razvijanjem spletnih strani. Nato na kratko primerjam tudi razliko med graditeljem in razvijalcem spletnih strani ter ugotavljam njune prednosti in slabosti, in sicer po naslednjih dejavnikih: čas izdelave, cena, videz, tehnična podpora. In the theoretical part of the diploma thesis, I discuss the theory of websites and their role and influence on customers as well as their corporate identity, its role, and key features such as logotype, colors, typography, etc. The empirical part was based on the purpose and final goal to create a website for the company Studio Amadeus, which mainly deals with photography, video production, and graphic design through the assistance of the Squarespace website builder. While simultaneously analyzing the use of Squarespace, I also determine the creation of a website through the following steps: a selection of topic, entry in Squarespace, the introduction of the use of Squarespace, and website design. We also create a complete graphic image of the company based on the following items of interest: logotype production, selected colors and typography, business card, printed business material, electronic signature and inscriptions on the business vehicle. I used Adobe's programs InDesign and Illustrator and the Squarespace website builder to create a complete corporate graphic image. I chose Squarespace because website builders are being increasingly promoted on social media, thus becoming the most popular tool for smaller businesses, bloggers and others, as opposed to classic website development. Finally, I briefly compare the difference between a website builder and a website developer and identify their advantages and disadvantages, according to the following factors: production time, price, appearance, technical support.

Education systems are struggling to effectively integrate in their study programs the Sustainable Development Goals (SDGs) which define the challenges we need to overcome as a society in the 21st century. This study revealed the special agency that architecture and built environment have in shaping our social, economic, and natural environment using system and design thinking. Despite the several studies on the metacognitive design process, several cognitive traps still exist when developing design thinking in architecture education. This study investigated design thinking and self-directed learning in undergraduate architecture students. Responses collected from a sample of 117 undergraduates were subjected to bootstrapping in structural equation modelling to find significant relationships of reversed action when design thinking is used for developing self-directed learning. The findings suggest that design thinking is strongly connected with self-directed learning, and as shown in the resulting model, all components of self-directed learning are strongly explained by design thinking variables. This can provide insights for curriculum designers and educators on how to shape effective design thinking processes in architecture education to overcome existing shortcomings while improving interpersonal skills, creativity and digital skills, make pedagogical changes, and enhance redesign of learning outcomes towards sustainable architecture.

V diplomskem delu je predstavljena prenova celostne grafične podobe podjetja EIUS. V teoretičnem delu smo spoznali, da je celostna grafična podoba kompleksen pojem, ki razlikuje medsebojno odvisne elemente imidža, sistema in organizacije. Ugotovili smo, da mora vse od vrste simbola in tipografije do barv biti skladno s sliko, ki jo podjetje predstavlja ali želi predstavljati v javnosti. Tako smo prišli do zaključka, da je za ažurnost celostne grafične podobe podjetja EIUS potrebna prenova. Prenovo smo začeli z raziskavo v podjetju ter s preučevanjem obstoječih grafičnih elementov. Novo celostno grafično podobo smo razvijali s skiciranjem ter nadaljevali z digitalizacijo in dodelavo prvotnih skic. Za oceno uspešnosti prenove smo izvedli spletno anketo. Ugotovili smo, da je ustrezna celostna grafična podoba ključna za prepoznavnost, uspeh in konkuriranje s preostalimi podjetji na trgu. Prav tako smo spoznali, kdaj se je smiselno odločiti za spremembo ter na kakšen način jo uspešno izvedemo. The thesis presents the renewal of the visual corporate identity of the company EIUS. In the theoretical part, we found out that the visual corporate identity is a complex concept that distinguishes interdependent elements of image, system and organization. We found that everything from the type of symbol and typography to the colors must be consistent with the image that the company represents or wants to present to the public. Thus, we came to the conclusion that an upgrade is needed to keep the corporate identity of EIUS up-to-date. We started the renovation researching about the company and its existing graphic elements. The first step in the process of developing a new visual corporate identity was sketching, later on followed by digitization and adding finishing touches to the original sketches. We conducted an online survey to assess the success of the renovation. We found that an adequate visual corporate identity is key to visibility, success and competition with other companies in the market. We also learned, when it makes sense to decide on a change and how to implement it successfully.

