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There is no single, objective place from which to assess risk, and the best way to assess and minimise risk is through seeking input from a variety of different knowledge agents focusing on different sources and dimensions of risk and using multiple methodologies. This paper draws on Wynne's work on constructivist-realism and on the feminist literature on masculinity to examine fish harvesters' understandings and experiences of risk and safety in the province of Newfoundland and Labrador on Canada's east coast. Using data drawn from focus groups, phone interviews and from individual boat tours with Newfoundland fish harvesters, it is argued that their understandings and practices of risk and safety are dynamic and that this dynamism reflects the intersection of everyday requirements to get the job done in what are often uncertain and constrained circumstances associated with the interacting and changing regulatory, industrial and environmental contexts in which this work is done. From this perspective, while quantifying fisheries risks in terms of fatality, accident or Search and Rescue incident rates is important, the inclusion of fish harvesters' experiences and related safety knowledge in research and policy-development designed to reduce risk is imperative. The view from the deck of the vessel and fish harvesters' experiences on the water not only informs their observations and interpretations of risk but offer potential insights into risk and into expert claims about risk that should be taken into account when trying to understand fishing risk and improve safety. [ABSTRACT FROM AUTHOR]

The article discusses the writing, publication, and reception of the 1972 book "Death on the Ice: The Great Newfoundland Sealing Disaster of 1914" by Cassie Brown with Harold Horwood, an account of the deaths from exposure of dozens of sealers seen as stemming from corporate indifference to their welfare. The book, an international bestseller written by and about Newfoundlanders, is seen as a landmark in Newfoundland print culture and cultural identity. Topics discussed include sealing in Newfoundland literature, Brown's early career and development as an author, and the life cycle of her book.