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Hardly any other folklore subject or motif can offer a more colourful bouquet in genre than apparent death, ranging from fairy tales and romantic legends to rumours, ballads, and jokes. The historical origin of stories of apparent death extends back to antiquity, probably also relying on some true events; however, the formation and spread of folktales on this subject falls into the Enlightenment period in Europe. The emergence and development of this topic relate to medical and religious practices, journalism and literature. The article focuses on the traditional context of apparent death in eighteenth-nineteenthcentury Europe, including Estonia. [ABSTRACT FROM AUTHOR]

This article* analyses Estonian fairy tales with regard to perceiving supernatural lapses of time, focusing on the tale type cluster A Mortal Visits the Other World, which includes tale types ATU 470, 470A, 471, and 471A. In these tales the mortal finding himself in the world of the dead, heaven or fairyland experiences the accelerated passage of time. Returning to the mundane temporal reality and learning the truth the hero generally dies. The difference in time perception has been caused by the hero's movement in space and between spaces. Three vertical spheres can be detected: 1) the upper world (heaven, paradise); 2) the human world; 3) the netherworld (the world of the dead, hell). Usually, the events of a particular tale take place only in the human world, and either in the upper or the netherworld. The relativity of the passing of time on earth and in the other world makes the tales 'behave' in a peculiar manner as regards genre, bringing to prominence features of representation of time typical of legends or religious tales. Although the tales contain several features that make them close to legends (a concrete place and personal names, the topic of death, dystopic endings, characters belonging to the reality of legends, etc.), based on Estonian material they can be regarded as part of fairy tales. [ABSTRACT FROM AUTHOR]