Podjetja v želji večjega zaslužka iščejo vedno nova tržišča in nove segmente kupcev. Pri podjetju Chipolo, ki izdeluje pametne bluetooth sledilnike predmetov, je večina kupcev stara od 35 do 44 let. Namen diplomske naloge je čim bolje spoznati generacijo Z, spoznati njene vrednote, konjičke in njene potrošniške navade. Želimo jo razumeti, tako da jo v marketinški kampanji lahko nagovorimo na način, ki bi pritegnil njeno pozornost in jo navdušil nad iskalnikom predmetov Chipolo ter na ta način povečati prodajo Chipolo izdelkov med mladimi. Cilj diplomske naloge je torej zasnovati kampanjo, ki bo povečala prodajo oglaševanega izdelka Chpolo Bundle med mladimi. V teoretičnem delu smo pojasnili kaj je marketing, kaj ga sestavlja in kakšne so možnosti oglaševanja na družbenih omrežjih. Pojasnili smo tudi, kaj je generacija Z in predstavili podjetje Chipolo. V eksperimentalnem delu smo sestavili in izvedli anketo v slovenskem in angleškem jeziku. Anketirali smo mlade, stare od 15 do 24 let, iz različnih držav sveta. S pomočjo ankete smo med drugim ugotovili, da večina mladih išče osebne predmete nekajkrat tedensko, kar je nasprotno od našega prepričanja, da imajo mladi manj težav z iskanjem osebnih predmetov. Na podlagi spoznanj iz analize ankete in dejstev o generaciji Z smo zasnovali kampanjo »Back to School« in oblikovali komunikacijska sredstva za kampanjo na družbenih omrežjih Facebook in Instagram, ter e-novice in spletno stran. Najprej smo zasnovali medijsko strategijo, kjer smo opredelili, kaj bomo sporočali in komu bo sporočilo namenjeno. V kampanji smo se osredotočili na mlade med 18. in 24. letom starosti, oglase pa smo prikazovali uporabnikom z vsega sveta, starim od 18 do 65+ let, ki so že kdaj obiskali spletno stran chipolo.net. Nato smo se lotili medijskega načrtovanja, kjer smo določili kje, kdaj in preko katerih kanalov bomo komunicirali. Za oglaševanje na Facebooku in Instagramu smo se odločili zato, ker je analiza ankete pokazala, da največ anketirancev uporablja ravno ti dve družbeni omrežji. Po končani kampanji smo preverili še uspešnost prodaje in ugotovili smo, da cilj ni bil dosežen, saj nihče iz naše ciljne skupine ni kupil akcijskega izdelka, ki je bil v času kampanje najbolje prodajan izdelek. Facebook, ki je najbolj popularno družbeno omrežje, je na spletno stran chipolo. net pripeljalo več uporabnikov kot Instagram, največ uporabnikov pa je na spletno stran vstopilo s klikom na organske zadetke v brskalniku Google. Companies are always looking for new markets and new customer segments to increase their profit. Most customers of Chipolo, a company that manufactures and sells smart item finders, are between 35 and 44 years old. The purpose of this diploma thesis was to get to know and better understand the younger Gen Z, their values, hobbies, consumer habits, so that our marketing campaign would address them in a way that would intrigue and attract them to Chipolo products and consequently boost Chipolo sales. The goal of the thesis is to sell more of the discounted Chipolo Bundle products to young consumers. The theoretical part explains marketing and its components and explores the possibilities of social media advertising. In this section, we also defined members of Generation Z and presented the Chipolo company. The experimental part focuses on a survey conducted in English and Slovene, distributed around the world to participants aged 15 to 24. Contrary to our initial theory the survey revealed that younger people look for their belongings weekly. Based on findings from the survey and general facts about Gen Z, we designed a »Back to School« marketing campaign and communication material for social media advertising, an online newsletter, and our webpage. First we formed a media strategy where we defined what our message is and to whom will this message address to. The campaign focused on young people between the ages of 18 and 24 but with ads we re-targeted users aged 18 to 65+ who had previously visited the chipolo.net website. We then formulated a media plan, where we determined where, when and through which channels we would convey our message. We decided to advertise the campaign on Facebook and Instagram as we found that these are the two most popular social media platforms amongst the younger Generation Z. After the campaign we analyzed the sales from the chipolo.net shop and concluded that the goal was not met. The sales in our target group did not increase, in fact, none of the buyers of the bestselling product we discounted in the campaign came from this target group. Facebook, the most popular social media platform, generated more leads to the chipolo.net web page than Instagram, but overall, the organic searches from Google brought in most customers.

Namen diplomskega dela je bil oblikovati promocijsko embalažo za podjetje. V teoretičnem delu naloge smo predstavili pomen embalaže, podali delitev embalaže in opisali funkcije embalaže, pri katerih smo posebej predstavili tiste, ki so ključne z marketinškega vidika. Omenili smo zahteve za materiale, ki prihajajo v stik z živili, ter bolj podrobno opisali papir in karton, saj smo ju kasneje uporabili kot tiskovni material za promocijsko embalažo. Na kratko smo opisali tudi osnovna grafična elementa pri oblikovanju: barvo in tipografijo. Predstavili smo pomen in prednosti promocijskih daril ter blagovne znamke in preučili dejavnike, ki vplivajo na proces nakupnega odločanja pri ljudeh. V praktičnem delu smo naredili analizo embalaže promocijskih daril na slovenskem trgu. Opisali smo celoten potek oblikovanja dveh promocijskih embalaž, od idejne zasnove pa do končne tiskovine. Oblikovali smo estetski in hkrati promocijski videz škatlice za praline ter darilne vrečke za smučarsko tekmovanje. Pri oblikovanju smo morali upoštevali želje stranke in smernice oblikovanja v sodobnem času ter izbrati ustrezno temo oblikovanja, skladno z namenom uporabe in panogo, s katero se podjetje ukvarja. Motivi na embalaži se lepo ujemajo s časom obdarovanja in dogodkom in ker je logotip podjetja lepo vpleten v grafično podobo, je embalaža pridobila na prepoznavnosti in predstavlja odlično promocijsko darilo. The purpose of our diploma thesis was to create two promotional packages for a company. In the theoretical part of the thesis, we explained the meaning of packaging and described the groups into which packaging can be divided. We described the functions of packaging and pointed out the ones significant from the marketing point of view. We mentioned the criteria packaging materials have to meet when they are meant to be in contact with food and we more thoroughly described paper and board, which were later used as printing material for promotional products. We gave a quick introduction to the most important graphic elements used in designing: typography and colour. We described the meaning of brand and promotional gifts and we studied the factors crucial for buyer decision processes. In the practical part of the thesis, we firstly listed some examples of promotional packaging products available in our country. Later on, we described the whole process of designing, starting with the idea and finishing with the printed matter. We designed promotional and at the same time aesthetic look of a praline gift box and a bag for skiing competition, both as promotional material for the iPLUS company. In the designing process, we had to consider the client’s wishes, the aspects of modern design, and make sure the theme of the design is consistent with the purpose of use and industry of the company. Motives on both designs are well chosen and based on the events and the season when packages were given. Logo of the company is well blended in the design, therefore, it increases aesthetics of the product and recognisability of the firm.