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In this study, different meanings of the 'door' extant from history to the present are mentioned. divine dimensions of thee gates, which change shape according to civilizations but have the same constuction purposes, are examined. How this object has been made into a myth, in both material and spiritual terms, it has been studied as a means to meet peoples expectations from life. The huge gateways, the gates of god, the gate of hell or heaven, and the gates that are thought to have treasures hidden behind it are emphasized. These portals, which are fed by people's fears, effort to add meaning to the unknown and the need for a hand of god to help themselves, are given information about how these portals have changed to today. This change is explanied with the works of names fromcontemporary art. The charactesristic of the door shapes, that have changed with the political religion and all kinds of culural and artistic structure of the place where they live, however features that do not differ in anygeography have been handledand strengthened with different art works expressions. Bu çalışmada, tarihten günümüze 'kapı' objesinin taşıdığı anlamlara değinilmiştir. Uygarlıklara göre şekil değiştiren fakat yapım amaçlarının aynı olduğu bu kapıların tanrısal boyutları incelenmiştir. Bu objenin nasıl mit haline getirildiği ve gerek maddi gerek manevi anlamlarda, insanların hayattan beklentilerini karşılaması için bir araç haline getirilmesi işlenmiştir. Devasa geçitler, tanrı kapıları, cehennem ya da cennet kapısı, ardında hazineler olduğuna inanılan kapılar üzerinde durulmuştur. İnsanların korkularıyla bilinmeyene anlam yükleme çabasıyla ve kendine yardım edecek tanrı eline ihtiyaç duymasıyla beslenen bu portalların, günümüzde nasıl değişikliklere uğradığı hakkında bilgi verilmiştir. Güncel sanattan isimlerin eserleriyle bu değişim anlatılmıştır. Kapı şekillerinin, yaşanılan yerin siyasi, dini ve her türlü kültürel, sanatsal yapısıyla değişim gösterdikleri, fakat hiç bir coğrafyada farklılık göstermeyen özellikleri de ele alınmış ve farklı sanat eserleri anlatımlarıyla güçlendirilmiştir.

Šiame darbe analizuojamos optinės judesio iliuzijos galimybės ir formos, vykstant dinamiškai žiūrovo ir kūrinio sąveikai. Vienas iš būdų judesio iliuzijai suformuoti – optinės iliuzijos kuriamas realiai neegzistuojantis vaizdas, atsirandantis dėl mūsų regos ir suvokimo specifikos. Judesio iliuzija naudojam optiniame bei kinetiniame mene, animacijoje. Analizuojamas Muaro efektas, tarnaujantis priemone žiūrovo ir meno kūrinio sąveikai skatinti. Aptariami kūriniai, kurių meninei idėjai atskleisti kūrinio ir žiūrovo kontakto metu vienas iš jų turi būti judėjimo būsenoje. Gvildenamas ekonomiškumo animacijoje klausimas: analizuojami pavyzdžiai kuomet judesio iliuzija kuriama minimaliomis priemonėmis, išnaudojant žmogaus aplinkos suvokimo galimybes. Analizuojant Analizuojant optinę iliuziją naudojusių kūrėjų darbus darytina išvada, kad ji, dinamiškoje sąveikoje veikdama pojūčius ir sąmonę, kūriniui suteikia įtaigumo o kūrėjui papildomų galimybių manipuliuoti žiūrovu. Kūrybinė dalis - muaro animacijos principu sukurta instaliacija „Motus Animus“. Jos idėjinis-meninis pagrindas – minčių, idėjų, stereotipų kopijavimas, dalijimasis bei plagijavimas vartotojiškoje industrinėje visuomenėje. This paper concentrates on analyzing the potential and forms of optical illusion in relation to dynamic interaction between the art work and the viewer. Illusion of motion is an image that is created by optical illusion that does not exist in reality, but is registered in the mind because of our visual and cognitive specifications. Optical illusion of motion is used in optical and kinetic art and animation. This paper analyzes Moire effect that is a measure to encourage interaction between a creation and a viewer. This paper discusses art works that in order to reveal their artistic idea, the art work or viewer must move. Also this paper disputes the economy in animation: the cases are analyzed, when optical illusion of motion is achieved by using minimal means and exhausting the possibilities of man’s cognition. The analysis of the works of arts’ of artists that used optical illusion, the conclusion is made that optical illusion in dynamic interaction affects senses and consciousness and therefore delivers suggestibility to the work of art and more possibilities to manipulate the viewer to the artist. The creative project of thesis is an installation “Motus Animus” created by using Moire animation. The ideological and artistic background constitutes of copying, sharing and plagiarizing thoughts, ideas and stereotypes in consumption industrial society.

Relatório de Projecto Num processo de fusão entre a Companhia Nacional de Bailado e o Teatro Nacional de São Carlos, surge uma entidade pública empresarial, o Opart, com o objectivo de gestão destas duas entidades, sem descurar a excelência das prestações artísticas. Dada a complexidade de construção de uma nova organização, sem descurar nem desconsiderar a cultura organizacional da CNB e do TNSC, está a ser realizado um projecto de desenvolvimento organizacional integrado, onde a Comunicação Corporativa é estudada como uma das questões chave para o sucesso. A investigação está a ser desenvolvida em contexto real, através de uma intervenção directa junto dos colaboradores, aplicando a metodologia da Investigação Acção e a técnica de Observação Directa e de criação de um Diário de Investigação, para recolha de opiniões e sentimentos em relação ao projecto do Opart. O que se pretende é a passagem de uma comunicação dispersa entre os colaboradores da CNB e do TNSC, para uma comunicação focalizada no Opart, preocupação que tem vindo a ser tida em conta pela administração, através dos esforços realizados para o desenvolvimento da Comunicação Corporativa. In a merger process between Companhia Nacional de Bailado and Teatro Nacional de São Carlos, appears a public corporation, Opart, with the aim of managing these two entities. With the complexity of building a new organization, while organizational culture of CNB and TNSC need to be respected, is being developed a integrated organizational research, and Corporate Communication is a key to success. The research is being developed in real context, through direct intervention with employees, applying the Action Science methodology, Direct Observation and Researcher Notes, to collect opinions and feelings about Opart. The aim is to make the transition between a dispersed communication in CNB and TNSC to a Opart focused communication, concern that has been taken into account by top managers, through the efforts towards the development of Corporate Communication.