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From preservation of historical monuments to repair of existing buildings, architectural heritage seems to be a market with a future for France's building industry. The public's enthusiasm, along with greater appreciation of the "value" of cultural goods and their integration into a framework of economic development offer a favorable context for rapid expansion of the architectural heritage market. Despite this fact, architectural heritage has yet to become the focus of strategies permitting elaboration of a real supply policy. The designation "heritage architect" currently covers the following professional groups: (1) "head architects for historical monuments" (the elite body of architects entrusted with rehabilitation of France's historical monuments); (2) architects working solely in private agencies; and (3) civil servants with project management responsibilities limited to the historical monuments' upkeep. These different players are too dispersed to formulate an economic response to the increasing demand for their services. Exchanges among the three groups about historical approaches must be encouraged, the competencies needed for the field must be better identified, and the training needed to develop the specialized skills required for historical preservation must be developed and provided. Companies and training bodies have important roles to play in building and structuring the architectural heritage market and in providing the training required to develop a qualified workforce. (MN)

This paper classifies the Cypriot Art Déco and addresses it, for the first time, as the dominating modernist variant of the 1930s-1940s in Cyprus. We argue that, out of several Art Déco trends, the Mendelsohnian streamline moderne is by far the prevalent and is characterized by a common, rounded architectural morphology. Main sources of this "Mediterranean Art Déco", more or less immediate, are primarily France, England, Athens, and a now partially anonymous local architectural elite. [ABSTRACT FROM AUTHOR]

Abstract: The present research work concerns development of regression models to predict the monthly heating demand for single-family residential sector in temperate climates, with the aim to be used by architects or design engineers as support tools in the very first stage of their projects in finding efficiently energetic solutions. Another interest to use such simplified models is to make it possible a very quick parametric study in order to optimize the building structure versus environmental or economic criteria. All the energy prediction models were based on an extended database obtained by dynamic simulations for 16 major cities of France. The inputs for the regression models are the building shape factor, the building envelope U-value, the window to floor area ratio, the building time constant and the climate which is defined as function of the sol-air temperature and heating set-point. If the neural network (NN) methods could give precise representations in predicting energy use, with the advantage that they are capable of adjusting themselves to unexpected pattern changes in the incoming data, the multiple regression analysis was also found to be an efficient method, nevertheless with the requirement that an extended database should be used for the regression. The validation is probably the most important level when trying to find prediction models, so 270 different scenarios are analysed in this research work for different inputs of the models. It has been established that the energy equations obtained can do predictions quite well, a maximum deviation between the predicted and the simulated is noticed to be 5.1% for Nice climate, with an average error of 2%. In this paper, we also show that is possible to predict the building heating demand even for more complex scenarios, when the construction is adjacent to non-heated spaces, basements or roof attics. [Copyright &y& Elsevier]

What structuralism in architecture aimed at has often been misunderstood. Structuralism was not about democracy, giving the users of a building the possibility to make changes in it. On the contrary, structuralism aimed at expressing social patterns and relations and these were apprehended as permanent and invariant and definitely not possible to change. Architects and city planners organized buildings and cities on the basis of communication routes, streets, and squares, what in a structuralist analysis constitutes the invariant structures of a city. Social patterns were apprehended not only as invariant but also as complex and, therefore, ideal buildings and cities should be complex, often visualized as a jumble of corridors, roads, underground-tracks, and footbridges in different levels connected by escalators, stairs, and elevators being stressed by their size, color, or material. To stress binary pairs was another aspect of structuralism in architecture. Outside/inside and nature/culture are examples of this. It lead architects to use materials we normally would associate with exteriors in interiors such as "raw" concrete; that is, concrete walls with no plaster or stonepaving. [ABSTRACT FROM AUTHOR]

The "pavilion plan" for hospital design originated in France in the 18th century and was popularised in England by John Roberton and George Godwin in the mid-19th century; the underlying rationale was that with improved ventilation the mortality rate (at that time exceedingly high) was significantly reduced. Among the enthusiasts for this new style was Florence Nightingale (herself a miasmatist)--who had experienced astronomically high death rates in the hospital at Scutari during the Crimean War (1854-6). One of the leading exponents of this style of hospital architecture was Henry Currey (1820-1900) whose greatest achievement was undoubtedly the design for the new St Thomas's Hospital on the Lambeth Palace Road. [ABSTRACT FROM AUTHOR]

The article focuses on architect Le Corbusier's Pavillon de l'Esprit Nouveau project in Paris, France which was intended as a means of redefining the decorative in terms of the object of everyday use. Le Corbusier designates Pompeii as true museum in order to assert the Pavillon as the manifestation of values opposed to those represented by the 1925 exposition. The project advocates reading the interior as furnished with reassuring articles in order that the 1925 Pavillon stand for the comforting aspect of the heimlich. According to Le Corbusier, the true museum is one that contains everything, one able to give the whole picture.

Offers information on the career of French architect Joseph-Jacques Ram é e who died in 1842. Migration to Germany during the French Revolution; Availability of documents on his professional and personal activities; Apprenticeship in the office of architect Francois-Joseph Belanger.

Examines the works of architect-sculptor Pierre Morel, master of works in Avignon, France. Features of Morel's architectural works; Description of Morel's religious sculptures; Talent and skills of Morel as shown in his works.